Tag Archives: Shane Del Robles

STOMP FOR CHRISTMAS: MORE FROM GORDON AU and THE GRAND STREET STOMPERS (GORDON AU, JOSH HOLCOMB, MATT KOZA, NICK RUSSO, ROB ADKINS, SHANE DEL ROBLES, TAMAR KORN, MOLLY RYAN) at CHELSEA TABLE and STAGE, December 3, 2021.

Appropriate to the season, here are three more holiday-wintry favorites, performed by Tamar Korn, Molly Ryan, voice and drama; Rob Adkins, string bass; Matt Koza, reeds; Nick Russo, guitar and banjo; Gordon Au, trumpet, leader, composer, arranger; Josh Holcomb, trombone; Shane Del Robles, drums. Tamar, Molly, and the Grand Street Stompers had their HOLIDAY STOMP at the new venue, Chelsea Table and Stage, on 26th Street in Manhattan, New York City, December 3, 2021. These performances were recorded by Chelsea Table and Stage and are presented here with thanks.

Here’s a song that has wistful resonance, not just for December 25:

Who’s that man kissing Mommy? Why, it’s Kris Kringle as Shorty George:

and the other side of Mr. Claus . . . that scary phenomenon, in honor of Louis Armstrong, the truest giver of gifts:

May your happiness increase!

TAMAR KORN, GORDON AU, and the GRAND STREET STOMPERS CHASE THE GRINCH AWAY (Chelsea Table and Stage, December 3, 2021)

I won’t dignify the Grinch by posting his portrait here: there’s enough negativity in the world and you can find his grim visage by yourself. I prefer happier scenes, such as the ones that occurred when Gordon Au’s Grand Street Stompers brought their “Holiday Stomp” to the new Chelsea Table and Stage (26th Street, off Seventh Avenue, in New York City).

Tamar Korn, voice and so much more; Rob Adkins, string bass; Matt Koza, reeds; Nick Russo, guitar and banjo; Gordon Au, trumpet, leader, composer, arranger; Josh Holcomb, trombone; Shane Del Robles, drums. [Not portrayed here, Molly Ryan, vocal.] Photograph by Ben Guthrie.
Gordon Au. Photograph by Neal Siegal.

Late in the evening, Gordon — courageous among equally courageous colleagues — called for a song that Tamar and the band had only done once before, at the sound check, a song with yards of vaudeville-patter or pre-rap lyrics, YOU’RE A MEAN ONE, MISTER GRINCH. Our heroic pal Tamar bravely essayed it with all the hilarious and endearing theatricality she possesses, which is (as they say) plenty. It took a few seconds for the performance to right itself, but it’s not the successes, instead, the recoveries that count so deeply.

I was there with my camera, and shot a video of this performance — this priceless performance (which Tamar has given me permission to share with you) from the table where I and the OAO were sitting. Thus, you get a diner’s -eye view, with heads in the way. But it has a certain “you are there” quality. And we were.


Gordon told me that the venue itself had created four videos from an overhead angle, and — after seeing their creation — I insisted on using it also. Think of it as an alternative reality, quite wonderful. And, as he pointed out, we now have four beginnings to experience.

Tamar sings, “Wish me luck!” at the start, but it’s clear that neither she nor the Grand Street Stompers need it. If you would like to learn more about them, you can of course follow them on Facebook or visit their website here. They have created three CDs and two digital sessions (the latter available at Bandcamp).

There will be more to come from this night at the Chelsea Table and Stage: I thank them all, four times.

Someone told me that the Grinch was last seen on Seventh Avenue, stuffing himself into an Uber, fleeing as fast as he can, destination unknown.

May your happiness increase!