Tag Archives: Ricky Alexander

WHEN FRIENDS DROP IN: A LITTLE JAM SESSION at CAFE BOHEMIA: JON-ERIK KELLSO, BRIA SKONBERG, GEOFF POWER, RICKY ALEXANDER, ALBANIE FALLETTA, ARNT ARNTZEN, JEN HODGE (January 2, 2020)

If I learned that a few dear friends were going to drop by in fifteen minutes, I would rush around tidying, straightening out the bed, looking to see what you could serve them . . . a flurry of immediate anxiety (“Does the bathtub need to be cleaned and can I do it in the next two minutes?” “Where will people sit?”) mixed with the pleasurable anticipation of their appearance.  As an aside, JAZZ LIVES readers who wish to see the apartment — equal parts record store, video studio,  yard sale, and library will have to make an appointment.

Albanie Falletta, resonator guitar; Jen Hodge, string bass, Cafe Bohemia, Dec.26, 2019.

Since I “live” at Cafe Bohemia (15 Barrow Street, Greenwich Village, New York) only intermittently, and it’s already tidy, thus, not my problem, I could simply relax into a different kind of pleasurable anticipation.  It happened again when Jon-Erik Kellso began to invite people up on to the bandstand near the end of the evening of January 2, 2020 — another of the Thursday sessions that cheer me immensely. The result reminded me of some nights at the 54th Street Eddie Condon’s when guests would come by and perform.

Let me give you the Dramatis Personae for that night and then we can proceed to two of the marvels that took place.  The House Band: Jon-Erik, trumpet; Ricky Alexander, clarinet; Albanie Falletta, resonator guitar / vocal; Sean Cronin, string bass / vocal.  The Guests: Bria Skonberg, Geoff Power, trumpet; Arnt Arntzen, banjo; Jen Hodge, string bass.  Arrangements were quickly and graciously made: Sean handed to bass to Jen for these two numbers; Bria stayed on, Geoff went off for one and came back for the second.  

JAZZ ME BLUES, with Jon-Erik, Bria, Ricky, Albanie, Arnt, and Jen:

SOMEBODY STOLE MY GAL, with Albanie singing and Geoff back on the stand:

Much better than apartment-tidying, I’d say.  And I’d wager that even the Lone YouTube Disliker, who hides in the bathroom with his laptop, might give his death-ray finger a rest.  More beautiful sounds will come from Cafe Bohemia, so come down the stairs.

May your happiness increase!

 

 

“CAN I GET YOUR LOVIN’ NOW?”: ALBANIE FALLETTA, JON-ERIK KELLSO, SEAN CRONIN, RICKY ALEXANDER at CAFE BOHEMIA (January 2, 2020)

These artists:

and these too:

were here to begin 2020:


and they (and friends) transported everyone in the room.  It all happened at my new second home, Cafe Bohemia (15 Barrow Street, Greenwich Village, New York City) on Thursday night, January 2, 2020.  And the makers-of-magic are Albanie Falletta, vocal and resonator guitar; Jon-Erik Kellso, trumpet; Sean Cronin, string bass; Ricky Alexander.  Their text: HESITATION BLUES.  And how moving!

There will be more videos from this session, but — for those who like to live their lives close-up to reality (that is, getting sensation from people rather than from a lit screen) — Albanie, Jon-Erik, Evan Arntzen, and Jen Hodge will be performing at Cafe Bohemia tomorrow evening at 8 and 10 PM . . . reason to put your shoes back on and leave the chair in front of the computer.  Seriously.  Life is larger than any of our phones.

May your happiness increase!

EVEN MORE FROM RICKY ALEXANDER AND HIS “STRIKE UP THE BAND” BAND at CAFE BOHEMIA: CHRIS GELB, DANIEL DUKE, ADAM MOEZINIA (November 22, 2019)

It was a wonderful evening at Cafe Bohemia (15 Barrow Street, Greenwich Village, New York City) when Ricky Alexander, tenor saxophone and vocal; Adam Moezinia, guitar; Daniel Duke, string bass; Chris Gelb, drums, ascended the two steps to the narrow stage to play music celebrating Ricky’s debut CD, STRIKE UP THE BAND.

I’ve already shared much of the glorious yet understated music from that night here and here and here — and here are four more performances where you can admire the easy stroll Ricky and friends generate.

An easily strolling A KISS TO BUILD A DREAM ON, much beloved of Louis:

Ricky’s very sweet vocal reading of FOR ALL WE KNOW, which segues into a romping LOVER, COME BACK TO ME:

An ambling I COVER THE WATERFRONT:

and I WISHED ON THE MOON, which we all associate with Billie and Teddy, 1935, although the irresistible shuffle might be Ricky’s nice invention:

What marvels these young mortals create — and promise to keep creating.

May your happiness increase!

MORE FROM RICKY ALEXANDER AND HIS “STRIKE UP THE BAND” BAND at CAFE BOHEMIA: CHRIS GELB, DANIEL DUKE, ADAM MOEZINIA (November 22, 2019)

Swing court 2019 is now in session.  All rise!

Exhibit A:

Ricky Alexander and Adam Moezinia at Cafe Bohemia, by Michael Steinman

Exhibit B:

Exhibits C: – F

Ricky Alexander made a wonderful debut CD, STRIKE UP THE BAND, which I’ve reviewed here.  And then he brought a swinging quartet to Cafe Bohemia (Chris Gelb, drums; Adam Moezinia, guitar; Daniel Duke, string bass) on November 22, 2019 — exhibits here, and here.

But it would be imprudent — even selfish — to keep all the music the quartet made to myself, so here are five more performances to brighten the skies, wherever you find yourself.

PERDIDO:

Ricky’s own I KNEW I LOVED YOU:

CHICAGO:

The rueful and little-known Cole Porter gem AFTER YOU, WHO?:

Frank Loesser’s THE LADY’S IN LOVE WITH YOU:

Of course there will be more from Ricky and this delightful quartet, and there will be more from sessions at Cafe Bohemia.  And you might want to investigate the new CD (or “vinyl”)here.  Yes, the holidays are over, but one can always give gifts.

May your happiness increase!

CONTRITION OR VENGEANCE? RICKY ALEXANDER, DAN BLOCK, ADAM MOEZINIA, DANIEL DUKE, CHRIS GELB at CAFE BOHEMIA (Nov. 22, 2019)

I think WHO’S SORRY NOW? (note the absence of the question mark on the original sheet music above) is a classic Vengeance Song (think of GOODY GOODY and I WANNA BE AROUND as other examples): “You had your way / Now you must pay” is clear enough.  Instrumentally, it simply swings along. It seems, to my untutored ears, to be a song nakedly based on the arpeggiations of the harmonies beneath, but I may be misinformed.  It’s also one of the most durable songs — used in the films THREE LITTLE WORDS and the Marx Brothers’ A NIGHT IN CASABLANCA — before being made a tremendous hit some twenty-five years after its original issue by Connie Francis.  Someone said that she was reluctant to record it, that her father urged her to do it, and it was her greatest hit.)

Jazz musicians loved it as well: Red Nichols, the Rhythmakers, Frank Newton, Bob Crosby, Lee Wiley, Sidney DeParis, Wild Bill Davison, Harry James, Benny Goodman, Benny Carter, Eddie Heywood, Woody Herman, Buck Clayton, Sidney Bechet, Paul Barbarin, George Lewis, Big Bill Broonzy, Archie Semple, Charlie Barnet, Raymond Burke, Rosy McHargue, Oscar Aleman, the Six-and-Seventh-Eighths String Band, Kid Ory, Teddy Wilson, Earl Hines, Miff Mole, Hank D’Amico, Teddi King, Kid Thomas, Bob Scobey, Franz Jackson, Chris Barber, Matty Matlock, Bob Havens, Ella Fitzgerald, Armand Hug, Cliff Jackson, Ken Colyer, Jimmy Witherspoon, Jonah Jones, Capt. John Handy, Jimmy Rushing, Tony Parenti, Claude Hopkins, Jimmy Shirley, Bud Freeman, Ab Most, Benny Waters, Peanuts Hucko, Billy Butterfield, Kenny Davern, Humphrey Lyttelton, Bill Dillard, New Orleans Rascals, Barbara Lea, Allan Vache, Paris Washboard, Bob Wilber, Lionel Ferbos, Rosemary Clooney, Rossano Sportiello, Paolo Alderighi, Vince Giordano, Michael Gamble . . . (I know.  I looked in Tom Lord’s online discography and got carried away.)

Almost a hundred years after its publication, the song still has an enduring freshness, especially when it’s approached by jazz musicians who want to swing it.  Here’s wonderful evidence from Cafe Bohemia (have you been?) at 15 Barrow Street, Greenwich Village, New York, one flight down — on November 22, 2019: Ricky Alexander, tenor saxophone; Chris Gelb, drums; Daniel Duke, string bass; Adam Moezinia, guitar, and special guest Dan Block, tenor saxophone:

That was the penultimate song of the evening: if you haven’t heard / watched the closing STARDUST, you might want to set aside a brief time for an immersion in Beauty here.  And I will be posting more from this session soon, as well as other delights from Cafe Bohemia. (Have you been?)

May your happiness increase!

“HOW HAPPY WE WILL BE” and “THE LITTLE STARS CLIMB”: TWO CLASSIC SONGS by RICKY ALEXANDER, DAN BLOCK, ADAM MOEZINIA, DANIEL DUKE, CHRIS GELB (Cafe Bohemia, Nov. 22, 2019)

Beauty doesn’t send out event-postings to let us know where it’s going to be next, but it’s been showing up with great regularity here, Cafe Bohemia, 15 Barrow Street, in Greenwich Village, New York City.

Ricky Alexander and friends brought some Beauty only recently.

Ricky Alexander with Adam Moezinia at Cafe Bohemia, by Michael Steinman

Ricky, tenor saxophone and vocals; Adam Moezinia, guitar; Daniel Duke, string bass; Chris Gelb, drums, had a gig there on Friday, November 22, 2019, to celebrate the release of Ricky’s CD, STRIKE UP THE BAND.

Here are two performances from that evening; first, a bouncy TEA FOR TWO:

At the close, the quartet was joined by one of my great heroes, Dan Block (and Ricky’s hero also) joined the group for a tender searching STARDUST that continues to resonate in my heart:

Any attempt to explicate or categorize that STARDUST would be an impiety.

I’m going to keep following Ricky Alexander — he’s on a CD release tour, with a gig in Washington, D.C., Wednesday night, at Twins Jazz, 8 PM, details here, and I certainly will be at Cafe Bohemia regularly.  (First table on the left, nearest the stage, and if the music isn’t playing — whether live or courtesy of    HotClub NY — that’s Matt Rivera and his magic discs — you’ll see me checking my camera or chatting with the very friendly staff.)  Thanks to Mike Zieleniewski and to Christine Santelli for the wonderful endeavors and the welcoming atmosphere.  Another NYC jazz club advertises itself as “New York’s friendliest,” but for me Cafe Bohemia takes the prize.

Until our paths cross, if they were meant to, let the Beauty sink in.  It might be all we have.

May your happiness increase!

BILLIE AND BLUES at THE CAFE BOHEMIA PREQUEL (Part Two): MARA KAYE, JON-ERIK KELLSO, MATT MUNISTERI, EVAN ARNTZEN, BRIAN NALEPKA (Sept. 26, 2019)

Before there was this — the official opening of Cafe Bohemia, 15 Barrow Street, New York City, one flight down — on October 17, 2019:

there was this, a warm-up for the club, a “soft opening” on September 26:

Glorious music from Mara Kaye, singing with the Cafe Bohemia Jazz Band — totally acoustic — Jon-Erik Kellso, trumpet; Evan Arntzen, clarinet and tenor saxophone; Matt Munisteri, guitar; Brian Nalepka, string bass.  I posted other performances from that evening, here — but here are seven more beauties for your consideration, mixing blues by Memphis Minnie, the Smith ladies, and of course Lady Day.

Mara, of course, is herself, which is a damned good thing.

FOOLIN’ MYSELF:

I GOT TO MAKE A CHANGE:

WANTS CAKE WHEN I’M HUNGRY:

ARKANSAS BLUES:

YOUR MOTHER’S SON-IN-LAW:

TOO LATE:

A SAILBOAT IN THE MOONLIGHT:

Now, even more good news.  Cafe Bohemia is perking along beautifully — on November 21, I was there for a wonderful quartet session by Danny Tobias, Dan Block, Josh Dunn (new to me and a wonder), and Tal Ronen.  “Beyond the beyonds!” as a character in a Sean O’Faolain story says.  And on the 22nd, I heard and admired Ricky Alexander, Adam Moezinia, Daniel Duke, and Chris Gelb, with a glorious appearance by Dan Block for two numbers.  All night, every Monday, my dear young hero Matt “Fat Cat” Rivera, who knows things but is not compelled to flatten people with facts, spins wondrous 78 rpm discs of the real stuff, and he reappears before and after sets on Thursdays.  The HOT CLUB, you know.

And on December 5, our Mara will be celebrating her birthday at Cafe Bohemia, so if you weren’t there for the prequel, you can make up for it in the near future.

It will be a birthday party where Mara and friends give us presents, you know.

Here is the Cafe’s Facebook page, and here is their website.

May your happiness increase!