Tag Archives: Stephane Gillot

BENT PERSSON HONORS LUIS RUSSELL at WHITLEY BAY (Nov. 3, 2013)

Some of the hottest music of the late Twenties was created by Luis Russell and his Orchestra.  That band could “romp,” to use Pops Foster’s perfectly accurate verb, in ways that blended New Orleans polyphony and the awareness of how musicians in a big band could play effectively as sections.  Russell wrote wonderful arrangements and the band showed off a galaxy of soloists — Red Allen, Charlie Holmes, Albert Nicholas, J. C. Higginbotham, Teddy Hill, Greely Walton, Will Johnson, Pops Foster, Paul Barbarin (later editions of the band, captured on record, also included Dicky Wells, Rex Stewart, and a sweetly vocalizing Vic Dickenson).  The band also backed Louis Armstrong on memorable records — and it became the nucleus of Louis’ Decca band as well.

If someone asked me to define “swing,” it would be easy to do by playing the Russell PANAMA or JERSEY LIGHTNING — perpetual motion machines that amaze and delight.

Trumpeter / arranger / scholar Bent Persson has long loved the Russell band, not only for its soloists but for its ensemble beauty — and last year at the Whitley Bay Classic Jazz Party he offered a full plate of joy, taking us in time and space to the Saratoga Club in 1929-1930.  He was aided in this journey by Jeff Barnhart, piano and vocal; Henri Lemaire, string bass; Richard Pite, drums; Jacob Ullberger, banjo and guitar; Andy Schumm, trumpet; Kristoffer Kompen, trombone; Jean-Francois Bonnel, Lars Frank, Stephane Gillot, reeds.

SARATOGA SHOUT:

DOCTOR BLUES:

NEW CALL OF THE FREAKS (with its classic vocal: is it an invitation or a command?):

LOUISIANA SWING:

ON REVIVAL DAY (purification of the Spirit thanks to Reverends Jeff and Kris):

POOR LI’L ME, with an extraordinary vocal by Jeff:

SARATOGA DRAG:

HONEY, THAT REMINDS ME (which was Vic Dickenson’s first recorded vocal):

Oh, what a band! — both in the original and in the energetic evocation here.

All of this wonderfully uplifting jazz was performed (in 2013) at the Whitley Bay Classic Jazz Party where many of these musicians will be performing in the 2014 version in a few days.

May your happiness increase!

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FLAMING YOUTH: LES RED HOT REEDWARMERS at the WHITLEY BAY CLASSIC JAZZ PARTY (Nov. 2, 2013)

I mean it.  In a forest of young people playing and attempting to honor this classic music, Les Red Hot Reedwarmers are both ecstatic and expert — musical racing-car drivers who are also capable of deep lyricism.  I caught them in action at the Whitley Bay Classic Jazz Party on November 2, 2013.

They are Aurelie Tropez and Stephane Gillot, clarinets / saxophones (married and parents for those who like to know such things); Henri Lemaire, banjo / guitar; Martin Seck, piano; Jean-Phillippe Palma, bass; Julien Richard, drums and percussion.

Alex Hill’s moody, unforgettable DELTA BOUND (one of those songs that, once remembered, sticks in one’s mind):

VARIETY STOMP, where they simulate the fervor of the 1927 Henderson band:

RED HOT STARTERS, a new composition by Stephane:

CANDY LIPS (like VARIETY STOMP, a frolic):

LOVE, YOUR MAGIC SPELL IS EVERYWHERE, in honor of Mike Durham and Jimmie Noone:

LRHR began as a very inspired reinvention of Noone’s Apex Club Orchestra, but they have blossomed imaginatively since their start.  Please note how ingenious and multi-layered each performance is — a small concerto for six instruments, with variations in timbre and sound achieved not only by impressive instrument-swapping but also through orchestral textures.  Not only are they marvelous technicians, but they have a thoroughly original approach to their music, which makes their performances lively and varied.  They’ve also recorded wonderful compact discs for Stomp Off Records: KING JOE (2005); APEX BLUES (2007);  RED  HOT STARTERS (2013).

May your happiness increase!

THEY CALL IT MUSIC: ANDY SCHUMM SALUTES EDDIE CONDON AND FRIENDS at WHITLEY BAY (Nov. 3, 2013)

Eddie Condon, guitarist, banjoist, vocalist under duress, bandleader, innovator, pioneer in more than music, was skilled in understatement. In fact he specialized in what I would call hyperbole in reverse, that is, praise under a thick blanket of ironic reversal.  I am sure that, had he heard this set of jazz at the 2013 Whitley Bay Classic Jazz Party, he would have muttered, “That doesn’t bother me.”

Even near the end of his life (I saw him in performance twice in spring and summer 1972) Eddie and his friends cherished and created music that had a certain boyish impudence. It was never exactly rudeness, but it was clear that this was music intended to startle the timid, to show them the joys of getting Hot. Many decades have elapsed since 1927-32, but Eddie and colleagues were joyous radicals in music and (this fact needs always to be repeated) in race equality. Before Benny Goodman or Artie Shaw or John Hammond or Branch Rickey.

Music was what mattered, and it continues to matter to the players on the stand at the 2013 Whitley Bay Classic Jazz Party: Andy Schumm, cornet and surprises; Stephane Gillot, Matthias Seuffert, reeds; Kristoffer Kompen, trombone (often out of camera range but unforgettably there); Martin Seck, piano; Spats Langham, banjo; Malcolm Sked, string bass; Josh Duffee, drums.  This set, explicated by Professor Schumm, took place on November 3, 2013.

Eddie might not have said as much but the music would have pleased him greatly. (And for the jazz ideologues out there, he would have liked it to be called MUSIC.  Not “traditional jazz.” Not — heaven help us — “Dixieland.”)

CHINA BOY:

LIZA:

ONE HOUR:

NEVER HAD A REASON:

OH, PETER:

OH, BABY!:

WHO CARES?:

INDIANA:

NOBODY’S SWEETHEART NOW:

May your happiness increase! 

MORE FROM THE JAM SESSION at the WHITLEY BAY CLASSIC JAZZ PARTY: ANDY SCHUMM, MATTHIAS SEUFFERT, LARS FRANK, KRISTOFFER KOMPEN, STEPHANE GILLOT, JEFF BARNHART, JACOB ULLBERGER, HENRI LEMAIRE, JOSH DUFFEE, BEN CUMMINGS (November 1, 2013)

It was dark in the Victory Pub, located in the middle of the Village Newcastle hotel — the site of the 2013 Whitley Bay Classic Jazz Party — after the regular mini-concerts had concluded. But jazz players thrive in the dark.

And although the Classic Jazz Party successfully evokes and sometimes reproduces the great jazz performances of the past, sometimes I think the deepest evocations of jazz’s free-wheeling spirit happen after hours, where there isn’t a manuscript page in sight.

Collectively, the expert roisters were Andy Schumm, cornet; Jeff Barnhart, keyboard; Kristoffer Kompen, trombone; Stephane GIllot, alto saxophone; Lars Frank, Matthias Seuffert, tenor saxophone; Jacob Ullberger, guitar; Henri Lemaire, string bass, Josh Duffee, drums. Ben Cummings, trumpet. Other luminaries may be there, audible but hardly visible. If I’ve omitted anyone, I do apologize and offer to make corrections and reparations. It was delightful to be there; it delights me to revisit these videos; and I am delighted to think of being at the Classic Jazz Party in November 2014.

I SURRENDER, DEAR:

WHO?:

A SMOOTH ONE:

SWING THAT MUSIC:

AT SUNDOWN:

As I was packing up my camera (my eyelids were falling down — it’s a long day behind the video camera!) they had launched into a short, emotive NEW ORLEANS, and then a version of I’M A DING DONG DADDY that owed a good deal to SLIM’S JAM . . . if you can imagine it.  See you at the 2014 Classic Jazz Party, which will begin with a jam session / concert by the Union Rhythm Kings on Thursday, November 6, 2014.  Not to be missed.

May your happiness increase!

STOP THE TRAFFIC TO DIXIE: AFTER HOURS AT THE WHITLEY BAY CLASSIC JAZZ PARTY (Nov. 1, 2013)

Something for the dear boy, created in the darkness of the Victory Pub in Newcastle, England, on November 1, 2013: with the sterling assistance of Andy Schumm, cornet; Jeff Barnhart, keyboard; Kristoffer Kompen, trombone; Stephane GIllot, alto saxophone; Jacob Ullberger, guitar; Henri Lemaire, string bass, Josh Duffee, drums. Other luminaries may be there, audible but hardly visible:

This is the sort of music so generously offered at the Whitley Bay Classic Jazz Party. Will you be there?

May your happiness increase!

TWO HOT, ONE WISTFUL: UNSEEN MUSICAL TREASURES FROM THE 2012 WHITLEY BAY CLASSIC JAZZ PARTY

Three New Beauties from the Whitley Bay Classic Jazz Party — recorded on October 26 and 27, 2012 — living advertisements of what the musicians and the Party-givers do so superbly.

Part of a rousing tribute to the power behind the throne, Lil Hardin Armstrong (pianist, composer, bandleader, inspiration) — a song named for her young husband, PAPA DIP.  It’s performed here by Bent Persson, cornet; Stephane Gillot, alto saxophone; Matthias Seuffert, clarinet; Jens Lindgren, trombone; Martin Seck, piano; Martin Wheatley, banjo; Malcolm Sked, string bass.

YOU RASCAL YOU has serious Armstrongian associations, although the performance here takes its impetus from the magnificent series of 1932-33 recordings by the “Rhythmakers,” ostensibly led by Billy Banks or Jack Bland — but really driven by Henry “Red” Allen, Pee Wee Russell, Jimmy Lord, Tommy Dorsey, Joe Sullivan, Fats Waller, Pops Foster, Eddie Condon, Zutty Singleton and other luminaries.  At the Classic Jazz Party, the New Rhythmakers kept things hot — Andy Schumm, cornet; Jens Lindgren, trombone; Norman Field, clarinet; Jean-Francois Bonnel, tenor; Martin Seck, piano; Emma Fisk, violin; Spats Langham, banjo; Frans Sjostrom, bass saxophone; Josh Duffee, drums. This video also contains a sweet, sad memento: the voice and right hand of our much-missed Mike Durham introducing the band and cracking wise (as was his habit).  Thank you, Mike, for everything:

After all that violent heat, something rueful seems just right, so here is Cecile McLorin Salvant’s melancholy reading of the Willard Robison song A COTTAGE FOR SALE, with the empathic assistance of Norman Field, clarinet; Duke Heitger, trumpet; Spats Langham, guitar; Alistair Allan, trombone; Emma Fisk, violin; Martin Litton, piano; Henri Lemaire, string bass; Richard Pite, drums:

We don’t have to end on a wistful note.  I have three more 2012 delights to post and many more from 2013 . . . and (with a Nick Ward drum roll) the 2014 Party is happening this November 7 through 9 — details here.

You can learn all about it — the accomodations, pricing, concert themes . . . I’ll content myself my lingering over the list of musicians who will be there:

Trumpets: Bent Persson (Sweden), Duke Heitger (USA), Andy Schumm (USA), Ben Cummings (UK), Enrico Tomasso (UK) / Trombones: Kristoffer Kompen (Norway), Alistair Allan (UK), Graham Hughes (UK) / Reeds: Jean-François Bonnel (France), Mauro Porro (Italy), Claus Jacobi (Germany), Matthias Seuffert (Germany), Lars Frank (Norway), Thomas Winteler, (Switzerland) / Piano: Keith Nichols (UK), Martin Litton, (UK), Morten Gunnar Larsen (Norway), David Boeddinghaus (USA) / Banjo/Guitar: Spats Langham (UK), Henry Lemaire (France), Jacob Ullberger (Sweden), Martin Wheatley (UK) / String Bass: Richard Pite (UK), Henry Lemaire (France) / Brass Bass: Phil Rutherford (UK), Malcolm Sked (UK) / Drums: Josh Duffee (USA), Richard Pite (UK), Debbie Arthurs (UK) / Bass Sax: Frans Sjöström (Sweden) / Violin: Emma Fisk (UK) / Vocals: Janice Day (UK), Debbie Arthurs, (UK), Spats Langham (UK).

May your happiness increase!

FEELIN’ THE SPIRIT: MEMORIES OF THE WHITLEY BAY CLASSIC JAZZ PARTY 2012

I’ve had a great deal of hot jazz pleasure and enlightenment in my annual trips to Whitley Bay for the late Mike Durham’s International Jazz Festival and Classic Jazz Parties.  And another one is on the way for November 7-9, 2014, thanks to Patti Durham and diligent friends.

I don’t mean to rush away the time until then, but I offer five more previously unseen delights from the 2012 Whitley Bay Classic Jazz Party (recorded October 27-28) — honoring King Oliver, Benny Carter, Louis and Bechet, McKinney’s Cotton Pickers, Graeme Bell, and the magnificent contemporary / traditional jazz musicians at work here.

WA WA WA, a tribute to the Oliver Dixie Syncopators of the second half of the Twenties, led by Keith Nichols (piano), with Duke Heitger (trumpet), Andy Schumm (cornet); Kristoffer Kompen (trombone); Gavin Lee, Matthias Seuffert, Rene Hagmann, (reeds); Martin Wheatley (banjo); Phil Rutherford (brass bass), Josh Duffee (drums):

I’M IN THE MOOD FOR SWING, Matthias Seuffert’s buoyant embodiment of the spirit and music of Benny Carter, with Matthias (alto); Rene Hagmann (cornet); Alistair Allan (trombone); Martin Litton (piano); Spats Langham (guitar); Henru Lemaire (string bass); Richard Pite (drums):

DOWN IN HONKY TONK TOWN, for Louis and Sidney, in whichever incarnation you prefer (1924-5 or 1940), with Bent Persson (cornet); Thomas Winteler (soprano saxophone); Stephane Gillot (baritone saxophone); Jens Lindgren (trombone); Martin Seck (piano); Henri Lemaire (banjo / string bass):

ZONKY, from drummer Josh Duffee’s ambitious evocation of McKinney’s Cotton Pickers, with Rico Tomasso, Rene Hagmann, Andy Schumm (trumpet / cornet); Kristoffer Kompen (trombone); Matthias Seuffert, Gavin Lee, Jean-Francois Bonnel, Michael McQuaid (reeds); Keith Nichols (piano / vocal); Martin Wheatley (banjo / guitar); Richard Pite (string bass); Josh (drums / leader):

UGLY DUCKLING, a hidden treasure from the Graeme Bell repertoire, here served up beautifully by multi-instrumentalist Michael McQuaid, and Duke Heitger, Bent Persson (trumpets); Kristoffer Kompen (trombone); Michael, Stephane Gillot, Thomas Winteler (reeds); Martin Seck (piano); Henri Lemaire (banjo / guitar); Malcolm Sked (brass bass / string bass [off-camera but indispensable]); Nick Ward (drums):

The Classic Jazz Party site hasn’t offered a full roster for the November 7-9 party, which will be held, once again, at the Village Hotel Newcastle, but here is the contact information, and I will post details as they emerge.

As Josh Duffee says, “It’s like Christmas to us.” I don’t believe in Santa Claus, but I do believe in the Whitley Bay Classic Jazz Party.

May your happiness increase!