Tag Archives: Rene Hagmann

THANKS TO ENRICO, SOME HOT MINUTES IN ASCONA: KEITH NICHOLS, MATTHIAS SEUFFERT, RENE HAGMANN, CHRISTOPH WACKERBARTH, MARTIN WHEATLEY, FRANS SJOSTROM, and guests ANDY STEIN, JON-ERIK KELLSO (July 7, 2002)

The dashing fellow above (from a 2009 photograph) is the jazz scholar-devotee Enrico Borsetti. I know him as a fine fellow, although we have never met in person.  His generosity is remarkable, but this is a new example: Enrico’s video-recording of music from the 2002 Ascona Jazz Festival, specifically this wonderful band, the Blue Rhythm Makers.  For this date, they were Keith Nichols, piano and vocal; René Hagmann, cornet, reeds; Matthias Seuffert, reeds; Christoph Wackerbarth, trombone; Martin Wheatley, guitar;
Frans Sjostrom, bass sax, with guest appearances by Andy Stein, violin; Jon-Erik Kellso, trumpet. This music was created at the Ristorante Tamaro, Ascona, on Sunday, July 7, 2002.

WHEN DAY IS DONE and POISON:

THE MAN FROM THE SOUTH and I WISH I WERE TWINS:

with guest star Andy Stein, violin, DOIN’ THE NEW LOW DOWN:

And the poignant I’LL NEVER BE THE SAME:

ONE HOUR (Keith sings the lovely verse):

Jon-Erik raises the temperature, even for July, with a rousing SWING THAT MUSIC:

and Andy returns to close the first half of this performance with THAT’S A PLENTY, certainly an accurate description of these wonderful videos.

(Incidentally, I am pleased and amused to note that Enrico’s world is much like mine in the matter of videos: umbrellas and people with cameras obscuring the view, crashing dishes and more — but the sound blazes right at us, and these videos are true gifts.) Here‘s Enrico’s YouTube channel, where all varieties of beauties blossom.

May your happiness increase!

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THREE VARIETIES OF JAZZ EXPERIENCE at the 2012 WHITLEY BAY CLASSIC JAZZ PARTY (October 26, 2012)

Three delights, previously unseen, from the 2012 Whitley Bay Classic Jazz Party:

MY HONEY’S LOVIN’ ARMS, by Keith Nichols, piano / vocal; Norman Field, clarinet / vocal; Emma Fisk, violin, Frans Sjostrom, bass saxophone; Spats Langham, guitar:

STOMP YOUR STUFF (with a Louis Hot Chorus at 3:24) by Bent Persson, cornet; Jean-Francois Bonnel, Rene Hagmann, Thomas Winteler, reeds; Jens Lindgren, trombone; Frans Sjostrom, bass saxophone; Martin Seck, piano; Josh Duffee, drums; Martin Wheatley, banjo / guitar; Phil Rutherford, brass bass:

LOUISE (where are Bing and the Rhythm Boys?) with Andy Schumm, cornet; Spats Langham, banjo; Keith Nichols, piano; Michael McQuaid, C-melody saxophone; Norman Field, clarinet; Alistair Allan, trombone; Frans Sjostrom, bass saxophone; Phil Rutherford, brass bass; Richard Pite, drums:

See you at the Village Newcastle in November 2014. Details here.

And I just learned about the pre-Party opening jam session, featuring the Union Rhythm Kings on Thursday, November 6: that’s Bent Persson (trumpet), Lars Frank (clarinet and saxophone), Kristoffer Kompen (trombone); Jacob Ullberger (banjo & guitar); Frans Sjostrom (bass saxophone); Morten Gunnar Larsen (piano).  They are a wonderful band.

May your happiness increase!

FEELIN’ THE SPIRIT: MEMORIES OF THE WHITLEY BAY CLASSIC JAZZ PARTY 2012

I’ve had a great deal of hot jazz pleasure and enlightenment in my annual trips to Whitley Bay for the late Mike Durham’s International Jazz Festival and Classic Jazz Parties.  And another one is on the way for November 7-9, 2014, thanks to Patti Durham and diligent friends.

I don’t mean to rush away the time until then, but I offer five more previously unseen delights from the 2012 Whitley Bay Classic Jazz Party (recorded October 27-28) — honoring King Oliver, Benny Carter, Louis and Bechet, McKinney’s Cotton Pickers, Graeme Bell, and the magnificent contemporary / traditional jazz musicians at work here.

WA WA WA, a tribute to the Oliver Dixie Syncopators of the second half of the Twenties, led by Keith Nichols (piano), with Duke Heitger (trumpet), Andy Schumm (cornet); Kristoffer Kompen (trombone); Gavin Lee, Matthias Seuffert, Rene Hagmann, (reeds); Martin Wheatley (banjo); Phil Rutherford (brass bass), Josh Duffee (drums):

I’M IN THE MOOD FOR SWING, Matthias Seuffert’s buoyant embodiment of the spirit and music of Benny Carter, with Matthias (alto); Rene Hagmann (cornet); Alistair Allan (trombone); Martin Litton (piano); Spats Langham (guitar); Henru Lemaire (string bass); Richard Pite (drums):

DOWN IN HONKY TONK TOWN, for Louis and Sidney, in whichever incarnation you prefer (1924-5 or 1940), with Bent Persson (cornet); Thomas Winteler (soprano saxophone); Stephane Gillot (baritone saxophone); Jens Lindgren (trombone); Martin Seck (piano); Henri Lemaire (banjo / string bass):

ZONKY, from drummer Josh Duffee’s ambitious evocation of McKinney’s Cotton Pickers, with Rico Tomasso, Rene Hagmann, Andy Schumm (trumpet / cornet); Kristoffer Kompen (trombone); Matthias Seuffert, Gavin Lee, Jean-Francois Bonnel, Michael McQuaid (reeds); Keith Nichols (piano / vocal); Martin Wheatley (banjo / guitar); Richard Pite (string bass); Josh (drums / leader):

UGLY DUCKLING, a hidden treasure from the Graeme Bell repertoire, here served up beautifully by multi-instrumentalist Michael McQuaid, and Duke Heitger, Bent Persson (trumpets); Kristoffer Kompen (trombone); Michael, Stephane Gillot, Thomas Winteler (reeds); Martin Seck (piano); Henri Lemaire (banjo / guitar); Malcolm Sked (brass bass / string bass [off-camera but indispensable]); Nick Ward (drums):

The Classic Jazz Party site hasn’t offered a full roster for the November 7-9 party, which will be held, once again, at the Village Hotel Newcastle, but here is the contact information, and I will post details as they emerge.

As Josh Duffee says, “It’s like Christmas to us.” I don’t believe in Santa Claus, but I do believe in the Whitley Bay Classic Jazz Party.

May your happiness increase!

ON MY WAY / TO WHITLEY BAY / WHERE GOOD TIMES ARE PLENTIFUL

Feel free to join in with my new song — doggerel created to the tune of Harry Belafonte’s JAMAICA FAREWELL: “I’m on me way / to Whitley Bay / won’t be back / till late Monday / I’m all excit’ / Won’t miss my flight / I know I’ll have a time / at Whitley Bay.”

Obviously, I have no reputation as a composer of calypso.

The omens and portents are much more favorable today than they were in 2012.  That trip that began with this weary traveler leaving his passport at home and making a costly racing roundtrip to retrieve it. The glorious jazz weekend ended with Superstorm Sandy and its global effects.   Of course, in both cases, I was helped immensely by generous strangers (at British Airways) and swing friends.

But Whitley Bay — now the Classic Jazz Party, formerly the International Jazz Festival — has been a special place since my first visit in 2009. There I met and admired Bent Persson, Aurelie Tropez, Nick Ward, Jacob Ullberger, Matthias Seuffert, Emma Fisk, Frans Sjostrom, Norman Field, and two dozen others. There I basked in the wit and generosity of the late Mike Durham, who still remains a vivid presence. I will be looking around corners for him all weekend long.  And this year the visiting Americans aren’t so bad, either: Andy Schumm, Josh Duffee, Duke Heitger, Jeff Barnhart, Daryl Sherman.

This year’s party offers exciting thematic presentations: the music of Coon-Sanders, early Ellington, Mildred Bailey, Lee Wiley, Basie 1937, Johnny Dodds, Eddie South and Stuff Smith, rare Bix, rare Fats, California Ramblers, and more.  My camera batteries are charged and I feel the same way.

I wish I could sweep you all along with me, but the airlines are fussy about bringing unscheduled guests.  So I hope JAZZ LIVES readers have patience: I will video-record as much as possible, and subject to musicians’ approval, you will see much of it in the months to come.

I expect to be busy listening, recording, talking and hanging out — living life away from the computer — so if this blog seems quiet for this long weekend, don’t feel abandoned. I am simply gathering new material for your pleasure.

I don’t anticipate think that any of my readers has sufficient frequent flyer miles to jump on a plane right this minute, but “day tickets” are still available, £50 a day.  Details here.  But you’d have to be fairly close to Newcastle to make this possible.  (On a whim, I checked Expedia for round-trip from New York and the least expensive flight was $1500.)

By the time some of you read this, I will already be on a Delta flight to Newcastle by way of Amsterdam . . . a jazz pilgrim on one of the great pilgrimages, bearing notebook and camera, CDs and snacks, clothing, pills, and an umbrella — instead of a scallop shell.

See you back at the ranch on Tuesday, November 5!

Here’s a little music from the 2012 Party, a video of mine that has not been made public before, to lift up your spirits and embody what the weekend is all about.  Rene Hagmann, cornet; Jean-Francois Bonnel, clarinet; Roly Veitch, guitar; Manu Hagmann, string bass, performing THAT’S A-PLENTY in hono(u)r of the Bechet-Spanier Big Four. My feelings exactly.

May your happiness increase!

“SHAKE IT AND BREAK IT”: THE RETURN OF THE DIXIE SYNCOPATORS at the WHITLEY BAY CLASSIC JAZZ PARTY (October 28, 2012)

A hot band is good to find.  And this splendid evocation of romping big band jazz is a special treat — led by pianist / scholar Keith Nichols at the 2012 Whitley Bay Classic Jazz Party on October 28, 2012, it evokes King Oliver’s Dixie Syncopators, a particular favorite of the guiding genius of the Classic Jazz Party, Mike Durham.

Alongside Keith, there are Duke Heitger (trumpet, vocal), Andy Schumm (cornet); Kristoffer Kompen (trombone); Gavin Lee, Matthias Seuffert, Rene Hagmann, reeds, with a guest appearance from Norman Field; Martin Wheatley (banjo); Phil Rutherford (brass bass), Josh Duffee (drums).

TOO BAD:

DEEP HENDERSON (the reference in the title is to a river, not to Fletcher or Horace):

SNAG IT (with vocal refrain by Mr. Heitger):

SOMEDAY SWEETHEART (with a guest appearance by Mr. Field as Mr. Dodds):

DOCTOR JAZZ:

WANG WANG BLUES:

SUGAR FOOT STOMP:

SHAKE IT AND BREAK IT:

For Mister Mike.  And, as always, tickets are on sale to the 2013 Party, the garden of delights, here.

May your happiness increase.

“DOOZY”!: MATTHIAS SEUFFERT SALUTES BENNY CARTER at the 2012 WHITLEY BAY CLASSIC JAZZ PARTY (October 28, 2012): MATTHIAS SEUFFERT, RENE HAGMANN, ALISTAIR ALLAN, MARTIN LITTON, SPATS LANGHAM, HENRI LEMAIRE, RICHARD PITE

Matthias Seuffert, that splendid chameleon so adept at becoming others while retaining his own shining identity, did it yet again at the 2012 Whitley Bay Classic Jazz Party — honoring Benny Carter in swinging, eloquent ways.  If you go back to the earliest and latest recordings in this set, it covers a thirty-year period beginning in 1931 . . . and looks fondly at memorable sessions with Lionel Hampton, Teddy Wilson, Sidney Catlett, Coleman Hawkins, Jo Jones, Roy Eldridge, and other luminaries.

Matthias’ swinging cohorts here are Rene Hagmann, cornet (summoning up Carter’s elegantly astonishing trumpet work), Martin Litton, who had easily become Teddy Wilson earlier in the Party; Alistair Allan, nimbly filling out the ensembles and adding a fine Swing Era flavor; Spats Langham, guitar; Henri Lemaire, string bass; Richard Pite, marshaling forces in subtle unity.

JUST A MOOD — on paper, just a simple line, but the results are so elegant, living up to the title:

SMACK — evoking the 1940 “Chocolate Dandies” Fletcher Henderson-alumni session for Commodore Records.  Matthias wasn’t looking at me while I was behind the camera, but the grin on his face during Martin Litton’s solo must have mirrored mine:

BLUE INTERLUDE — going back to the 1933 “Dandies” session, tenderly, with sweetly heroic playing from Rene and Martin over a delicious rhythm section sweep, leading up to a marvelous evocation of The King by Matthias:

DOOZY — a swinging blues created at the 1961 “Further Definitions” session.  A “doozy” is defined as something extraordinary — true enough here:

BLUES IN MY HEART — a lyrical masterpiece Carter returned to often, and this version summons up a divine trio of Benny, Art Tatum, and Louis Bellson, with Martin Litton and Richard Pite hailing the departed giants:

WHEN LIGHTS ARE LOW — with the correct changes for the bridge — great swinging fun:

This set was a great highlight — not only of the 2012 Whitley Bay Classic Jazz Party — but of the year.  A tribute to The King by some of his most regal subjects!

And, not incidentally, tickets are still available here for the 2013 Party . . . but I can’t guarantee that this will always be the case.

May your happiness increase.

“I’LL MAKE FUN FOR YOU”: THE MUSIC OF McKINNEY’S COTTON PICKERS as RECREATED BY JOSH DUFFEE and COMPANY at the WHITLEY BAY CLASSIC JAZZ PARTY (Oct. 27, 2012)

What could be better than another small concert — led by drummer / historian / raconteur Josh Duffee — bringing McKinney’s Cotton Pickers “back” for us in the twenty-first century?

I thought you’d say that.

Here’s romping and sweet big band jazz at the 2012 Whitley Bay Classic Jazz Party — thanks to Rico Tomasso, Rene Hagmann, Andy Schumm, trumpet / cornet; Kristoffer Kompen, trombone; Matthias Seuffert, Gavin Lee, Jean-Francois Bonnel, Michael McQuaid, reeds; Keith Nichols, piano / vocal; Martin Wheatley, banjo / guitar; Richard Pite, string bass; Josh Duffee, drums / leader; Mike Durham, vocal.

I’LL MAKE FUN FOR YOU:

I WANT A LITTLE GIRL:

BABY, WON’T YOU PLEASE COME HOME?:

MISS HANNAH:

GEE, BABY, AIN’T I GOOD TO YOU?:

THERE’S A RAINBOW ‘ROUND MY SHOULDER:

IT’S TIGHT LIKE THAT:

SAVE IT, PRETTY MAMA:

(A hot performance of ZONKY exists but for the moment it is hidden under my bed for safe-keeping.)

May your happiness increase.