Tag Archives: Raymond Grasier

“I’D LOVE IT”: WHITLEY BAY JOYS — 2011, 2012, 2013 . . . !

I’ve attended the Whitley Bay Classic Jazz Party for the last few years . . . and always had an extraordinary experience . . . meeting and hearing players who don’t often make it to the United States, including Jean-Francois Bonnel, Bent Persson, Frans Sjostrom, Michel Bastide, Nick Ward, Norman Field, Spats Langham, Michael McQuaid, John Scurry, Jason Downes, Matthias Seuffert, Enrico Tomasso, Jacob Ullberger, and two dozen other luminaries — even musicians from the US I don’t encounter often enough, such as Andy Schumm, Josh Duffee, and Jeff Barnhart.

The 2012 Jazz Party is sold out, but if you want a portable audio sampling of the 2011 Party, I urge you to snap up a copy of this limited edition CD . . . only 100 copies were produced.

The CD was recorded live at the 2011 Party by Torstein Kubban, and features this stellar assortment of players: Michel Bastide, Mike Durham, Bent Persson, Andy Schumm, Enrico Tomasso, Andy Woon, Alistair Allan, Kristoffer Kompen, Paul Munnery, David Sager, Steve Andrews, Bernard Anetherieu, Michel Bescont, Jean-Francois Bonnel, Norman Field, Mauro Porro, Matthias Seuffert, Paul Asaro, Jon Penn, Keith Nichols, Martin Seck, Jean-Pierre Dubois, Phillippe Guignier, Keith Stephen, Martin Wheatley, Roly Veitch, Christian LeFevre,Henry Lemaire, Bruce Rollo, Phil Rutherford, Debbie Arthurs, Josh Duffee, Richard Pite, Nick Ward, Raymond Grasier, Mike Piggott, Frans Sjostrom, Caroline Irwin, Cecile McLorin Salvant.

And the songs?  Nothing “psychological,” as Ruby Braff once said.  I’D LOVE IT / I GOT RHYTHM / SWEET SUE / I DON’T KNOW IF I’M COMIN’ OR GOIN’ / COTTON CLUB STOMP / WOLVERINE BLUES / VIPER’S DRAG / SINGIN’ THE BLUES / THANKS A MILLION / STARS AND STRIPES FOREVER / WHEN YOU LEAVE ME ALONE TO PINE / SOUTH / SNOWY MORNING BLUES / BLUE AND SENTIMENTAL / ALLIGATOR CRAWL / FRONT AND CENTER / OH, BABY! / WILDFLOWER RAG / CORNFED / BUGLE CALL RAG — a nice mix of small bands, big bands, three-tenor extravaganzas, vocals, novelty showcases . . . not a dull minute in the seventy-eight contained on the CD.

You can purchase a copy of the souvenir CD by visiting here.  Your purchase helps fund future Classic Jazz Parties, but the price of the disc isn’t prohibitive.

On to the future.  The 2013 CJP will run from November 1-3, and the following musicians are being considered . . . which will give us all something to dream about:

Trumpets: Bent Persson (Sweden), Enrico Tomasso (UK), Andy Schumm (USA), Ben Cummings (UK), Andy Woon (UK)

Trombones: Kristoffer Kompen (Norway), Alistair Allan (UK)

Reeds: Aurélie Tropez (France), Stéphane Gillot (France), Claus Jacobi (Germany) , Norman Field (UK), Matthias Seuffert (Germany), Lars Frank (Norway), Mauro Porro (Italy)

Piano: Keith Nichols (UK), Jeff Barnhart (USA), Morten Gunnar Larssen (Norway), Martin Seck (Germany)

Banjo/Guitar: Spats Langham (UK), Henry Lemaire (France), Martin Wheatley (UK), Jacob Ullberger (Sweden), Keith Stephen (UK)

String Bass: Richard Pite (UK), Henry Lemaire (France), Malcolm Sked (UK)

Brass Bass: Phil Rutherford (UK), Jean-Philippe Palma (France)

Drums: Josh Duffee (USA), Richard Pite (UK), Julien Richard (France), Nick Ward (UK)

Bass Sax: Frans Sjöström (Sweden)

Violin: Mike Piggott (UK)

Vocals: Daryl Sherman (USA), Caroline Irwin (UK), Spats Langham (UK)

and you can visit here to see the “themes” being mulled over for 2013 — because, as you may already know, the CJP is remarkable in its intense focus.  Some jazz parties get wonderful results by merely putting a group of musicians onstage and saying, in effect, “You have 45 minutes to do whatever you’d like.”  The CJP arranges its musicians thematically — so there might be a Jelly Roll Morton trio, a Lionel Hampton small-group session, a recreated McKinney’s Cotton Pickers, the Rhythmakers come again, and so on.  It’s not a dry historical lesson — more like a pageant of jazz history, alive and exuberant.

So, I encourage you to do “all of the above” if possible.  You’ll love it.  Or them.

May your happiness increase.

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VIBRAPHONIA: RAYMOND GRASIER and CO. at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Elin Smith and Flemnming Thorbye)

Leaving aside Red Norvo, the obvious subject for this tribute would be Lionel Hampton, and a few of these performances are aimed that way, but the real honors go to the neglected Thirties recordings Adrian Rollini made for Victor and Vocalion, on vibraphone.

This set was the idea of Frans Sjostrom, the noble bass saxophonist who brought his horn onstage late in the program.  The band at the start was Andy Schumm, trumpet; Steve Andrews, reeds; Alistair Allan, trombone; Paul Asaro, piano; Mike Piggott, violin; Philippe Guignier, guitar; Bruce Rollo, string bass; Richard Pite, drums.

The first two selections are loose-limbed jam sessions on familiar changes — performances that recall the imperishable 1937-41 records that Hampton made for Victor:

I GOT RHYTHM (Elin):

ROSETTA (Elin):

Frans brought his bass saxophone onstage and gave the other horns a rest for the Rollini SWING LOW (Elin) — which doesn’t go where one would expect it to:

For me, the highlight of the set was their version of SMALL FRY, which harks back to a lovely 1938 recording Rollini made for Vocalion featuring Bobby Hackett, whose place Andy Schumm takes for an interval.  (Thorbye):

I’d like to see some bands in the States take on this tune — it has its own life!  Thanks again to Elin Smith, “elinshouse” on YouTube, and Flemming Thorbye, “thorbye” in the same place, for their willingness to offer their videos to JAZZ LIVES.

NORMAN FIELD AND FRIENDS at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Flemming Thorbye)

Norman Field is a treasure, no matter what instrument he’s playing (he also sings and annotates with equal ease).  Here are three too-short proofs of his hot mastery.

SOME OF THESE DAYS, from a tribute to Venuti, Lang, and Rollini, features Mike Piggott (violin), Keith Nichols (piano), Martin Wheatley (guitar), Frans Sjostrom (bass saxophone), Raymond Grasier (vibraphone), Josh Duffee (drums), Bridget Calzaretta and Jonathan David Holmes (terpsichorean urges):

THAT’S A PLENTY is Norman’s tribute to the youthful Benny Goodman.  Here he’s expertly accompanied by Keith, and the astonishing drummer Nick Ward — every move a picture! — doing his own version of Twenties Chicago drumming, with four on the floor for certain:

and THE MAN FROM THE SOUTH is the official tribute to Rube Bloom and his Bayou Boys (it’s the law — every jazz party has to have one) by “The Three Pods of Pepper,” here Norman on alto as well as clarinet; Martin Wheatley (banjo); Frans Sjostrom (bass sax); the ebullient Debbie Arthurs (percussion):

Thanks once more to the generous Flemming Thorbye for these videos: you can see more here.

HOT ANTIC JAZZ BAND at WHITLEY BAY 2011 (thanks to Elin Smith)

I met Elin Smith and her husband Ron at the first Whitley Bay International Jazz Festival I attended in 2009.  Elin is very sociable, so when we noticed we both had video cameras and tripods, and were looking for clear sight lines, we began to talk and very quickly became friends.  And we’ve continued our friendship ever since.  Because of my own video debacle of 2011, I am indebted to Elin and Flemming Thorbye for the videos of Whitley Bay you will see in the next few postings.

Aside from being a deep-dyed videographer and jazz enthusiast, Elin also has her own blog — a wide-ranging one, called elinshouse  — her own amused perceptions of the world and a steady hand on the camera with which she records them.  Thanks, Elin!

The first set of the weekend belonged to the greatly animated Hot Antic Jazz Band, led by cornetist / vocalist / raconteur Michel Bastide, with a guest appearance by trumpeter / vocalist / Festival Director Mike Durham, as well as the young Norwegian trombonist Kristoffer Kompen; Michel Bascont, clarinet; Martin Seck, piano; J-P Dubois.banjo; Bernard Antherieu, tuba; Raymond Grasier, washboard.  The Hot Antics kicked things off most enthusiastically with a program of music associated with Clarence Williams.

SPANISH SHAWL:

SWEET EMMALINA:

CANDY LIPS:

WILDFLOWER RAG (a solo for pianist Martin Seck):

WHAT MAKES ME LOVE YOU SO?:

MY GAL SAL:

More to come!

Tickets for the 2012 Whitley Bay Classic Jazz Party are going fast: click here for details.  Here’s the line-up!

Duke Heitger (USA), Spats Langham (UK), Bent Persson (Sweden), Keith Nichols (UK), Matthias Seuffert Germany), Cecile McLorin Salvant (USA), Michael McQuaid (Australia), Caroline Irwin (UK), Stéphane Gillot (France), Emma Fisk (UK), René Hagmann (Switzerland), Martin Litton (UK), Andy Schumm USA), Rico Tomasso (UK), Jean-François Bonnel (France), Norman Field (UK), Thomas Winteler (Switzerland), Malcolm Sked (UK), Michel Bescont (France), Alistair Allan (UK), Kristoffer Kompen (Norway), Richard Pite (UK), Martin Seck (Germany), Jens Lindgren (Sweden), Martin Wheatley (UK), Josh Duffee (USA), Keith Stephen (UK), Manu Hagmann (Switzerland), Phil Rutherford (UK), Henry Lemaire (France), Frans Sjöström (Sweden), Nick Ward (UK) – and Mike Durham (West Jesmond).

Mike Durham says, “All concerts will take place in the four-star Village Hotel’s Inspiration Suite, with cabaret seating: a new band or solo artist brought to you at the comfort of your table every 60 minutes (or less!) from midday to midnight (with a break for dinner). All properly themed – no disorganised “let’s just get together and blow” sessions….. except for the late-night jam-session in the hotel’s Victory Pub.”

“STOMP OFF, LET’S GO!”: MIKE DURHAM’S CLASSIC JAZZ PARTY 2011

Mike Durham’s Classic Jazz Party is the successor to the Whitley Bay International Jazz Festival, and will be held in the comfortable Village Hotel Newcastle from Friday, November 4, 2011, to Sunday (no doubt Monday morning), November 6-7, 2o11.

(In an earlier version of this posting, I had the incorrect dates — the party begins on the fourth, not the eleventh.  Apologies for any confusion this might have caused.)

Here’s the jazz cornucopia to end all . . . hour-long concert sessions beginning at noon, then a break for dinner, and more music until midnight, followed by jam sessions in the Victory Pub.  I’m already thinking of the inflatable cushion, the tea flask and sandwiches, the extra batteries, and more . . . be prepared!

Friday (11/4):

Clarence Williams Lives! The Hot Antic Jazz Band with guests Kristoffer Kompen (trombone) and Raymond Graisier (vibraphone)

The Jelly Roll Morton Trios:  Keith Nichols (piano), Matthias Seuffert (clarinet), and Nick Ward (drums) salute Mr Jelly Lord

Teasin’ the Ivories: Mauro Porro (piano) salutes Arthur Schutt, Rube Bloom, and Seger Ellis

Dear Bix: Andy Schumm and His Gang

Benny Moten’s Music: Keith Nichols’ Blue Devils Orchestra explore Kansas City

Djangology: Philippe Guignier and Henri Lemaire, Mike Piggott (violin), Norman Field (reeds)

The Ellington Small Bands: Matthias Seuffert, Rico Tomasso (trumpet)

Dishin’ the Dirt: Caroline Irwin sings saucy songs – oooh!

Benny, Fud, Pee Wee, and Tesch: Norman Field, Keith Nichols, and Nick Ward laud some of the tough clarinets

Dallas Blues: Bent Persson and his Orchestra explore mid-30s Armstrong

A Gardenia for Lady Day: Cecile McLorin sings Billie Holiday

Andy’s Midnight Ramblers: Kristoffer Kompen, Andy Schumm and Co. – Twenties Chicago in the Victory Pub

Saturday (11/5):

Jazz Goes To The Movies: Film rarities from the collection of Mike Hazeldine

Syncopated Paraphernalia: Richard Pite’s amazing one-man percussion show

Cornet Chop Suey: Bent Persson’s Hot Five recall the glory days of 1925-1926

Vibraphonia:  Raymond Graisier’s tribute to Lionel Hampton

The Magic Ukulele Show: Professor Martin Wheatley tells us everything we need to know about the “jumping flea”

Singing In Tongues: Caroline Irwin displays her linguistic capabilities

Pickin’ Cotton: Josh Duffee (USA) and 11-piece band recreate McKinney’s music

Lincoln Gardens Stomp: Mike (Durham) and Doc (Bastide)’s Creole Jazz Band: six nationalities go back to 1923!

Three Pods of Pepper: Frans Sjöström, Norman Field, and Martin Wheatley muse over some jazz byways

Tellin’ it to the Daisies: Debbie Arthurs’ Sweet Music and the world of Annette Hanshaw

Snowy Morning Blues: Paul Asaro’s solo recital of James P Johnson’s works

East St Louis Toodle-Oo: Keith Nichols’ Blue Devils Orchestra play early Ellington

The Three Tenors: Steve Andrews, Jean-François Bonnel, and Matthias Seuffert with an all-star rhythm section

Doc’s Night Owls: The Hot Antic Jazz Band and guests play music for insomniacs in the Victory Pub

Sunday (11/6):

Encore! Encore!: More movie magic from Mr Hazeldine’s archives

The Lion & the Lamb: Willie “The Lion” Smith and Donald “The Lamb” Lambert tribute from Nichols & Asaro

Potato Head Blues: More Louis-worship from Bent Persson’s Hot Seven

From A-flat to C: Rico Tomasso & friends play the music of the John Kirby Sextet

Sau Sha Stomp: The Hot Antics & special guest David Sager (trombone) recall trumpet ace Jabbo Smith

Got the World in a Jug:  Cecile McLorin sings Bessie Smith

Zonophone Stomp: Mauro Porro’s international band tip their hat to Bert Firman’s Rhythmic Eight

Humpty Dumpty: More Bixiana from Andy Schumm and the Gang

High Hat, Trumpet, and Rhythm: Cecile McLorin pays tribute to the legendary Valaida Snow, with Rico Tomasso (trumpet)

Venuti, Rollini & Lang:  Mike Piggott (violin), Frans Sjöström (bass saxophone), Martin Wheatley (guitar), Keith Nichols, Norman Field, Raymond Graisier, Josh Duffee

The Rhythmakers: Bent Persson, Matthias Seuffert, and Co. recall the great 1932 Billy Banks sessions with Red Allen and Pee Wee Russell

The Small-Hours Swingers: Andy Woon leads a hand-picked group deep into the morning in the Victory Pub

For more information, visit http://www.whitleybayjazzfest.org/concerts.html.  Mike tells me that there are some seats — not many — left . . . so don’t be left out!