Tag Archives: Svetlana Shmulyian


I wrote about the singer Svetlana Shmulyian and her band, the Delancey Five, more than two years ago here, and I am happy to report their first full-scale CD, NIGHT AT THE SPEAKEASY, is more than pleasing.

svetlana pro mo

I found it an engaging session, balancing more contemporary originals and lively versions of venerable jazz and pop classics. Here’s a neat audio-visual sample:

In his notes to the CD, Will Friedwald points out that both Svetlana and Jonathan Batiste prefer the term “social music” to “Hot Jazz” or Swing,” and this CD lives up to that definition: friendly, engaging, warm improvisations in many moods, music that welcomes listeners in.  As you can hear in the video, Svetlana strives to be engaged with her audience, whether she is describing her own motivations, singing standards, or writing new tunes.  And her band operates in the same happy spirit: Wycliffe Gordon, trombone / vocals; Adrian Cunningham, reeds / vocals; Charlie Caranicas, trumpet; Dalton Ridenhour, piano; Vinny Raniolo, guitar; George Delancey, string bass; Rob Garcia, drums. The very appealing arrangements — tight without being constricting — are by Wycliffe, Rob, and Adrian, and they often suggest a much larger band that happens to be streamlined and focused.

Svetlana and Wycliffe give their own flavoring to two songs I always associate with Louis and Ella (from two decades): YOU WON’T BE SATISFIED and UNDER A BLANKET OF BLUE; two Twenties classics, SOMETIMES I’M HAPPY and TEA FOR TWO, and two Ellington favorites, DO NOTHIN’ TILL YOU HEAR FROM ME and JUST A SETTIN’ AND A ROCKIN’, are refurbished and shined-up.  Svetlana and the band give a warm quirky embrace to GOD ONLY KNOWS from the Beach Boys, and BECAUSE from the Beatles.  There are also originals — ALL I WANT, TEMPTATIONS, DANCE IN BETWEEN THE RAINDROPS (Rob Garcia’s neat composition which should easily become an anthem for the crowds who come to see the band whether it’s south or north of Fourteenth Street), and Svetlana’s lovely acknowledgment of her Russian heritage, trumpeter Eddie Rosner’s YOU ARE LIKE A SONG, sung in her native tongue.  Whatever the language and whatever the material, she swings in admirable ways.  As does that band!

Here’s Svetlana’s own Facebook page, and here is the band’s page.

Let’s suppose you are properly taken with the band and their new CD.  What would be the surest way to afford yourself a double pleasure: seeing the band and purchasing the CD?  May I propose you visit here — to find out all you’d need to know about the band’s CD release party / performance on January 15 at 8 PM, at B.B. King Blues Club & Grill, 237 W 42nd St, New York, New York 10036.  Get ready to swing and be moved.

May your happiness increase!


The singer Svetlana Shmulyian is a very engaging improviser in the great tradition of lilting melodies over a swinging background. Happily, she has a new New York City show coming up on June 7. Here’s what I wrote about her first CD release, and — so you can see and hear for yourself — I offer a few videos from 2012 and from 2013.

Her band is called Svetlana and the Delancey Five in honor of its Lower East Side residency, but this gig is at B. B. King’s (with more information on Facebook here) as part of the Blue Note Jazz Festival.  Svetlana likes to sing with the best musicians and this gig will feature the remarkable Wycliffe Gordon doing what he does so well.  She tells me that the Lucille Room also has a great hardwood dance floor, so you can sit and listen or dance the hours away. Shows are at 7 and 9:30 PM.  (Doors open one hour before for each show.)

I would be there if I could.  The other musicians will include Adrian Cunningham (reeds), Charlie Caranicas (trumpet), Dalton Ridenhour (piano), and Rob Garcia (drums): melodic swingers for sure.
May your happiness increase!


The very engaging singer Svetlana Shmulyian has come West — joined by the heroic swingers of the JC Hopkins Biggish Band for an appearance this Friday, July 12, at the enticingly-named MAKE OUT ROOM in the Mission District of San Francisco.

I’ve heard Svetlana at the Back Room Speakeasy in New York City, and I am very much looking forward to this appearance.  She swings easily; she knows what the lyrics mean; her voice is a pleasure.

Photo by Nina Galicheva

Photo by Nina Galicheva

For tickets and more information, click here.

May your happiness increase!


Every time I get ready to declare, “OK, I will spend the rest of my life happily in California,” New York crooks a dainty finger at me and whispers, “Not so fast, fellow.  I have something for you.”

ny skyline

These are some of the musicians I was able to see, hear, and video during April 2013 — an incomplete list, in chronological order:

Svetlana Shmulyian, Tom Dempsey, Rob Garcia, Asako Takasaki, Michael Kanan, Michael Petrosino, Joel Press, Sean Smith, Tardo Hammer, Steve Little, Hilary Gardner, Ehud Asherie, Randy Reinhart, Mark Shane, Kevin Dorn, James Chirillo, Brian Nalepka, Dan Block, Danny Tobias, Matt Munisteri, Neal Miner, Catherine Russell, Jon-Erik Kellso, Lee Hudson, Lena Bloch, Frank Carlberg, Dave Miller, Billy Mintz, Daryl Sherman, Scott Robinson, Harvie S, Jeff Barnhart, Gordon Au, John Gill, Ian Frenkel, Lew Green, Marianne Solivan, Mark McLean, Dennis Lichtman, Tamar Korn, Raphael McGregor, Skip Krevens, Andrew Hall, Rebecca Kilgore, Dan Barrett, Scott Robinson, Pat O’Leary, Andy Brown, Giancarlo Massu, Luciano Troja, Rossano Sportiello, Randy Sandke, Harry Allen, Dennis Mackrel, Joel Forbes.

And I saw them at the Back Room Speakeasy, the Metropolitan Room, Smalls, the Bickford Theatre, the Ear Inn, Symphony Space, the Finaldn Center, Jazz at Kitano, Jeff and Joel’s House Party, Dizzy’s Club Coca Cola, Jalopy Theatre, Casa Italiana, and Zankel Recital Hall.

T.S. Eliot had it wrong.  Just another average jazz-month in New York.

P.S.  This isn’t to slight my California heroes, nay nay — among them Marc Caparone, Dawn Lambeth, Carl Sonny Leyland, Clint Baker, Jeff Hamilton, Chris Dawson, Marty Eggers, Katie Cavera, Kally Price, Leon Oakley, Mal Sharpe, Tom Schmidt, John Reynolds, Melissa Collard, Ari Munkres, GAUCHO, PANIQUE, Bill Carter, Jim Klippert, JasonVanderford, Bill Reinhart, Dan Barrett . . . .

May your happiness increase.


Most Monday nights, you can find the engaging young singer Svetlana Shmulyian and her Delancey Five at the Back Room Speakeasy (yes, you have to know the password to get in and the drinks are served in coffee cups) on 102 Norfolk Street on the Lower East Side of New York City.  Here’s the Back Room’s Facebook page.  Here’s Svetlana’s page, and the Delancey Five page.

On Monday, April 1, Svetlana was joined by her eminent friends Dalton Ridenhour, piano; Adrian Cunningham, reeds; Rob Garcia, drums; Brandi Disterheft, string bass; guest Tom Dempsey, guitar.  The music that resulted was impromptu, energized, and heartfelt.

You know that being in the red means financial distress; seeing red indicates rage.  Neither of those two phrases applies here, for Svetlana and friends create gracious swing — for the dancers, for the listeners, for us.  Worth a visit!  (And for my suburban brethren, there’s on-street free parking after 7.)

Here’s the first set of the night.

Berlin’s THE BEST THING FOR YOU (WOULD BE ME) by Adrian and Co:

Svetlana joins in for the 1930 paean to similitude, EXACTLY LIKE YOU:


Adrian and Svetlana warble I CAN’T GIVE YOU ANYTHING BUT LOVE:

Mr. Cunningham on the tenor for JUST YOU, JUST ME:

A tender THE VERY THOUGHT OF YOU with a glorious introduction by Dalton (as if it were a blues conceived at Minton’s in 1941):

Optimistically and energetically, BLUE SKIES:

For those who would like to hear Svetlana and friends in the hush of a recording studio, nothing could be simpler: click here.  Although it is no longer cold outside, warm music never goes out of style.

May your happiness increase.


Svetlana cover

I first heard the charming singer Svetlana Shmulyian in a secret East Village nightspot.  I liked her easy way with melodies and her comfortable interaction with the band.

But this new mini-CD (three songs, ten minutes) is an even more pleasurable experience — simply because the color and texture of her voice come through beautifully, as does the delightful music surrounding her.

Svetlana seems right at home with swing.  She rides the rhythm easily; she invents new little melodic twists and turns without trying too hard.  She sounds like a grown woman rather than a grown woman trying to be a little girl, and (no small thing) she has a pleasing voice, not thin or wandering around the pitch.

On this winter-themed CD — perfectly appropriate for a day like today when the temperature stayed at twenty-one degrees — she is accompanied by Jim Fryer, trumpet, trombone, euphonium; Dalton Ridenhour, piano; Adrian Cunningham, vocal, clarinet, saxophone; Brandi Disterheft. string bass; Ted Gottsegen, guitar; Steve Little, drums.

At times I thought of a modern Fats Waller and his Rhythm (thanks to Dalton and Ted throughout), then of a hip Doris Day – Buddy Clark (BABY, IT’S COLD OUTSIDE), then a streamlined Ellington-based dance number (IT DON’T MEAN A THING), or a nifty Forties approach on LET IT SNOW.  Some perfectly understated overdubbing — you wouldn’t notice it unless you looked at the personnel listings — is a special pleasure, because on one song we can hear Jim Fryer, trumpet, lead the way, while his benign twin Jim Fryer plays a splendid trombone part.

When the third track ended, I was sorry that the CD was only ten minutes long. That’s high praise in JAZZ LIVES’ country.

Here’s Svetlana’s Facebook page, and the band’s Facebook page, and here you can hear the EP (how old do you have to be to know what that acronym means?) and digitally download it for the swift painless price of $3 — or, for the budget-minded, a dollar a song.

My title is probably wrong: this is music for any of the twelve months, no matter what the temperature.

May your happiness increase.


The Back Room Speakeasy (102 Norfolk Street, off of Delancey Street, New York 10002) is authentic in several ways.  One is that you need to know the password to enter — for one of Svetlana Shmulyian’s Monday night gigs, the password is issued that day and you may message Sveltana for it.  Alcoholic beverages are served in porcelain coffee cups (with saucers) to give the illusion of Prohibition-era behavior.  “The room prefers classy — though not formal — attire and there is a no-fur policy,” which brings us into this century.  And vigorous swing dancing is encouraged.

When I visited there for the first time, on October 15, Svetlana was delighted to have the gypsy jazz guitar master Lollo Meier with her — as well as the native guitar wizard Ted Gottsegen, reed master Adrian Cunningham, the fine bassist Brandi Disterheft and drummer George Mel.

Here are two classic selections that will give you a flavor of the scene, of the enthusiastic band, and of Svetlana’s fine graceful singing.



Tomorrow, Monday, November 12, Svetlana will be back with her Delancey Five and special guest Stéphane Séva (the splendid washboard virtuoso and romantic singer).  Adrian Cunningham will return; Jesse Gelber will offer his own individualistic piano stylings; the excellent rhythm section will feature guitarist Ilya Lushtak, string bassist Tal Ronen, and drummer Stephan Schatz.

Svetlana and her Cast of Characters are there every Monday — except the first Monday of the month — so knock three times to enter an authentic Scene.

Ask Svetlana for the password (you won’t get in without it — and, regrettably, it’s not “JAZZ LIVES sent me”) and have a Singapore Sling in my honor.

And when you come out onto the street, you can resume your normal shade, whatever it might be.

P.S.  Troy Hahn, who runs the Monday night soirees at the Back Room, tells me that the password and photographs are posted on the room’s Facebook site every Monday night . . . so check it out here.

May your happiness increase.