Tag Archives: Phil Rutherford

“AN ORDER OF HOT, PLEASE, SIR!”: NOTES FROM THE VICTORY PUB, NEWCASTLE, UK (October 26, 2017)

“Chris and Chris” at the 2015 Steamboat Stomp in New Orleans. Photograph by Bess Wade.

I couldn’t make it to this year’s Mike Durham Classic Jazz Party, but my place as videographer has been filed nobly by a number of people, which is reassuring.  You can find their works on YouTube, but here is one performance so glorious that I wanted to share it with you.  The video is the work of my comrade Chris Jonsson — he’s half of the friendly team of “Chris and Chris,” the other half being Anne-Christine Persson (both snappy dressers as well who make all the hot festivals).  Chris Jonsson carries a video camera — low and unobtrusive — and has a YouTube channel called CANDCJ.

One of the highlights of the Party is the nightly jam sessions in the Victory Pub, where this year, they managed to get a small piano in, making the music even more true-to-life.  Chris captured hours of the “formal” sets, but the five selections he recorded in the Pub seem — to me, at least — even more thrilling. Here’s ONCE IN A WHILE, the Hot Five classic, played with immense energy and joy by some people I admire greatly: Kristoffer Kompen, trombone; Torstein Kubban, cornet; Lars Frank, reeds; Phil Rutherford, tuba; Jacob Ullberger, banjo; Morten Gunnar Larsen, piano.  And how fiercely they swing!

Thanks to five musicians and one gifted archivist.  And to Louis, of course.  An aside: proven morale-boosters and mood-enhancers (pick your jargon) for me are the company of people I love, caffeine, and anything associated with Louis.  I hope you feel better, too.

And a postscript.  This performance is hot enough to have ignited something, which reminded me that at the 2014 Party there was a fire in the Victory Pub, and we had to leave the hotel for a time.  The music that resulted when we returned is one of my favorite memories: you can see it here.

May your happiness increase!

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“I’D LOVE YOU STRONG”: ENRICO TOMASSO PLAYS LOUIS (Mike Durham Classic Jazz Party, November 5, 2016)

one-hour-louis

Today is the day after Valentine’s Day, but we know that romance does not stop when February 14 ends.  Call it what you will, the light of love or the light of Louis or both, but they shine through Enrico Tomasso.  Here, Rico plays and sings his own version of Louis’ 1930 classic at the Mike Durham Classic Jazz Party (on November 5, 2016) accompanied by Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.

I suppose it took and takes a particularly sensitized listener to understand the depths of Louis’ romantic passion, playing or singing.  Even Mezz Mezzrow, Louis’ great champion, said in his autobiography that the jukebox owners in Harlem had their machines full of Louis’ records, but that they had to have a few others because not everyone heard Louis so deeply.  But Rico does, and conveys that enthusiastic passionate energy, both singing and playing.  The only thing missing here is Vic Dickenson’s visual joke — holding up TWO fingers while singing about “one hour tonight.”  Sixty minutes is just too brief an interval to love someone effectively.

As is often the case, many thanks to Eric Devine for invaluable technical expertise — Eric is “CineDevine,” an expert videographer and a good fellow.

May your happiness increase!

HAIL, ENRICO!

No disrespect to the other musicians, but my focus is on the name at top left: ENRICO TOMASSO: majestic, determined, hilarious, tender, indefatigable, joyous.

2016-rico

And here’s The Man Himself, in two performances from the November 2016 Mike Durham Classic Jazz Party, one hot, the other sweet and hot.

EVERYBODY LOVES MY BABY:

From November 4, 2016, a tribute to Mike Durham, the much-missed founder of what is now the Mike Durham Classic Jazz Party, the venerable EVERYBODY LOVES MY BABY, performed by Rico with Keith Nichols, piano / vocal; Spats Langham, banjo / vocal; Phil Rutherford, sousaphone; Richard Pite, drums; Thomas Winteler, soprano saxophone; Alistair Allan, trombone. And here is Rico’s SWEET GEORGIA BROWN from the same set.

And a day later, Enrico honoring Louis, singing and playing IF I COULD BE WITH YOU ONE HOUR TONIGHT:

Here, Rico is accompanied by Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.  And for those hoboes who missed the train, here is Rico’s SHINE from the same set.

Mr. Tomasso is our hero.

This post would not have been possible without Eric Devine’s generous technical expertise.  (Eric is “Cine Devine” on Facebook and a world-class videographer.)

May your happiness increase!

“HOW SHE COOLS THEM DOWN”: ONE FOR MIKE by KEITH NICHOLS, SPATS LANGHAM, ENRICO TOMASSO, ALISTAIR ALLAN, THOMAS WINTELER, RICHARD PITE, PHIL RUTHERFORD: MIKE DURHAM CLASSIC JAZZ PARTY (November 4, 2016)

Sometimes the old songs still have surprising life in them, no matter how many decades of playing and singing they have gathered on themselves.  This performance is in honor of Mike Durham, the much-missed founder of what is now the Mike Durham Classic Jazz Party: it’s the venerable SWEET GEORGIA BROWN, performed by Keith Nichols, piano / vocal; Spats Langham, banjo / vocal; Phil Rutherford, sousaphone; Richard Pite, drums; Thomas Winteler, soprano Saxophone; Alistair Allan, trombone; Enrico Tomasso, trumpet.

Mike Durham (left) and Rene Hagmann, pensive, at Whitley Bay, probably 2010. Photo by Michael Steinman

Mike Durham (left) and Rene Hagmann, pensive, at Whitley Bay, probably 2010. Photo by Michael Steinman

Jazz and fun are intertwined here — from the conversational scat duet by Keith and Spats to the hot ensemble playing and the tidy soaring solos.  Nothing but lively creative music, which has always been a hallmark of the Classic Jazz Party:

The 2017 Party will take place in the last weekend of October at the Village Hotel Newcastle.  You really should check it out here.  It’s never too early to plan for such things.

May your happiness increase!

LOUIS SHINES THROUGH HIM: THE GLORY OF ENRICO TOMASSO at the MIKE DURHAM CLASSIC JAZZ PARTY (November 5, 2016)

When I first met the trumpeter / vocalist Enrico Tomasso at the Mike Durham Classic Jazz Party a few years ago, I was stunned by the warmth and energy of the man and the beauty of his music.  I rather timidly came up to him in the pub and introduced myself, received a big grin, and said, “The light of Louis shines right through you,” which pleased him.  Rico proved that once again at the 2016 Party.

But first, a bit of history: Rico, at seven, having played trumpet for Louis at the Leeds airport in 1968.  Note Louis’s inscription: THE KISS OF JOY.

rico-and-louis-kiss-of-joy

The sounds of joy were in the air at the Party on Saturday, November 5, 2016, when Rico performed several Louis features from 1930 . . . miraculously, in front of us, with fine support from Keith Nichols, Andy Schumm, Alistair Allan, Claus Jacobi, Jean-Francois Bonnel, Richard Exall, Emma Fisk, Martin Wheatley, Phil Rutherford, Nick Ball.

Extraordinary, no?  And it’s not simply the virtuosity.  Rico sends a glowing message of loving exuberance to everyone.

And should you fall into the trap of reflexively assuming that any song called SHINE must be racist, please visit this 2012 shine-reconsidered and learn the truth.

Many thanks to Eric Devine (“CineDevine”) for kind and invaluable technical expertise.

May your happiness increase!

“EAST COAST TROT”: THOMAS WINTELER, MATTHIAS SEUFFERT, DUKE HEITGER, KEITH NICHOLS, JACOB ULLBERGER, PHIL RUTHERFORD, NICHOLAS D. BALL at the 2015 MIKE DURHAM CLASSIC JAZZ PARTY (November 7, 2015)

NYC foot traffic

I’ve been back in New York for eleven months now, and it does move at a fast pace now and again.  I still don’t walk at a proper Manhattanite tempo, but I’m getting back into tempo.  So when I was at the Mike Durham Classic Jazz Party on November 7 of this year and heard Thomas Winteler announce the next song as EAST COAST TROT, I thought, “They’re playing my song.”

Originally, it was an etude for two clarinets (Johnny Dodds and Junie Cobb), piano (Tiny Parham) and the irreplaceable Eustern Woodfork, banjo.  This session offers a splendidly enhanced ensemble: Thomas Winteler and Matthias Seuffert, clarinet; Duke Heitger, trumpet; Keith Nichols, piano; Jacob Ullberger, banjo; Phil Rutherford, brass bass; Nicholas D. Ball, washboard.

Trot along!

And just to show the phenomenal emotional range of this  group, I would point readers to the performance that took place just before the TROT — an immensely soulful reading of BLUES IN THIRDS.

Great things happen at the Mike Durham Classic Jazz Party, and will happen again in November 2016 . . . from the 4th to the 6th.  Details to come.

May your happiness increase!

“BLUES IN THIRDS”: THOMAS WINTELER, MATTHIAS SEUFFERT, DUKE HEITGER, KEITH NICHOLS, JACOB ULLBERGER, PHIL RUTHERFORD, NICHOLAS BALL at the MIKE DURHAM CLASSIC JAZZ PARTY (November 7, 2015)

CAUTION BLUES

Let us begin at the beginning: Earl Hines’ composition, called CAUTION BLUES, offered as a piano solo in 1928:

and the next evocation, a 1940 trio of Hines, Sidney Bechet, and Baby Dodds for Victor.  Hines remembered Bechet as being “evil” that day yet repeating, “I want to play Hines’ tune,” which he did, by then titled BLUES IN THIRDS:

Both those performances — one for solo piano, the other for a trio — are full of variations: improvisations on the theme, variations in timbre and dynamics, and an impressive compositional variety.  So, in its own way, is this magical performance from our century — November 7, 2015 — at the Mike Durham Classic Jazz Party held in Newcastle, England, not a month ago.  The inspired participants are Thomas Winteler, clarinet / leader; Matthias Seuffert, clarinet; Keith Nichols, piano; Duke Heitger, trumpet; Jacob Ullberger, guitar; Phil Rutherford, brass bass; Nicholas Ball, spoons.  Yes, spoons — and since Nick is a beautifully imaginative percussionist, hear the variety of sounds and effects he obtains from what we take for granted in the silverware drawer.  Notice, please, how no one chorus is exactly like the one before or after it, and how this performance — without getting louder or faster — builds and ascends to something like true majesty:

A glorious performance — the sort of thing that has happened regularly at this party and its predecessors.  And I guarantee it will happen again in 2016.  Details to follow.  And, this just in!  The next Party will take place at the comfortable Village Hotel Newcastle, Friday, November 4 to Sunday the 6th.

May your happiness increase!