Tag Archives: rare autographs

IN 1959, THEY SAT RIGHT DOWN AND WROTE HIM LETTERS

I don’t know what happens today if a young fan writes a letter to Lady Gaga, let us say, requesting a signed photograph or, better yet, asking a question.  That rhetorical question in itself may mark me as hopelessly antique, since fans can find out everything online as it happens.  But my guess is that the Lady doesn’t have time to send back handwritten personalized replies, and that is nothing against her.  Even in the Swing Era, musical personalities had their secretaries or staff sign photos for fans.  On my wall, for instance, is a lovely shot of Connee Boswell — her name signed in pen — but inscribed to the fan in a different hand, leading me to believe that Connee took a stack of a hundred photographs and signed her name on each one.

So what came up on eBay several days ago is remarkable.  I can’t do much detective work, because the seller seems innocent about the trove, and perhaps (s)he has no other connection.  Here’s the listing description:

This 1950’s collection of famous jazz musicians includes autograph letters, signed photographs and autographs. There is an autograph letter signed “Pops Foster” and a photograph signed “George Pops Foster.” There is an autograph note signed “Don Redman” and an 8 x 10 inch photo of Redman also signed. There is an autograph note signed “Meade “Lux” Lewis” There is an autograph note signed “Pete Johnson” and a letter by Pete Johnsons wife. There are two autograph letters signed “Alberta Hunter.” There is an autograph note signed “Buster Baily” and an autograph letter signed “Terry Spargo.” There is also a typed letter by Terry Spargo and a signed photograph. There are several autographs including “Moondog” “Israel Crosby” and a few others. All the letters, notes, photographs and autographs are in very good condition! NO RESERVE!

While you peruse and consider, here is a most appropriate musical soundtrack:

“Christopher,” whose last name may have been “Jameson,” seems to have been a young aspiring pianist and fan who wrote to his heroes, either asking a question and / or asking for an autographed photograph.  We don’t have any of his inquiries, but they must have been polite and admiring, because he received gracious unhurried answers.  And what strikes me is that in 1959 he wasn’t writing to Dizzy, Trane, or Mobley, but — for the most part — jazz pioneers.  A few of the pages in his collection look like in-person autographs, but much is unknown and will probably remain so.  But we have the most delightful evidence: paper ephemera of a kind not often seen.  Here, without further ado:

POPS FOSTER gives his address twice, clearly pleased by this correspondence:

DON REDMAN, smiling and fashionably dressed:

TONY SPARGO, handing off to Eddie “Daddy” Edwards:

More from TONY SPARGO:

PETE JOHNSON wasn’t up to much writing, but his wife was encouraging and Pete did send a nice autograph:

“Musically yours,” MEADE LUX LEWIS:

Are the signers (from Brunswick, Georgia) a vocal group I don’t recognize?  I do see MOONDOG:

I don’t recognize the signatures on the first page, but below I see VERNEL FOURNIER, AHMAD JAMAL, and ISRAEL CROSBY:

BUSTER BAILEY signs in kindly and also mentions his new recording, perhaps the only long-playing record under his own name:

an extraordinary and extraordinarily generous letter from ALBERTA HUNTER:

and an even more generous second chapter:

Christopher must have written extremely polite letters to have received such answers, but this selection of correspondence speaks to the generosity and good will of people who were actively performing, who took the time to take a young person seriously.

When the bidding closed, the collection sold for $660 a few minutes ago.  So you can no longer possess these holy artifacts, but you can lose yourself in rapt contemplation of the images and the kind people who not only created the art we revere, but wrote to Chris.

May your happiness increase!

“REQUEST EXIT CHECK FROM WAITER BEFORE LEAVING”: MARCH 10, 1940

A valuable photograph.

Some lovely music from 1940 to begin:

and a studio recording from March 12 with the drums more prominently heard:

We might forget — eighty years later — just how popular Tommy Dorsey was.  And his popularity meant that he signed autographs frequently (more than Louis or Duke, I can’t say).

Here are two examples.  The first, within my budget.  The second, less so.

The first seller is asking 49.95 plus shipping or one can “make offer” here.

and what I assume is the other side of this page:

For this, the seller is asking $1295 — but one can “make offer” here.

I wonder what Lowell Martin, one of the gallant men in the Dorsey trombone section, thought about his brief moment of stardom.  Or what Tommy thought.

The other side:

Of course, on March 10, 1940, it was nothing unusual to have Tommy, Frank, Bunny, and Buddy in the same place.  From this distance it seems like deities caught having a picnic: beyond remarkable.  eBay, the world’s treasure chest in the dusty attic.

May your happiness increase!

“TO SWING FAN No. 1”: AN AUTOGRAPH ALBUM c. 1941

More delightful eBaying.

The seller describes the holy relic thusly: An original 1930’s album containing 88 autograph signatures of jazz musicians, sporting figures and other personalities. The musicians represented include Coleman Hawkins, Johnny Desmond, Gene Krupa, Bid Sid Catlett, Benny Goodman, Artie Shaw, “Hot Lips” Page, Cab Calloway, Anita O’Day, Roy Eldridge, Woody Herman, Les Brown, and many more. The album with a two-ring binding, with some signatures signed directly onto the album leaves and others clipped and mounted, some on larger folded sheets. 31 pages of autographs, with further blank pages in the middle; on the last several pages, all the grades from the owner’s report cards from 1930 to 1943 are meticulously recorded! An inscription to the owner on the verso of the title page dates the album to 1931. Light toning and edge wear; overall in fine condition. 6.25 x 4.5 inches (15.8 x 11.7 cm).

Here is the link, and the price is $750 plus $20 shipping.  I don’t need it, but I certainly covet it: pieces of paper touched by people I have revered for half a century.  (And, of course, imagine having heard, seen, and spoken to them!)

Before we get to the treasures within, I can only speculate that someone listing report cards from 1930 to 1943 was born, let us say, in 1925, and so might no longer be on the planet.  But he or she was an avid Hot Lips Page acolyte, so we are certainly related spiritually.

The only name unfamiliar to me in this rich collection was Mart Kenney, whom I learned was a well-known Canadian jazz musician and bandleader (his “Western Gentlemen”) and long-lived, 1910-2006.  Did our autograph collector visit Canada?

In general, the signatures collected here suggest a wealth of bands seen and heard in 1941: Lips, Dave Tough, and Max Kaminsky with Artie Shaw; Mel Powell with Goodman; Anita O’Day and Roy Eldridge with Krupa.

Here’s a peek.

Artie Shaw, with two Lips Page signatures!

Benny Goodman, with Mel Powell, Billy Butterfield, and John Simmons!

My favorite page.  And Page (with equal time for Walter)!

I wonder how many of these pages Gene signed in his life.

Others in Gene’s band, including Sam Musiker and Roy Eldridge.

Anita O’Day and Joe Springer.

Hi-De-Ho, on a tiny label.

Woody Herman.

Bob Higgins and Les Brown.

Mart Kenney and musicians.

And I presume more members of the Western Gentlemen.

For once, this seems like a bargain: 88 signatures plus thirteen years of the owner’s report cards.  Who could resist?

Just because no JAZZ LIVES post should be completely silent, here (thanks to Loren Schoenberg) is a 1941 airshot from the Steel Pier of Artie Shaw’s band featuring Hot Lips Page, Dave Tough, and George Auld on THERE’LL BE SOME CHANGES MADE:

May your happiness increase!

A RED COTTAGE and KATIE’S MUFFINS (Stockholm, April 1939)

I quote the eBay seller: “This is an autograph album that includes the signatures of Duke Ellington and Paul Robeson as well as many of Duke Ellington’s Orchestra members including; Juan Tizol (trombone), Harry Carney (baritone sax), Fred Guy (guitar), Cootie Williams, Lawrence Brown, Otto Hardwick, Wallace Jones, Rex Stewart (cornet), Johnny Hodges, Barney Bigard (clarinet), Joe “Tricky Sam” Nanton, Billy Taylor (trombone), Sonny Greer and Ivie Anderson (vocals). Album has a note from the “Three Dukes”, Bob, Bubba, and Pye (Tap Dancers, I believe). Also includes a number of Swedish names some of which are pictured. Includes a 1939 Swedish almanac. Album is 4″ x 5 1/4″, almanac is 4 3/4″ x 4″. Buyer pays 4.00 shipping.”

The price, which is not mentioned in the description, is $600 USD.  Here is the link, which will soon expire.

duke-1939-one

The outside, beautifully preserved.

duke-1939-two

The Maestro.

duke-1939-three

 

The Orchestra.

duke-1939-four

 

Another angle.  When did musicians stop identifying themselves not only by name but by instrument?

duke-1939-five

The extraordinary Ivie.

duke-1939-six

Self-explanatory.

duke-1939-seven

A tap dance trio?

duke-1939-eight

Mister Robeson.

duke-1939-nine

 

She might not have been a musician, but I couldn’t omit this.

duke-1939-ten

or this.

duke-1939-eleven

Ditto.

duke-1939-twelve

 

Anything I would say about Katie’s muffins would of course be wrong, but they were certainly memorable.

And some music — a Swedish pop song performed by the band (A LITTLE RED COTTAGE BY THE SEA) at a concert in Stockholm on April 29, with a wonderful Ivie vocal:

and SERENADE TO SWEDEN from the same concert:

Sacred artifacts, whether the book or the radio broadcasts.  How lucky we are to view and hear such things.

May your happiness increase!

SIGN IN, PLEASE! (Summer 2016 edition)

From the hallowed archives of eBay, where anything and everything is for sale.

7 16 DJANGO autograph

Duke, 1950.

7 16 DUKE 1950

Louis, 1944:

7 16 LOUIS 1944 autograph

Billie, on a Columbia album of her classics (the image might be huge, but it was the only capture I could make):

and from a Canadian fan’s autograph book:

7-16 Billie

Wonderful to see the evidence that the Divines had pens and would make contact with Mortals.

May your happiness increase!

“WOULD YOU CARE TO SIGN OUR GUEST BOOK?” (Liberty Music Shop, 1956-57)

As of July 10, 2015, this was the eBay link for those who like an incredible collection of autographs — and who have $4500.

Here’s the description.

[Autographs] [Guest Book] Hemingway, Ernest. (1899 – 1961) & Barber, Samuel. (1910 – 1981) & Givenchy, Hubert de. (b. 1927) & Graham, Martha. (1894 – 1991) & Ferber, Edna. (1885 – 1968) etc.

Incredible 1950s Guest Book for the Liberty Music Shop

Guest book for the famed Liberty Music Shop of New York, containing approximately 200 autographs and inscriptions, signed by distinguished visitors, a virtual who’s who of the cultural life of 1950s New York. Written approximately 15 to a page on the first 14 pages, some with date or place or comments, concluding with a large bold signature by Marian Anderson, written diagonally across the blank page. Oblong 8vo, leatherette. New York, [1956-57]. The signers include Ernest Hemingway, Samuel Barber, Martha Graham, Anna Magnani, Hubert de Givenchy, Anthony Perkins, Fred Astaire, Hoagy Carmichael, Sarah Vaughan, Sammy Davis Jr., Bill Hayes (with an AMQS), Alan Jay Lerner (2x), Yul Brynner, Ogden Nash, Alfred Lunt, Lynn Fontaine, Andres Segovia, Margaret Hamilton, Tony Bennett, Myrna Loy, Edna Ferber, Zino Francescatti, Byron Janis, Farley Grainger, Rex Harrison, Broderick Crawford, Edward G. Robinson, George Szell, Jessica Tandy, Basil Rathbone, Claudette Colbert, Hazel Scott, Raymond Massey, Michel Auclair, Alexander Smallens, Kate Smith, James Mason, Ray Bolger, Benny Goodman, Noël Coward, Joan Blondell, Arnold Stang, Constance Talmadge, Garson Kanin, Mischa Elman, Erica Morini, Connee Boswell, Mario del Monaco, Robert Helptmann, Andor Foldes, Marta Eggerth, Vincent Price, Lillian Gish, Paulette Goddard, J. William Fulbright and dozens more.

The Liberty Music Shop was a fixture in the New York music scene from the 1930s through the 1950s, catering to cognoscenti and celebrities.

Why should this be on JAZZ LIVES?  One, it’s a spectacular rarity.  Some of the names above should excite people who apparently only listen to jazz, night and day.  But for the most seriously narrow readers, there’s also a genuine Benny Goodman signature and — happiness! — a Jo Jones inscription, which is how he signed two record jackets for me in 1981-2.  The seller offered photographs of sample pages — not all fifteen — which means that some of the signatures noted above aren’t visible.  But enough are to make it fascinating.

Here’s the first page, beautifully signed by Marian Anderson:

AUTOGRAPH BOOK NINE Marian Andersonand here I see Mischa Elman, Peter Lind Hayes, Alan Jay Lerner, Farley Grainger, Edward G. Robinson, and Joyce Van Patten, among others.

AUTOGRPAH BOOK TWOHere’s Jack Carter (who just left us), Bill Hayes, Garson Kanin, Herman Shumlin, and Earle Hyman . . .

AUTOGRAPH BOOK THREEAnd where else would you find Ray Bolger and Francoise Sagan in such proximity?

AUTOGRAPH BOOK FOURI love the strange combinations: Gene Tunney, Herb Shriner, Jo Jones, Margaret Hamilton, Tony Bennett, and Herb Shriner, the last asking for a discount.

AUTOGRAPH BOOK FIVE Jo Tony 1957Still more: David Rose and Chris Connor.

AUTOGRAPH BOOK SIX Chris Connor David RoseAnd Charles Boyer, an authentic Benny Goodman (unless he brought one of his staff to sign for him), Kevin McCarthy, Givenchy, and Anthony Perkins.AUTOGRAPH BOOK SEVEN BGFinally, Dorothy Gish, Hoagy Carmichael, Fred Astaire.

AUTOGRAPH BOOK EIGHT Gish Hoagy AstaireKeener eyes than mine will no doubt discern other famous names.  It’s an awful cliche to say that giants walked the earth, but I know for certain that they went to the Liberty Music Shop.

May your happiness increase!

DOT’S AUTOGRAPH BOOK (1944-47)

HAMPTON autographs 1945

These remarkable pages come from a time when big jazz bands appeared regularly at large urban ballrooms — for dancing and listening.  The assiduous jazz fan and “autograph hound” was one Dot Spokisfield, who lived in or near St. Louis, Missouri.  My source (offering the autographs for sale on eBay) writes, “Dot would encourage to the musicians to write what they pleased on the page, with most of them writing the name of the band or orchestra they were associated with most of the signatures being signed in pencil and often personalized to Dot. Dot would then write where and when the signature was obtained and adding a red asterisk next to the name.”

The perforations show that these pages were originally bound in an autograph book, the pages being 4 by 6 inches.  I have not been able to find anything out about Dot — even with her unusual name.  But the evidence of her friendly enthusiasm for the music and the musicians remains. Fortunately for us, she was a careful archivist and musicians in that era not only signed their names but indicated what instrument they played — making our twenty-first century research almost too easy.  The page at top:

4×6’ album page autographed by Teddy Sinclair, Dave Page, William Mackel, Alice Lindsey, Freddie Simon and Charlie Harris on one side, and Joe Marr, Arnette [later Arnett] Cobb and Charles Fowlkes on the back. The signatures were obtained on September 24, 1946.

LOUIS 1945

A 4×6’ album page autographed by Velma Middleton, Larry Anderson, Big Chief Moore and on the back by Norman Powe and Elmer Warner. These were signed on February 10, 1945.
DIZZY CAB 1946

A 4×6’ album page autographed by Dizzy Gillespie (signed Be-Bop, Big Diz) and two members of the Cab Calloway Orchestra in Norman Powe and Hilton Jefferson. These were signed on December 7, 1946 and August 12, 1946.

JACK T 1947

A 4×6’ album page with an affixed cut measuring 3×4’ autographed by Jack Teagarden in pencil, with a notation that it was signed at Tune Town on April 13, 1947 as part of the Cavalcade of Jazz.

COATSVILLE HARRIS 1947

A 4×6’ album page autographed by Leslie Scott and on the back by James “Coatsville” Harris, Adam Martin, Elmer Warner and Ed Swantson, all then members of Louis Armstrong’s band.

BASIE 1944
A 4×6’ album page autographed by Count Basie, Jimmy Rushing, Joe Newman, Dickie Wells, Harry ‘Sweets” Edison, Joe Newman one side, and Dickie Wells (another), Harry Edison, Al Killian, Louis Taylor and Ted Donelly on the on the back. The signatures were obtained on June 25, 1944.

KRUPA CAB 1946

A 4×6’ album page autographed by James Buxton and Keg Johnson and on the back, an affixed cut signature of Gene Krupa. These were signed on December 17, 1946 and December 9, 1946.

HINES KIRK 1944

A 4×6’ album page autographed by La Verne Barker and Bob DeVall (Andy Kirk’s valet or band manager?) on one side and Earl ”Fatha” Hines (glues to the page) on the back. The signatures were obtained on May 7, 1944, and one side had McGhee, while on the reverse are the others.

LIPS DINAH WASHINGTON 1947

A 4×6’ album page with an affixed paper autographed by 8 Jazz greats, including Dinah Washington, George Jenkins, Freddie Washington and on the back by Hot Lips Page, Carl Wilson. Ronnie Lane and J.C. Higginbotham. It is noted that this was signed at Tune Town on April 13, 1947 as part of the Cavalcade of Jazz.

CAB 1946 Milt Kansas

4×6’ album page autographed by Dave Rivera, Kansas Fields, Milt Hinton, Hilton Jefferson and on the back by Lammar Wright, Charles Frazier and Paul Webster. These were signed on December 7, 1946.

LIONEL and RED CAPS

A 4×6’ album page autographed by Lionel Hampton and on the back by The Red Caps (signature affixed within the book), and signed in 1945.

Lionel SNOOKY LEO SHEPPARD

A 4×6’ album page autographed by Snooky Young and on the back by Leo Sheppard (signature affixed within the book), and most likely signed in 1946.

KENTON 1944 in audience

Stan Kenton, in the audience, 1946.

FRED BECKETT NANCE LAWRENCE BROWN

Hamp, Duke, Ray Nance!

ANDY KIRK 1944

A 4×6’ album page autographed by Edward Loving, Jimmy Forrest, Ben Smith and Ben Thigpen on one side, and Wayman Richardson, (Art?) and J.D. King on the back.The signatures were obtained on May 7, 1944, and one side had Howard McGhee.

HAMP 1945

A lot of two 4×6’ album page autographed by Dinah Washington and three others, and on the back is signed by Milt Buckner.

SLICK JONES

A 4×6’ album page autographed by Slick Jones, dated August 19, 1944.

MILLS BROS

A 4×6’ album page autographed by The Mills Brothers, Herbert (April 2, 1912 – April 12, 1989), Donald (April 29, 1915 – November 13, 1999) and John Mills Sr.(February 11, 1882 – December 8, 1967). This was signed on September 22, 1944.

ED ROANE AL MORGAN

A 4×6’ album page autographed by Al Morgan and Ed Roane.

JUAN TIZOL

A 4×6’ album page autographed by Juan Tizol and Buddy Devito from the Harry James Orchestra and on he back by Ted (Barnett?) from the Louis Armstrong Orchestra. These were signed on February 9, 1946.

Cozy Cole Ace Harris E Hawkins

A 4×6’ album page autographed by Ace Harris, Leroy Kirkland, Joe Murphy, Ray Hogan, Laura Washington, Matthew Gee, Lee Stanfield, Bobby Smith, C.H. Jones and on the back, affixed to the page is the signature of Cozy Cole. These were signed on January 7, 1947 and March 1, 1947.
LOUIS JORDAN

A 4×6’ album page autographed by Louis Jordan on one side (dated August 18, 1944) and on the back by his piano player Tommy Thomas.

“Keep groovin”!  indeed.  There was a time when giants swung the earth. Blessings on them, and also on people like Dot, who kept them alive for us, seventy years later.

May your happiness increase!

MEMORIES FOR SALE: WILLIE, MILDRED, BASIE 1939

I call eBay one-stop jazz shopping.  Type in “jazz,” click on “Entertainment Memorabilia,” and watch the hours — and sometimes the dollars — fly.

Treasures abound.  Of course, one has to pick delicately through the signed photographs of Sir Laurence Olivier in THE JAZZ SINGER, the forged Louis Armstrong signatures, the absurd pricing (“MEGA RARE!”) but surprises and delights await. Here are a few recent ones.

Willie Lewis (leader of the Entertainers, a band most of us know because of its work with Benny Carter and Bill Coleman) — a silhouette inscribed to his friend, trumpeter George Brashear.  I am not planning to buy this, but think the image would make a perfect Twenties-jazz-geek-scholar t-shirt:

A WILLIE LEWIS 3.29.29 NICE

Here’s a particularly delicious Entertainers recording — a nice stroll through STOMPIN’ AT THE SAVOY with a glorious Bill Coleman solo and a closing bridge given over to Herman Chittison.  (The YouTube site offers more than thirty of the band’s sides — all mislabeled, so you will have fun figuring out which tune goes with which title):

Then, an autographed picture of Mildred Bailey — her particularly loopy girlish handwriting makes me sure that this one is authentic:

A MILDRED signed front

How anyone could fold such a treasure in thirds is beyond me. And the reverse is equally interesting to scholars of Thirties music:

A MILDRED signed backSomeone was delinquent and did not RETURN THIS PHOTO, but I approve, because how else would we have seen this?

And now . . . autographs from the Basie band of 1939.  Most of them are easy to decipher, and I think the bottom one is arranger Andy Gibson:

$_1The price the seller is asking is high — over three thousand dollars — but we can enjoy Lester Young’s childlike handwriting for free.

 May your happiness increase!

BY THEIR OWN HAND(S)!

I visit eBay intermittently, to see what marvels are there.  Some of the artifacts simply make me wonder.  A fairly constant stream of obvious forgeries of Louis’ very distinctive signature.  Autographed pictures of voluptuous women tenor saxophonists.

Even more autographs from Dave Brubeck and Les Paul — I wonder how much time, in their final years, these aging giants spent signing every and anything pushed in front of them.

But here are some extraordinary sightings.

A first edition of Eddie Condon’s WE CALLED IT MUSIC (1947) inscribed to Kid Ory:

EDDIE CONDON to KID ORY

The inscription reads: “Dear Ory, This copy is somewhat battered from being dragged about the country in a flannel banjo case, kicked under tables of basement dinners, and spotted with licorice gin and cigarette burns. (You know how rowdy the crowds in Zibart’s are, especially when it comes to their last copy). See you at Eddie’s. Your’n, Satcho”.

BOJANGLES 1929A truly glorious autographed photo of Bill Robinson, 1929.

Here are a few people I celebrate, but whose autographs I rarely see.

OMER SIMEON 1958

The wondrous clarinetist Omer Simeon.

CHARLIE TEAGARDEN

The underrated trumpeter Charlie Teagarden, Jack’s younger brother.

FRANK CARLSON

Woody Herman’s Decca-period drummer, Frank Carlson, promising to return.

HERB COWENS

Drummer Herbert “Kat” Cowans and his little band — hot felines, no doubt.  Does anyone recognize the Kittens, one by one?

JACK TEAGARDEN

The 1962 recording, MIS’RY AND THE BLUES, signed by Jack Teagarden, Don Goldie, and Stan Puls.

Here’s Mister Tea in 1950-1, surrounded by giants: Louis, Earl Hines, Barney Bigard, Arvell Shaw, Cozy Cole.  Usually only Louis signed in green ink; did he pass his fountain pen around for everyone to use?

LOUIS ALL-STARS 1951

And here’s another real Louis signature (as a public service, so that you can recognize the banal forgeries when they appear):

LOUIS

Finally, a treasure:FATS RECEIPT

I saved the best for last.

One hundred dollars was a great deal of money in 1936.  But Fats had it backwards.  We owe him, and still do.

May your happiness increase!

WITH A STROKE OF THE PEN

More eBay autographs . . . some surprises! Of course, Louis signed his name how many thousand times from the middle Twenties to 1971 . . . but each one is its own treasure.  Lucky Bill! The seller describes this as signed in green ink (a mark of authenticity) even though it reproduces as blue. Here’s something much more unusual.  At first, it looks only like an antique check (1936) but then you see it’s made out to trombone legend Miff Mole, and the person handing over the thirty-two dollars is Rudy Vallee.  Not to be mean-spirited, but Rudy had a reputation for being reluctant to let money out of his possession, so this is doubly or triply rare — and thirty-two 1936 dollars are a substantial sum. And the reverse, where Miff endorsed the check over to one Louis Mussi.  The story?: Here are the signatures of one version of the Preservation Hall Jazz Band: Narvin Kimball (banjo); Willie Humphrey (clarinet); “Sing” Miller (piano, in a rebus); Percy Humphrey (trumpet); Allan Jaffe (tuba); Josiah “Cie” Frazier (drums); Frank Demond (trombone): That in itself would be pretty good — as satisfying as a half-pint of Mrs. Circe’s gin . . . but the “unidentified” signatures on the back of this page are also intriguing: Some of those might remain mysterious — I have trouble turning my head to the required angle . . . but top left (March 15, 1978) is Arnett Cobb and long-time Lionel Hampton guitarist Billy Mackel; to the left is Andy McKee, and in the middle I am certain that Robert Sage Wilber — otherwise known as Bob — signed in.  My intuition tells me that this page comes from a Nice Jazz Festival . . .

May your happiness increase.

HOLY RELICS OF A GLORIOUS TIME

I mean no blasphemy.  Jazz fans will understand.

Some time ago, an eBay seller offered an autograph book for sale.

That rather ordinary exterior gave no hint of the marvels it contained: not someone’s schoolmates but the greatest players and singers — of the Swing Era and of all time.  Now individual pages are being offered for sale, and I thought that they would thrill JAZZ LIVES readers as they thrill me.  The owner of the book was “Joe,” residing in New York City and occasionally catching a band at a summer resort.  We know this because Joe was meticulous, dating his autograph “captures” at the bottom of the page.  Understandably, he didn’t know much about the lifespan of paper and put Scotch tape over some of the signatures, which might mean that the whole enterprise won’t last another fifty years — although the signatures (in fountain pen, black and colored pencil) have held up well.

Through these pages, if even for a moment, we can imagine what it might have been to be someone asking the greatest musicians, “Mr. Evans?”  “Miss Holiday?”  “Would you sign my book, please?”  And they did.  Here’s the beautiful part.

Let’s start at the top, with Louis and Red:

This page is fascinating — not only because Louis was already using green ink, or that we have evidence of the band’s “sweet” male singer, Sonny Woods, but for the prominence of trumpeter Henry “Red” Allen.  Listening to the studio recordings Louis made while Red was a sideman, it would be easy to believe the story that Red was invisible, stifled, taking a position that allowed him no creative outlet.  But the radio broadcasts that have come to light — from the Cotton Club and the Fleischmann’s Yeast radio program — prove that Red was given solo spots during the performance and that he was out front for the first set.  Yes, Red had been creating a series of exceptional Vocalion recordings for two years, but I suspect Joe had much to hear on this Saturday night at the Arcadia Ballroom.

Something completely different: composer / arranger Ferde Grofe on the same page with Judy Ellington, who sang with Charlie Barnet’s band:

Time for some joy:

Oh, take another!

Joe really knew what was going on: how many people sought out pianist / arranger / composer Lennie Hayton for an autograph:

A good cross-section of the 1938 Benny Goodman Orchestra — star pianists Teddy Wilson and Jess Stacy, saxophonists Vido Musso, Herman Shertzer, George Koenig, Art Rollini, as well as the trombonist Murray McEachern, guitarist Ben Heller, arranger Fred Norman, and mystery man Jesse Ralph:

Someone who gained a small portion of fame:

You’ll notice that Joe knew who the players were — or, if you like, he understood that the men and women who didn’t have their names on the marquee were the creators of the music he so enjoyed.  So the special pleasure of this book is in the tangible reminders of those musicians whose instrumental voices we know so well . . . but whose signatures we might never have seen.  An example — the heroes who played so well and devotedly in Chick Webb’s band: saxophonists Chauncey Houghton, “Louie” Jordan, Theodore McRae, Wayman Carver, bassist Beverley Peer, pianist Tommy Fulford, guitarist Bobby Johnson, trumpeters Mario Bauza, Bobby Stark, Taft Jordan, trombonists Nat Story, Sandy Williams . . . .Good Luck To You, indeed!

But one name is missing — the little King of the Savoy (subject of the wonderful new documentary, THE SAVOY KING — which is coming to the New York Film Festival at the end of September 2012 — more details to come):

Jimmie Lunceford and his men, among them drummer Jimmie Crawford, saxophonist Willie Smith, trumpeter Paul Webster:

saxophonists Joe Thomas and Austin Brown, Jas. Crawford (master of percussion), bassist Mose Allen, pianist Edwin Wilcox, and the little-known Much Luck and Best Wishes:

Blanche Calloway’s brother, the delightful Cab, and his bassist, the beloved Milt Hinton:

trumpeter irving Randolph and Doc Cheatham, drummer Leroy Maxey, pianist Bennie Payne, saxophonists Walter Thomas, Andrew Brown, “Bush,” or Garvin Bushell, and Chu Berry, and Cab himself:

Paul Whiteman’s lead trumpeter, Harry “Goldie” Goldfield, father of Don Goldie (a Teagarden colleague):

I can’t figure out all of the names, but this documents a band Wingy Manone had: vocalist Sally Sharon, pianist Joe Springer, Don Reid, Ray Benitez, R. F. Dominick, Chuck Johnson (?), saxophonist Ethan Rando (Doc?), Danny Viniello, guitarist Jack Le Maire, and one other:

Here are some names and a portrait that would not be hard to recognize.  The Duke, Ivie Anderson, Cootie Williams, Juan Tizol, Sonny Greer, Fred Guy, Barney Bigard, Freddie Jenkins, Rex Stewart, and either “Larry Brown,” squeezed for space, bottom right (I think):

And Lawrence Brown, Otto Hardwick, Harry Carney, Billy Taylor, and lead man Art Whetzel:

Calloway’s trombones, anyone?  De Priest Wheeler, Claude Jones, “Keg” Johnson, and trumpeter Lammar Wright:

Our man Bunny:

Don Redman’s wonderful band, in sections.  Edward Inge, Eugene Porter, Harvey Boone, Rupert Cole, saxophones:

The trumpets — Otis Johnson, Harold Baker, Reunald Jones, and bassist Bob Ysaguirre:

And the trombone section — Quentin Jackson, Gene Simon, Bennie Morton — plus the leader’s autograph and a signature that puzzles me right underneath.  Sidney Catlett was the drummer in this orchestra for a time in 1937, but that’s not him, and it isn’t pianist Don Kirkpatrick.  Research!: 

The rhythm section of the Claude Hopkins band — Claude, Abe Bolar, Edward P. (“Pete”) Jacobs, drums:

And some wonderful players from that band: Joe Jones (guitar, nort drums), trumpeters Shirley Clay, Jabbo Smith, Lincoln Mills; the singer Beverly White (someone Teddy Wilson thought better than Billie), saxophonists Bobby Sands, John Smith, Arville Harris, Happy Mitchner (?); trombonists Floyd Brady and my hero Vic Dickenson, whose signature stayed the same for forty years and more:

I suspect that this triple autograph is later . . . still fun:

If the next three don’t make you sit up very straight in your chair, we have a real problem.  Basie at Roseland, Oct. 12, 1937: Earle Warren, the Count himself, Billie, Buck Clayton, and Eddie Durham.  The signature of Paul Gonsalves clearly comes from a different occasion, and I imagine the conversation between Joe and Paul, who would have been very pleased to have his name on this page:

Miss Holiday, Mister Shaw, before they ever worked together ANY OLD TIME.  I’d call this JOYLAND, wouldn’t you?

And a truly swinging piece of paper, with the signatures of Walter Page, Lester Young, James Rushing, Bobby Moore, Herschel Evans, Ronald “Jack” Washington, Edward Lewis, Freddie Greene, Joe Jones, Bennie Morton . . . when giants walked the earth.

To view just one of these pages and find your way to the others, click here  – I’ll content myself with simple gleeful staring.  And since I began writing this post, the seller has put up another ten or more — Mary Lou Williams, Ina Ray Hutton, Clyde Hart, Roy Eldridge . . . astonishing!

May your happiness increase.

A TREASURE: JAMES P. JOHNSON, 1921

From the estate of the late Mike Montgomery — offered for sale on eBay by “bixokeh.”  A treasure!

May your happiness increase.

THE SPIRITS OF RHYTHM SIGN IN on eBay

I admire the Mills Brothers; I revere the Boswell Sisters. 

But I have a special place in my heart for a group that has received far less attention — the aptly-named Spirits of Rhythm, featuring Douglas Daniels and his brother Wilbur on tipple (a twelve-string instrument), Teddy Bunn on guitar, and Leo Watson on vocal, occasionally drums. 

Their recording career was brief: their records can fit on one compact disc (it’s worth searching for — on the Timeless / Retrieval label) and they flourished, intermittently, between the early Thirties and the mid-Forties.  Electrified, Bunn went on to record into the Fifties; Watson drifted into obscurity and died in 1950.  What happened to the Daniels brothers I do not know (although I just sent an email to Wilbur’s granddaughter, found on YouTube — the internet makes such deliciously odd things possible!). 

I’ve posted elsewhere on this blog the two clips of the Spirits — or variant combinations — on film, and they can be found on YouTube.  One is an exceedingly out-of-synch TOM TOM THE ELEVATOR BOY, from a 1941 musical SWEETHEART OF THE CAMPUS.  The other features Eddie Cantor impersonatory Jackie Greene in ALABAMY BOUND. 

But here’s some music.  First, I GOT RHYTHM from 1933:

And DR. WATSON AND MR. HOLMES (lyrics by Johnny Mercer, 1937):

What else would anyone need?

How about some calligraphic evidence?  Here’s a contract offered to the highest bidder on eBay: dating from 1942, it offers the signatures of Ramon La Rae (a singer?  a bassist?), Teddy Bunn, Leo Watson, and the Daniels brothers.  I never thought I’d see something like this:

Here’s a closeup:

My only question now is whether I want the image below on a sweatshirt or will content myself with the wall hanging. 

Design suggestions, anyone?

The bidding ended — someone offered over $325 for this rare piece of paper.

KEEP EVERYONE’S SPIRITS HIGH: CLICK HERE (ALL MONEY GOES TO THE MUSICIANS)

https://.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=VBURVAWDMWQASwww

GENEROUS JOHN STRIKES AGAIN!

There are many generous individuals in this world, and many of them are named John.  But the particular John that readers of this blog will want to celebrate with me is my British “cousin” John Whitehorn.  John and I (along with Sir Robert Cox) first met in Westoverledingen in 2007 — and John was there at this year’s Whitley Bay International Jazz Festival. 

He had a manila envelope, which he presented to me.  Inside . . . treasures!  Tal Farlow:

Johnny Varro, looking more like a teenaged woodsman than a great jazz pianist.

And the much-missed Kenny Davern. 

This was a hit song, but I’d never seen the sheet music — with Louis Prima in a streamlined white double-breasted jacket. 

But I’ve saved the most amazing piece of sheet music for last.  Again, it’s a song familiar to jazz listeners from recordings by Jack Teagarden and another beloved singer:

That lovely picture was a real surprise to me: here’s a close-up of the beautiful Miss Wiley:

Now I call that superb generosity, don’t you?  Thank you, John!

DAVE TOUGH / WOODY HERMAN on eBay

As of May 2, 2010, $250 or the best offer takes the set — a 1947 JATP program, plus autographs by Doris Day, Les Brown, Ted Nash, Charlie Spivak, Woody Herman, and Dave Tough . . . !

BEN’S AUTOGRAPH BOOK

Browsing idly through Ebay (or is it eBay?), I entered the search term “jazz autographs” to see what would emerge.  Of course a number of the items for sale were autographs of players for the Utah Jazz, but this one was much more relevant, even though I have no plans to start bidding for it — the suggested price is just under two thousand dollars.

The late Staff Sergeant Benson (“Ben”) Hardy was a jazz fan who carried his copy of Charles Delaunay’s NEW HOT DISCOGRAPHY with him in the late 1940s and got many musicians to sign the pages on which their records were listed.  My eye, of course, was drawn to the page below, signed in 1948:

Catlett autographSomething special and rare, I would suggest.  If you’re interested in seeing the other signatures (including Buddy Rich, Charlie Barnet, Kid Ory, Barney Bigard, Louis, Velma Middleton, Tommy Dorsey and other luminaries), look for “15- RARE-Vintage-BIG BAND-AUTOGRAPHS-Jazz Legensa-SIGNED.”  My man Agustin Perez Gasco helped me to find the working link, which is http://tinyurl.com/ofkfdp

Knowing that items tend to vanish from eBay, I would do it shortly — even if your finances are rather like mine.