Tag Archives: Somebody Stole My Gal

WHEN FRIENDS DROP IN: A LITTLE JAM SESSION at CAFE BOHEMIA: JON-ERIK KELLSO, BRIA SKONBERG, GEOFF POWER, RICKY ALEXANDER, ALBANIE FALLETTA, ARNT ARNTZEN, JEN HODGE (January 2, 2020)

If I learned that a few dear friends were going to drop by in fifteen minutes, I would rush around tidying, straightening out the bed, looking to see what you could serve them . . . a flurry of immediate anxiety (“Does the bathtub need to be cleaned and can I do it in the next two minutes?” “Where will people sit?”) mixed with the pleasurable anticipation of their appearance.  As an aside, JAZZ LIVES readers who wish to see the apartment — equal parts record store, video studio,  yard sale, and library — will have to make an appointment.

Albanie Falletta, resonator guitar; Jen Hodge, string bass, Cafe Bohemia, Dec.26, 2019.

Since I “live” at Cafe Bohemia (15 Barrow Street, Greenwich Village, New York) only intermittently, and it’s already tidy, thus, not my problem, I could simply relax into a different kind of pleasurable anticipation.  It happened again when Jon-Erik Kellso began to invite people up on to the bandstand near the end of the evening of January 2, 2020 — another of the Thursday sessions that cheer me immensely. The result reminded me of some nights at the 54th Street Eddie Condon’s when guests would come by and perform.

Let me give you the Dramatis Personae for that night and then we can proceed to two of the marvels that took place.  The House Band: Jon-Erik, trumpet; Ricky Alexander, clarinet; Albanie Falletta, resonator guitar / vocal; Sean Cronin, string bass / vocal.  The Guests: Bria Skonberg, Geoff Power, trumpet; Arnt Arntzen, banjo; Jen Hodge, string bass.  Arrangements were quickly and graciously made: Sean handed the bass to Jen for these two numbers; Bria stayed on, Geoff went off for one and came back for the second.  

JAZZ ME BLUES, with Jon-Erik, Bria, Ricky, Albanie, Arnt, and Jen:

SOMEBODY STOLE MY GAL, with Albanie singing and Geoff back on the stand:

Much better than apartment-tidying, I’d say.  And I’d wager that even the Lone YouTube Disliker, who hides in the bathroom with his laptop, might give his death-ray finger a rest.  More beautiful sounds will come from Cafe Bohemia, so come down the stairs.

May your happiness increase!

 

 

HOT JAZZ TRIO, July 11, 2009

The name is simple, accurate, not the slightest bit hyperbolic.  They’re a compact, thrifty jazz orchestra, getting the maximum of variety and orchestral scope — not to mention a plunging swing on hot tunes, a delicate depth on slow ones — out of this apparently-improbable combination of instruments.  Bent Persson plays trumpet, cornet, occasionally Eb alto horn (at Whitley Bay, he borrowed a valve trombone from Mike Durham); Frans Sjostrom is majestic yet mobile on the bass sax; Jacob Ullberger holds it all together on banjo and guitar.  Sadly, their schedules keep them from playing together: Frans said that they have sessions like this only once a year, so I was delighted to be able to capture this one on video.  But they did record an extraordinarily fine CD on Gosta Hagglof’s Kenneth label under this title: look for it wherever better books and records are sold!

The critical viewer might catch a fluffed note or a missed cue — but I have chosen to post their entire hour-long set because this group gets together to play so infrequently.  And I think that the without-a-net quality of these performances makes them irreplaceable. 

Their Whitley Bay program alternated between Jelly Roll Morton, early Ellington, and Bix — to great effect.  Here they are on KANSAS CITY STOMPS, summoning up a seven or eight piece band.  I didn’t miss any of the Red Hot Peppers in this version:

Early Ellington followed, the pretty but moving BLACK BEAUTY:

Bix was all around us, so the Hot Jazz Trio took off on SOMEBODY STOLE MY GAL:

Sidney Bechet’s pretty SOUTHERN SUNSET (WHEN THE SUN SETS DOWN SOUTH):

Bix and Company again (as well as Eddie Condon) on Hoagy Carmichael’s RIVERBOAT SHUFFLE:

Their adaptation of Frank Trumbauer’s take on JAPANESE SANDMAN:

PEE WEE’S BLUES featured Frans and Jacob, while Bent rested his lip for a few minutes:

STEAMBOAT STOMP, complete with whistle, returned to the world of Jelly Roll Morton, with the Hot Jazz Trio becoming a whole roomful of Red Hot Peppers:

On DUSK, they magically evoked the 1940-1 Ellington band, with Bent picking up a valve trombone he had borrowed from Mike Durham for the occasion:

MOVE OVER returned to an earlier Ellington Era:

CLARINET MARMALADE for Bix, Tram, and Lang:

Finally, a jubilant BLACK BOTTOM STOMP to conclude the hour:

Is it hot in here ot is it just the Trio?