Tag Archives: Pismo Jazz Jubilee by the Sea

PISMO JOYS (Part Two): “SHAKE ‘EM UP JAZZ BAND and THE AU BROTHERS”: CHLOE FEORANZO, MARLA DIXON, MOLLY REEVES, DEFNE “DIZZY” INCIRIOGLU, JULIE SCHEXNAYDER, GORDON AU, BRANDON AU, JUSTIN AU (October 26, 2018, Jazz Jubilee by the Sea)

The temperature suddenly rose in Pismo, California, during the late October weekend that the Jazz Jubilee by the Sea transformed that salt-water-taffy town into a swing sauna, a hot haven.

You don’t have to take my word for it.  Conveniently, here is compelling evidence from Larry Scala, Dawn Lambeth, Marc Caparone, Bill Bosch, and Danny Coots.

Then, I was fortunate enough to capture three performances by what I’d call a Constellation of Youngbloods (no “Cats vs. Chicks” in this century), where the Shake ‘Em Up Jazz Band and the actual Au Brothers‘ front line (the band minus Howard Miyata, Danny Coots, and Katie Cavera) shared the stage.  For those keeping score, that’s Gordon Au, trumpet; Justin Au, trumpet; Brandon Au, trombone; Marla Dixon, trumpet and vocal; Chloe Feoranzo, clarinet and vocal; Molly Reeves, guitar; Defne “Dizzy” Incirlioglu, washboard and percussion; Julie Schexnayder, string bass.  (Trombone star Haruka Kikuchi, is — if my sources are correct — currently occupied with matters maternal.  I’m sure she’ll be back in the bass clef before long.)

Oh, how this Constellation wailed.

SHAKE IT AND BREAK IT was first recorded in 1921 — I am sure that it was being played before then — although my favorite versions are by Sidney Bechet and the Varsity Seven.  This twenty-first century explosion rocks along irresistibly, after Molly introduces everyone:

EMPTY BED BLUES is a Bessie Smith lament that Chloe Feoranzo has taken for her very own:

SAY “SI SI” (originally “Para Vigo me voy” by Ernesto Lecuona, who also wrote “Maria La O”) was a Thirties pop tune popularized here by Xavier Cugat, the Andrews Sisters, Glenn Miller, and many others — a song the New Orleans musicians who loved heating up melodic pop melodies took to happily, including Billie and DeDe Pierce, Kid Thomas Valentine, Paul Barnes, George Lewis, Emmanuel Paul, Louis Nelson, Alvin Alcorn — so it has a long and vibrant NOLA tradition.  Marla shows us her multi-lingual flair and grace:

Thanks to Linda and John Shorb and the rest of the Jubilee angels for making such good noises possible and accessible.

May your happiness increase!

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PISMO JOYS (Part One): “LARRY, DAWN, and FRIENDS”: LARRY SCALA, DAWN LAMBETH, MARC CAPARONE, BILL BOSCH, DANNY COOTS (October 26, 2018, Jazz Jubilee by the Sea)

Only a few days ago, I had my first immersion in the pleasures of Pismo — not the sunsets or the salt-water taffy, but the musical joys of the Jazz Jubilee by the Sea, which combines congenial people and seriously uplifting music.

What finally got me to Pismo (aside from the immense kindness of Linda and John Shorb and other helpful folks) was the chance to hear and see some friends and heroes in new combinations: Larry Scala, guitar; Dawn Lambeth, vocals; Marc Caparone and Danny Tobias, cornet and trumpet; Dave Caparone, trombone; Carl Sonny Leyland, piano and vocal; Danny Coots and Jim Lawlor, drums; Steve Pikal and Bill Bosch, string bass; Katie Cavera, guitar and vocal; the Au Brothers; and — new to me in person — the Shake ‘Em Up Band and Jeff Beaumont’s Creole Syncopators.  She didn’t play an instrument, but I was also able to be dazzled by my Facebook friend Brettie Page.

But first on my list was “Larry, Dawn, and Friends,” a group that delighted me throughout the weekend.  Readers will know how much I admire Dawn Lambeth, Marc Caparone, and Danny Coots, but it was a pleasure to see Larry — with his nice mixture of the blues, Basie, and Charlie Christian — lead a small group.  His long-time friend Bill Bosch also impressed me because Bill is a purist who plays without amplification and has a lovely sound.

Here are three highlights from the first set I caught.  First, the rarely-played swing tune COQUETTE, yes, by Carmen Lombardo:

Dawn’s lovely version of the Gershwins’ THEY CAN’T TAKE THAT AWAY FROM ME:

And a lightly swinging THAT OLD FEELING that has a truly feeling coda:

More to come!  (I’ve already been invited back to Pismo for next year, and it took a long pause of several miliseconds for me to say “Yes!”)

May your happiness increase!

EXTRA! EXTRA! HOT TIMES IN PISMO (Jazz Jubilee by the Sea, October 25-18, 2018)

As I’ve written here, I am making my maiden voyage to the Pismo, California, JAZZ JUBILEE BY THE SEA next month — about five weeks from now.  While my suburban neighbors will be having illicit affairs with their leaf blowers and looking skeptically at their down parkas, I’ll be in Southern California, enjoying the sounds of (among others) Larry Scala, Bob Schulz, Carl Sonny Leyland, Chloe Feoranzo, Clint Baker, Creole Syncopators, Danny Coots, Danny Tobias, Dawn Lambeth, High Sierra, IVORY&GOLD, Jeff Barnhart, Marc Caparone,  Midiri Brothers, Mike Baird, Adrian Cunningham, the Au Brothers, The Shake ‘Em Up Jazz Band . . .  The list is subjective, and I am sure that someone’s favorite band in the cosmos has been omitted, but a complete listing follows below.

I invite you to join me, of course.  Details here (Facebook) and the much more comprehensive Pismo Jazz website.

But for people like me, and I would think many of my readers, going to a jazz festival is not just a matter of, “Oh, I’ll drop by this place.  Music is coming out of the windows and front door,” but a matter of strategy: “If we go to see the Land Rovers at 3, we’ll be in a perfect place to see the Hot Tortoises at 4:15, and then the Adrian Rollini Memorial Orchestra at 7, but we’ll have to miss the Broken Sandals on Friday.  No worry, though, they are playing an 8 AM Saturday set,” and so on.

“Hey, Mister! Hey, Lady! Get the Full Band Schedule here! The Pismo News!”

Such cogitation — worthy of a great eighteenth-century European general planning his campaign — is only possible when one has a Band Schedule, which I can offer you now, courtesy of the very kind people who run things.  Hence:

There’s a version of this schedule on the Jubilee website here, which may be easier to read and annotate.  I am sure that the schedule will also be given out to attendees when they buy tickets / pick up badges onsite.

Veterans of the Jubilee have pointed out to me that the performance venues are somewhat spread-out.  I am moderately ambulatory (that might be a euphemism) but my days of sprinting from one place to another are over.  So I report with pleasure the news from Jubilee HQ:

If you get stranded at a venue, we do have buses.  We are trying something new. Every venue will have a bus.  That bus will be available at the end of the set.  They will take you where you want to go, venues first.  If that bus is full, another bus will be along and dropping people off.

Very reassuring!

And in the spirit of “breaking news,” here’s a bouncy love song from 1934 by Chick Bullock and his Levee Loungers.  Alas, Sterling Bose (or Stirling?), Perry Botkin, Joe Venuti, and Jack Teagarden won’t be at the Jubilee — they have other commitments — but I know you and I will be in for a weekend of singular sights and music:

May your happiness increase!

“WON’T YOU COME ALONG WITH ME?”: PISMO JAZZ JUBILEE BY THE SEA (October 25-28, 2018)

I’m going to my first Jazz Jubilee by the Sea (although I have visited Pismo, California, once before) for hot jazz, floating swing, gritty blues, tender ballads, and good times among friends this October.

I can now spend the time between late August and late October figuring how I will see my favorite bands.  There are twenty-plus bands and guest stars, a cornucopia of jazz and other musics.  Here are some of the august participants, listed as they appear on the flyer:

Professor Cunningham and His Old School • Larry Scala, Dawn Lambeth, and Friends • The Shake ‘Em Up Jazz Band • Tom Rigney and Flambeau • Blue Street • Cornet Chop Suey • High Sierra • Midiri Brothers • Tom Hook and the Terriers • Dick Williams Jammers • We Three + One • Ivory&Gold® • Creole
Syncopators • Rag Bone Saints • Mariachi Autlence • High Street
Party Band • The Au Brothers • Sue Palmer and Her Motel
Swing Orchestra • Night Blooming Jazzmen • Ulysses
Jasz Band.
SPECIAL SETS WITH GUEST ARTISTS
Bob Draga • Carl Sonny Leyland • Larry Scala • Dawn Lambeth •
Jeff Barnhart • Danny Coots • Washboard Steve • Pat Yankee •
Bob Schulz • Paul Ingle • Danny Tobias • Chloe Feoranzo.

Now, if you’ve been reading JAZZ LIVES for any length of time, you can recognize the names of my friends and heroes above.  I will be there to celebrate them and hear new bands and new combinations, as is my habit and sometimes good fortune.

Here’s a promotional video from 2016 — an audio-visual tasting menu:

and one of my happy souvenirs of good times in Pismo — a 2014 concert by Clint Baker, Marc Caparone, Dawn Lambeth, Mike Baird, Carl Sonny Leyland, Bill Reinhart, Jeff Hamilton:

I hope to see you there for some good sounds.  Here is the Jubilee website, and here is their Facebook page.  It would be pleasing if you said “JAZZ LIVES sent me,” if, in fact, I did.  It’s too early to start charging camera batteries, but I assure you that my psychic ones are at full capacity.

May your happiness increase!

THE BOYS AND THE BAND: JUSTIN and BRANDON AU VISIT HIGH SIERRA (Sacramento Music Festival, May 27, 2012)

Who says that hot jazz is solely the purview of a generation of elder statesmen?  Certainly not the young brassmen Justin (trumpet) and Brandon Au (trombone), who paid a social call to the High Sierra Jazz Band at the Sacramento Music Festival on May 27, 2012.

Justin and Brandon joined leader / reedman Pieter Meijers, their Uncle How (Howard Miyata on trombone and vocal), Bryan Shaw on trumpet, Stan Huddleston on banjo, Bruce Huddleston on piano, Earl McKee on sousaphone and vocals, and Charlie Castro, drums — for a program of hot cross-generational jazz and hijinks.

The HSJB began with a nineteenth-century favorite, sung with great honest feeling by Earl, THE OLD SPINNING WHEEL:

Then, one of the many animal-themed compositions dear to the Original Dixieland Jazz Band and, a bit later, Bix Beiderbecke, OSTRICH WALK:

Here, after Pieter introduces the boys, everyone creates a wonderful street-parade CANAL STREET BLUES:

Justin, Brandon (vocal), and Pieter swing out on NAGASAKI:

And, as an aside, here is what I believe to be the performance — captured for posterity — that Peter refers to.  A slippery composition, CAPITOL-BOUND, performed at the Pismo Jazz Jubilee by the Sea — October 28, 2011 — by Justin, Brandon, Gordon, Uncle How, Danny Coots, and Katie Cavera:

One of the High Sierra’s patented specialties, FROM MONDAY ON, with a vocal by Earl and a five-horn recreation of Bix’s solos at the end:

And, to close, a hot blues for Louis, MAHOGANY HALL STOMP:

Age doesn’t matter in jazz if the spirit is right.

May your happiness increase.