Tag Archives: Paul Keller

YOUR HAPPINESS LIES / RIGHT UNDER YOUR EYES, or POSTPONE THAT TRIP (2020 Edition)

I believe that the first version of this now-neglected classic song I heard was Jolson’s, then Billie’s . . . and it is even more pertinent now, as an antidote to the restless itch to be somewhere else, or to have a “bucket list” of places to visit.  In this time of sheltering-at-home, to me it seems the ideal soundtrack, even if your backyard is only imaginary or remembered.

From 2011:

2012:

Later that year, and closer to my backyard:

2014:

and 2016:

I even have a version of this song recorded in March 2020, but it hasn’t passed the Imperial Board of Censors just yet.  And since I am keenly aware of ironies, I know that for all but one of these performances celebrating the joys of one’s own place, I had to get on a plane to enjoy and record it.  Calling Steven Wright or perhaps Ralph Waldo Emerson — the latter of whom wrote “Traveling is a fool’s paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from.

So today, perhaps, I will put off the thrilling journey to the Post Office and, later, when adventure calls to me, I will take the cardboard boxes to the recycling area. Back in my own backyard for sure.  Possibly constrained, but reasonably safe from harm.

May your happiness increase!

 

MONTEREY DELIGHTS! (Jazz Bash By the Bay, 40th Anniversary Edition, March 5-8, 2020)

It’s never too early to get prepared for joy, especially the varieties that the Jazz Bash by the Bay delivers so generously.  (An All-Events badge is available at a discount before December 31, so if thrift makes your eyes gleam, check here.) Now.

I’ve been attending this March festival every year since 2011 (I missed 2018) and have fond memories.  I could write a good deal about the pleasures of this grouping of musicians and fans, and the pleasures of being able to walk around a truly charming town center . . . or the pleasure of being a guest at the Portola Hotel and Spa, with the music just a trot away, but I will simply direct you to the Bash’s website, where you can find out such useful information as the dates (March 6-8), the band schedule (not available yet), ticket prices, and the bands themselves.

For me, the bands and guest stars are the reason to come to a particular festival, so I will list them here (as of January 2020) so you can see the delights to be had.  First, the Musician of the Year is my hero Marc Caparone, so even though I doubt there will be a parasol-laden coronation, I want to be there to see the rites and praises.  Then, guest stars Bob Draga, Brian Holland, Danny Coots, Dawn Lambeth, Eddie Erickson, Gary Ryan, Jeff Barnhart, Jerry Krahn, and Katie Cavera.  The bands: Blue Street Jazz Band, Bye Bye Blues Boys Band, Carl Sonny Leyland Trio, Clint Baker’s New Orleans Jazz Band, Cornet Chop Suey, Crescent Katz, Don Neely’s Royal Society Jazz Orchestra, Fast Mama Excitement, Holland-Coots Jazz Quintet, Ivory&Gold, Le Jazz Hot, Midiri Brothers, Sierra Seven, Tom Rigney and Flambeau, We Three (Thursday only), Yve Evans and Company, and the Zydeco Flames.

Looking at the 2019 schedule, the Bash offered four simultaneous sessions for full twelve-hour days on Friday and Saturday, and a half day on Sunday . . . one hundred and fifty sessions, including full bands, singers, solo and duo pianos, youth bands, sets for amateur jammers, and more.  Even someone like myself, who doesn’t fell compelled to see and hear everything, finds it a delightfully exhausting experience.  There’s a separate Thursday-night dance and an appearance by We Three, and I quote: “Kick off Jazz Bash by the Bay on Thursday, March 5, 2020, with a big band dance party featuring Clicktrax Jazz Orchestra. Attendees will enjoy danceable swing and traditional jazz at the Portola Hotel and Spa from 7:30 to 11 pm. Admission is $25.00. Also, in a Special One-Night-Only appearance, the hit trio We3 featuring Bob Draga, Jeff Barnhart, and Danny Coots will be playing from 7 to 8:30 pm. Admission is $30.00. Add the dance for $20 more. All tickets can be purchased by phone, mail, online or at the door.”

Did you notice that there is an Early Bird All-Events Badge at a discount if you order before December 31, 2019?  Yes, I repeat myself: details here.

For me, a post advertising a particular festival is not effective unless some musical evidence can be included.  I broke one of my rules — that is, there are musicians in the 2011-19 videos below who do not appear at this year’s Bash, and I apologize to them if anyone’s feelings are bruised.  But I started to go through the 200+ videos I’d posted of various Monterey Bashes, and some of them were do fine that I couldn’t leave them out.  You’ll get a panoramic sense of the wide variety of good, lively, inventive music that happens here.  And each video has a detailed description of who’s playing and singing, and when it happened.

an old song, swung, 2019:

for Django:

Becky and the blues:

the late Westy Westenhofer:

Ivory&Gold (Jeff and Anne Barnhart):

Paolo Alderighi, Phil Flanigan, Jeff Hamilton:

Katie Cavera and the Au Brothers:

Bob Schulz and the Frisco Jazz Band:

Allan Vache, John Sheridan, John Cocuzzi, Paul Keller, Ed Metz:

High Sierra:

Hot Strings at Monterey 2011:

a jam session with Bryan Shaw, Jeff Barnhart, Dan Barrett, Marc Caparone, John Reynolds, Katie Cavera, Ralf Reynolds:

Carl Sonny Leyland, Marty Eggers, Jeff Hamilton, performing Sonny’s composition that insures that no rodents visit the Portola during the Bash:

It might seem a long way away, but it isn’t.  And it’s a truly enjoyable event.

May your happiness increase!

MARK IT DOWN! THE CENTRAL ILLINOIS JAZZ FESTIVAL (March 30, 2019: Decatur, Illinois)

Here’s something for the intellectual puzzle-solvers in the JAZZ LIVES audience.

One.

 

Two.

 

 

 

 

Three.

Kenny Davern, Yank Lawson, Connie Jones, Pee Wee Erwin, Doc Cheatham, Chuck Folds, George Masso, Don Goldie, Johnny Varro, Jon-Erik Kellso, Paul Keller, Ed Polcer, Eddie Higgins, Marty Grosz, Bill Allred, Bob Schulz, Bobby Rosengarden, Milt Hinton, Brian Torff, Johnny Frigo, Peter Ecklund, John Sheridan, Brian Holland, Rebecca Kilgore, Dan Barrett, Eddie Erickson, Ken Peplowski, Vince Giordano and the Nighthawks, the Fat Babies, and more.

Figured it out?  The answers, although indirect, are below, and they relate to the Juvae Jazz Society and the Central Illinois Jazz Festival: the story of their inception is here.

I confess that Decatur, Illinois has really never loomed large in my vision of bucket-list places.  But I have been terribly myopic about this for the past quarter-century.  Consider the poster below, please:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Juvae Jazz Society is celebrating its twenty-fifth anniversary, and rather than expecting people to bring them silver plates and candelabra, they are throwing a one-day jazz party, which you might have understood from the poster above.  (The list of musicians is just some of the notables who have played and sung for them in the last quarter-century.)

Although I admire Petra van Nuis and Andy Brown immensely, I’ve never had a chance to hear Petra and the Recession Seven live.  The Chicago Cellar Boys are one of my favorite bands and would even be so if Dave Bock wore a more sedate bow tie.  Other surprises are possible as well.

Some groovy evidence for you:

and those Boys:

So I’m going to be there.  Care to join me?

May your happiness increase!

FOR, WITH, AND BY BUCKY: NEW JERSEY JAZZ SOCIETY’S 45th ANNIVERSARY CONCERT (October 22, 2017)

The New Jersey Jazz Society is a fount of good things — concerts, publications, supporting the music and the musicians.  And no one has a bad word to say about Bucky Pizzarelli . . . so take a few very brief minutes and watch this:

For those who don’t want to watch even brief videos (there’s music in this one), a flurry of reiterated details:

Don Braden, Director, Tenor Sax/Flute
WBGO’s Rhonda Hamilton, Mistress of Ceremonies
Special guest Dorthaan Kirk, “Newark’s First Lady of Jazz”

Nathan Eklund Trumpet
Jason Jackson Trombone
Ed Laub, Dave Stryker Guitar
Tomoko Ohno Piano
Martin Pizzarelli Bass
Bernard Purdie Drums
Danny Bacher, Antoinette Montague, Alexis Morrast, Marlene VerPlanck Vocals
Leonieke Scheuble Piano
Tim Givens Bass
Nick Scheuble Drums
William Paterson University Students “Little Big Band”

Sunday, October 22, 2017
3:00– 6:00pm
Dorothy Young Center for the Arts on the campus of
Drew University, 36 Madison Avenue, Madison, NJ 07940

Big Band to Bebop and Beyond
A “Jersey Best” celebration of the rich jazz history of New Jersey; honoring the 75-year career of the Garden State’s own legendary guitarist Bucky Pizzarelli.
NJJS Members advance sale $30 each (at the door: $35)
Non-members advance sale $35 each (at the door: $40)
Students balcony seating $15 each (I.D. required)
Proceeds from the event benefit NJJS scholarships, and its educational program Generations of Jazz.  Please consider making a separate, tax-deductible contribution over and above the ticket price.
3 ways to order tickets:
• online: njjs.org
• by phone: 1-800-838-3006; select option 1.
• by mail: send a check payable to NJJS, including
a $3 per order handling fee, together with a stamped,
self-addressed envelope to: NJJS, c/o Kate Casano,
158 Cotton Street, Philadelphia, PA 19127.
Your order must be mailed no later than October 12.
NJJS is a qualified I.R.C. 501(c)(3)
dedicated to the performance, promotion and preservation of jazz.
Ticket price is not tax deductible.
NJJS is a qualified agency of the New Jersey Cultural Trust

It is possible but inconceivable that some people don’t know Bucky’s mastery (where might they have been hiding for the past decades?) so I offer two examples.

TRES PALABRAS, from the 2012 Atlanta Jazz Party:

and, on the other side of things, at the 2014 AJP. SING SING SING, with Allan Vache, John Cocuzzi, Paul Keller, and Ed Metz:

May your happiness increase!

SQUEEZINGS

squeeze-3

I try to avoid soda, the beverage of my childhood, but I once bought a bottle of SQUEEZE because its affectionate logo charmed me.  The bottle vanished in one of several moves, but the melody lingers on.

Fats Waller’s first published song — although it was liberally based on a bawdy tune called THE BOY IN THE BOAT, whose central image was not nautical.  But here are a few versions . . . . the first one from Jazz at Chautauqua in 2011 with Marty Grosz, Jon-Erik Kellso, Scott Robinson, Frank Tate:

with a pause for liquid enlightenment here:

squeeze-2

and a solo version by Ray Skjelbred, recorded at Cline Cellars in California, June 2013:

with one more icon:

squeeze

and from the 2014 Atlanta  Jazz Party, with Dan Block, Duke Heitger, Bria Skonberg, Ed Polcer, John Cocuzzi, Paul Keller, Ed Metz:

Reading this post and listening to the music, I don’t know if you’ll suddenly crave an orange soda, look around for the right person to squeeze and be squeezed by . . . in such things, you’re on your own.  But perhaps at the Cleveland Classic Jazz Party — starting September 15 — someone will give this wonderful song another squeeze.  You never know.

May your happiness increase!

LIVING, BREATHING HISTORY: DUKE HEITGER, TOM FISCHER, ROSSANO SPORTIELLO, PAUL KELLER, CHUCK REDD: ATLANTA JAZZ PARTY, April 18, 2015

rwe_big_portrait

Some wish to honor the past by attempting to reproduce it exactly.  An honorable effort, but I much prefer those bold tightrope walkers who know that the only way to honor the glories of, say, 1929, is to make them alive in this century by adding personal innovative sparks to the outlines of the revered masterpieces.  (I know that this is a controversial position, but I also have enough evidence that the great masters didn’t approve of imitation; they preferred homage through individuality.  Ask Lester; ask Bix.  And I’ve done scholarly work for decades, but I also reverberate to Emerson’s tart words that Shakespeare was not made by the study of Shakespeare.)

So I present to you a too-short set by a vibrant jazz band onstage at the Atlanta Jazz Party (April 18, 2015) led by the eloquent Duke Heitger, trumpet, with Tom Fischer, clarinet / tenor; Rossano Sportiello, piano; Paul Keller, string bass; Chuck Redd, drums.

What they had to tell us was plenty — and it had no connections to the Wax Museum of Hot, although one could see and hear easily that the Ancestors were being honored: Buck Clayton, Lester Young, Count Basie, Benny Carter, Louis Armstrong, Bix Beiderbecke, Jelly Roll Morton, and their worthy colleagues. No academia, no didacticism, no laser pointer or Power Point.  Just wonderful hot music.

I NEVER KNEW:

IF WE NEVER MEET AGAIN:

I’M COMIN’ VIRGINIA:

BLACK BOTTOM STOMP (which begins with the time-honored invocation, “Meet you at the end”):

Five noblemen of jazz, honoring the past by being fully alive in Now.

May your happiness increase!

KINGS OF SWING: ALLAN VACHÉ, ROSSANO SPORTIELLO, JOHN COCUZZI, PAUL KELLER, DARRIAN DOUGLAS at the 2015 ATLANTA JAZZ PARTY (April 18, 2015)

ALLAN VACHE

Allan Vaché knows what swing is all about, and when you get him on a bandstand with a good rhythm section, floating jazz improvisations happen.  And that was the case at the 2015 Atlanta Jazz Party — when he and Rossano Sportiello, piano; John Cocuzzi, vibraphone; Paul Keller, string bass; Darrian Douglas, drums, took their happy way through three Charlie Christian / Lionel Hampton riff tunes that have been associated with Benny Goodman for seventy-five years.

I’m amused that one title seems to refer to air travel (more of a novelty in 1939 than now), one to Benny’s clarinet, one to shooting craps.

FLYIN’ HOME:

SOFT WINDS:

SEVEN COME ELEVEN:

Yes, we certainly could lament that this is no longer our popular music, and occasionally I myself dip into that pit of despair, but the music that these five people made and still make is a true cure for any sadness.

And here is the information you’ll need about the 2016 Atlanta Jazz Party, April 22-24.

May your happiness increase!