Tag Archives: Reuben Allen

DREAM AND REVELATION: MORE FROM THE JON DE LUCIA OCTET at THE TEA LOUNGE (May 29, 2017)

Photograph by Richard Daniel Bergeron

More fun and expertly played music — wonderful in ensemble and solo — from the Jon De Lucia Octet, performing on May 29, 2017, at the Tea Lounge on Union Street in Brooklyn, New York. For this performance, they were Jon, alto, clarinet, flute; John Ludlow, alto; Jay Rattman, tenor, bass clarinet; Marc Schwartz, tenor, clarinet; Brad Mulholland, baritone, clarinet; Reuben Allen, keyboard; Aidan O’Donnell, string bass; Steve Little, borrowed drums.  On SELDOM THE SUN, a piece by Alec Wilder for his Octet, special guest Alison Mari on oboe/English horn joined in.

Here is THE SONG IS YOU from the same performance.

And more.

PICK YOURSELF UP (always good advice):

Jon’s composition and arrangement, PRELUDE TO PART FIRST:

Jimmy Giuffre’s arrangement of the Van Heusen beauty, DARN THAT DREAM, for saxophones only:

Alec Wilder’s SELDOM THE SUN:

REVELATION (incomplete through the failure of the incautious videographer, who is contrite even now):

Jon’s thoughtful, emotionally deep, and deeply swinging music pleases me more than I can say here . . . but you know it, he knows it, and I do, too.

May your happiness increase!

“THE SONG IS YOU”: JON DE LUCIA’S OCTET at the TEA LOUNGE (May 29, 2017)

Photograph by Richard Daniel Bergeron

Jon De Lucia’s little orchestras delight me, so I follow them whenever I can.  No matter how many players are gathered, there’s always shifting timbres, beautiful ensemble textures, a range of energies from serene to soaring. Here’s one gorgeous romp from his Octet’s most recent appearance: Jimmy Giuffre’s arrangement of THE SONG IS YOU. Properly speaking, I think the title should be corrected to THE SONG IS US, but the composer had never heard this octet in action.

Incidentally, should any more “traditionally-minded” readers be tempted to turn away from this dangerous venture into mid-century Modernism, I urge you to courageously listen: there’s an irresistible momentum, and even a passage of collective improvisation (let’s call it a little jam session) sure to delight even the most seriously loyal archaeologist.

For this occasion, the Octet was Jon De Lucia, alto, clarinet, flute; John Ludlow, alto; Jay Rattman, tenor, bass clarinet; Marc Schwartz, tenor, clarinet; Brad Mulholland, baritone, clarinet; Reuben Allen, keyboard; Aidan O’Donnell, string bass; Steve Little, borrowed drums.  Later in the evening, this Octet played two pieces from the Alec Wilder Octet with special guest Alison Mari on oboe/English horn.

The occasion was also to celebrate the release of Jon’s book, Bach Shapes (Bach Shapes), certainly worth a look, even for those of us whose saxophone careers are not yet fully in motion.

And speaking of “in motion”:

I promise to share more music from this delightful evening.  The Octet does my heart good, and I hope yours as well.

May your happiness increase!