Tag Archives: Percy Humphrey

SARAH AT SARAH’S: AUGUST 28, 2016 (Part One)

sarah-spencer

My friend Sarah Spencer (tenor and soprano saxophone, clarinet, vocal) is an impeccable hybrid.  London-born, New Orleans-sourced.  Although her speaking voice and cadences are purest UK, her musical soul is situated somewhere on the Rue Conti.  And, yes, she encountered Raymond Burke and Percy Humphrey and several dozen Masters, now-Ancestors in her musical and spiritual development.

On August 28, 2016, I had the very pleasant opportunity to hear and record Sarah and her Quartet (Jimmy Mazzy, banjo and vocal; Art Hovey, string bass and tuba; Bill Sinclair, piano and vocal) at the Jazz Masters Series at Sarah’s Wine Bar (an outgrowth of Bernard’s, a wonderful restaurant) in Ridgefield, Connecticut.  (The Jazz Masters Series is held on the last Sunday of each month.)

Before we begin, here are two performances featuring Jimmy Mazzy from that evening.  One is eloquently tender; the other ribald.  You’ll be able to tell them apart.

And several emotionally energized highlights from the first set.  (I’ve left the beginnings unedited, for the most part, so that you can see the endearing friendly exchanges among the quartet)

ANYTIME:


MY MEMPHIS BABY:


BOGALUSA STRUT:


THE LAUGHING SAMBA:

WE’LL MEET AGAIN:

Part Two will be along anon.

May your happiness increase!

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WITH A STROKE OF THE PEN

More eBay autographs . . . some surprises! Of course, Louis signed his name how many thousand times from the middle Twenties to 1971 . . . but each one is its own treasure.  Lucky Bill! The seller describes this as signed in green ink (a mark of authenticity) even though it reproduces as blue. Here’s something much more unusual.  At first, it looks only like an antique check (1936) but then you see it’s made out to trombone legend Miff Mole, and the person handing over the thirty-two dollars is Rudy Vallee.  Not to be mean-spirited, but Rudy had a reputation for being reluctant to let money out of his possession, so this is doubly or triply rare — and thirty-two 1936 dollars are a substantial sum. And the reverse, where Miff endorsed the check over to one Louis Mussi.  The story?: Here are the signatures of one version of the Preservation Hall Jazz Band: Narvin Kimball (banjo); Willie Humphrey (clarinet); “Sing” Miller (piano, in a rebus); Percy Humphrey (trumpet); Allan Jaffe (tuba); Josiah “Cie” Frazier (drums); Frank Demond (trombone): That in itself would be pretty good — as satisfying as a half-pint of Mrs. Circe’s gin . . . but the “unidentified” signatures on the back of this page are also intriguing: Some of those might remain mysterious — I have trouble turning my head to the required angle . . . but top left (March 15, 1978) is Arnett Cobb and long-time Lionel Hampton guitarist Billy Mackel; to the left is Andy McKee, and in the middle I am certain that Robert Sage Wilber — otherwise known as Bob — signed in.  My intuition tells me that this page comes from a Nice Jazz Festival . . .

May your happiness increase.