Tag Archives: Sarah’s Wine Bar

QUIET EMOTION: JON-ERIK KELLSO, CHRIS FLORY, JOEL FORBES at SARAH’S WINE BAR (August 27, 2017)

On August 27, which seems like a long time ago, I drove up to Ridgefield, Connecticut, to spend an evening at this welcoming spot — Sarah’s Wine Bar, located upstairs at the fine restaurant called Bernard’s.  The food and service were both lovely, but I had more serious goals: Jon-Erik Kellso was playing, and Jon had with him Chris Flory and Joel Forbes.

They are three good reasons to venture out, and the music was exceedingly rewarding: thoughtful, quiet, deep, and swinging — performed in a quiet room to an attentive audience.

THESE FOOLISH THINGS:

I WANT A LITTLE GIRL:

MOOD INDIGO:

In simple math, three times three equals a mere nine.  These performances prove that the end result is uncountable pleasure.  Thanks to Ken and Marcia Needleman for their kindnesses.

And THIS JUST IN: tonight, Sunday, October 22, from 8-11 PM, give or take a few moments, The EarRegulars will be at The Ear Inn (326 Spring Street) with two of the heroes above — Jon-Erik and Chris — as well as Aaron Johnson, reeds; Neal Miner, string bass.  To learn about all things Kellso-musical, you can join his mailing list.  As Monk wrote, Ask Me How.

May your happiness increase!

xxxxxx

SOUL FOOD (Part Two): TERRY BLAINE and MARK SHANE (April 30, 2017)

A meteorological note.  Yesterday was the end of September, and it finally turned chilly.  (No more short-sleeved shirts, alas.)  Were I more traditional, I would be offering AUTUMN IN NEW YORK on the blog.  But I prefer music that warms from the inside out.

Singer Terry Blaine and pianist Mark Shane are heroes of mine, and if they are new to you, you have some catching-up to do, but it will all be delightful, as opposed to studying for the final.  I found them most recently at the United Methodist Church in Saugerties, New York, where I recorded their heartfelt performance of Hoagy Carmichael’s BREAD AND GRAVY.  Here are four more beauties from that same afternoon.

Fats Waller’s I’VE GOT A FEELIN’ I’M FALLING:

YOU BROUGHT A NEW KIND OF LOVE  TO ME, complete with Marx Brothers relish on the side:

The Fields-McHugh I’M IN THE MOOD FOR LOVE, with the lovely verse:

And a “new” bit of Fats-enhanced love, JUST AS LONG AS THE WORLD GOES ROUND AND ROUND:

A sustaining optimism, a warm embrace of the music and of us: Cupid’s arrows that turn into hugs.  Terry and Mark will have another duo gig at the end of January 2018 at Bernard’s Restaurant | Sarah’s Wine Bar (that’s 20 West Lane, Ridgefield, Connecticut).  Keep a warm space on your calendar for them.  Details to come.

May your happiness increase!

SARAH AT SARAH’S: AUGUST 28, 2016 (Part Two)

sarah-spencer

On August 18, 2016, Sarah Spencer — the UK-born phenomenon on saxophones and vocal — led a quartet that created romping New Orleans jazz.  This took place at the happily named Sarah’s Wine Bar in Ridgefield, Connecticut, where a Jazz Masters Series takes place on the last Sunday of each month.  Sarah’s colleagues are banjoist /singer Jimmy Mazzy, pianist Bill Sinclair, bassist / tubaist Art Hovey.

Here is Part One, and here are two special features by the lyric troubadour and entertainer Jimmy Mazzy from that same evening.

And here are some more delights.

SMILE, DARN YA, SMILE:

A cautionary sermon on the virtues of taciturnity, Morton’s BIG LIP BLUES (which starts out with an unintentional reference to A. A. Milne):

ROYAL TELEPHONE:

And the closing numbers with special significance for Sarah and all of us, I’M WITH YOU WHERE YOU ARE:

GOIN’ HOME / TILL WE MEET AGAIN:

Sarah, as she points out, will be returning home to the UK on January 3, 2017 — although she promises to visit us again for gigs in the autumn.  Wherever she goes, she will spread joy, as she has here.

May your happiness increase!

THE WORLDS OF JIMMY MAZZY (SARAH’S WINE BAR, August 28, 2016)

I had heard a great deal about the lyric troubadour Jimmy Mazzy (also a wonderful banjo player, raconteur, songhound, and more) but had never encountered him in person until late August.  It was a phenomenal experience. No, it was two phenomenal experiences.

Photograph thanks to New England Traditional Jazz Plus, http://www.nejazz.com

Photograph thanks to New England Traditional Jazz Plus, http://www.nejazz.com

Jimmy was part of the Sarah Spencer Quartet: Sarah, tenor saxophone and vocals; Bill Sinclair, piano; Art Hovey, string bass and tuba — playing a gig at the wonderful Sarah’s Wine Bar in Ridgefield, Connecticut.  (Facebook calls Sarah’s a “pizza place,” which is like calling the Mona Lisa a smiling lady.)  More about Sarah’s below.

And more about the saxophone-playing / singing Sarah Spencer  in a future blogpost, with appropriate audio-visuals.

Sometimes the finest music is created when it appears no one is paying attention: the live recordings, the music that’s captured while the engineers are setting up or in between takes (WAITIN’ FOR BENNY and LOTUS BLOSSOM are two sterling examples that come to mind).  In a few instances, I’ve brought my camera to the soundcheck or to the rehearsal because the “We’re just running this through” ambiance is a loose friendly one — shirtsleeves and microphone-adjusting rather than the musicians’ awareness of tables of expectant listeners. In that spirit, I offer Jimmy’s seriously passionate version of Lonnie Johnson’s TOMORROW NIGHT.

I think you see and feel what I mean about Jimmy as a passionate singer / actor / troubadour.  If a maiden had Jimmy beneath her balcony, serenading like this, she would know that he was offering his whole heart to her with no restraint and no artifice yet great subtle powerful art.  Those of us in the audience who aren’t maidens and perhaps lack a balcony can hear it too.

But Jimmy is a sly jester as well — totally in control of his audience (even though there’s a long, drawn-out “Ooooooh, no!” from Carrie Mazzy, Jimmy’s wife, at the start of this anthropological exegesis):

Jimmy Mazzy, two of a kind.  And more.  Irreplaceable.

And there will be more from this session.  Now, some words about the delightful locale: Sarah’s Wine Bar in Ridgefield, Connecticut, features world-class jazz music on the last Sunday of every month.  But that’s not the whole story: Ken and Marcia Needleman are deeply devoted to the art form, and they’ve been presenting it in style since 2009.  Ken is a guitar student of Howard Alden’s, and he decided that he wanted to bring top jazz musicians to perform in an intimate setting (with excellent food and fine acoustics).  They found kindred spirits in Sarah and Bernard Bouissou, restaurateur and chef of Bernard’s, one floor below the wine bar.

Thus the Jazz Masters Series began in February 2009, and I’ll mention only a double handful of the musicians who have played and sung to enthusiastic audiences: Howard Alden, Bucky Pizzarelli, Gene Bertoncini, Dick Hyman, Rossano Sportiello, Mark Shane, Frank Wess, Scott Robinson, Harry Allen, Warren Vache, Ken Peplowski, Dan Levinson, Jon-Erik Kellso, Rufus Reid, Jay Leonhart, Cameron Brown, Matt Wilson, Akira Tana, Joe LaBarbera, Mike Mainieri, Cyrille Aimee, Karrin Allyson.

The food critic who writes JAZZ LIVES wants to point out that the food was wonderful and the presentation delightful.  Sarah’s Wine Bar would be a destination spot if the only music was the humming heard in the kitchen.

But right now I want to hear Jimmy sing TOMORROW NIGHT again.

May your happiness increase!