Tag Archives: SEIZE THE DAY

LOVE NOTES: TIM LAUGHLIN, CONNIE JONES, DOUG FINKE, CHRIS DAWSON, MARTY EGGERS, HAL SMITH, KATIE CAVERA at the San Diego Jazz Fest (November 29, 2014)

Today I keep thinking of Tommy Wilhelm, the center of Saul Bellow’s inescapable novel SEIZE THE DAY.  Tommy not only endures failure; he seems drawn to it and perpetuates it.  Yet he is one of those rare beings — in fiction or in life — who seems on the edge of perceiving deep truths about himself. These perceptions do not give him the strength to steer clear of the next disaster, but in one of Tommy’s interior monologues, he thinks three strong words.  Never mind the past tense.

Recovery was possible.

Words to hold on to, even when what we define as “the world” can be terribly dark, and the people in it, on their own orbits, somewhat heedless.

Recovery was possible.

For me, recovery takes the form of love in the shape of music.  No line is drawn between the two expressions.  The floating sounds say to me, and I hope to you, “We send love.  Our notes are embraces.  Our vibrations say that no one is alone. Feel the hope we offer, that you can make a choice to turn towards beauty.  Our sounds may heal those who can hear.”

Living proof: Tim Laughlin, clarinet; Connie Jones, cornet; Doug Finke, trombone; Chris Dawson, piano; Marty Eggers, string bass; Katie Cavera, guitar; Hal Smith, drums.  Recorded at the San Diego Jazz Fest on November 29, 2014.

IF YOU WERE THE ONLY GIRL IN THE WORLD:

I thank these musicians for embodying such dear truths.

May your happiness increase!