Tag Archives: sweet music

BE GLAD YOU ARE ALIVE AND HAVE EARS AND EYES TO HEAR AND SEE (THE CONTINUING SAGA OF GRATITUDE IN 4/4): SARA LAMHARZI, JASON VANDERFORD, CLINT BAKER

Two fellows and a gal in the park . . . something special, sweet music and sweet images for us.  Thanks to Sara Lamharzi (videographer); Jason Vanderford (banjo, vocal); Clint Baker (cornet, clarinet).

We hope for more beautiful music, so neatly captured on film — visit Sara’s YouTube channel here.

WHAT CAN I SAY, DEAR (AFTER I SAY I’M SORRY)?:

IN THE SHADE OF THE OLD APPLE TREE:

Oh, are we grateful!

May your happiness increase.

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“THEY SAY IT’S WONDERFUL”: DAN BARRETT, JON-ERIK KELLSO, JOE COHN, JOEL FORBES at THE EAR INN (Sunday, September 30, 2012)

Wonderful!

This beautiful Irving Berlin love-ballad was first sung by Ethel Merman (and her male partner, Ray Middleton) in ANNIE GET YOUR GUN (1946) — and it has been treated lovingly by all manner of singers and instrumentalists — Sinatra and Ruby Braff, Johnny Hartman and John Coltrane, Doris Day, Sonny Stitt, Jimmy Scott . . .


But this song got a lovely, sweetly swinging performance last Sunday, September 30, at The Ear Inn (326 Spring Street, Soho, New York) because of those Masters of Wonder, Jon-Erik Kellso, trumpet; Dan Barrett, trombone; Joe Cohn, guitar; Joel Forbes, string bass.

I think that “wonderful” used to mean worthy of our amazed admiration, full of wondrous things.  It seems an appropriate description for the music at The Ear Inn every Sunday night from 8 – 11 PM.

May your happiness increase.

LIGHTS OUT (CLOSE YOUR EYES AND DREAM OF ME)

In the name of accuracy, I must report that other copies of the sheet music for this song (circa 1935-6) have Kate Smith on the cover, so I don’t know if Louis ever performed it.  But he did record Hill’s THERE’S A CABIN IN THE PINES, and he would have known his friend Bing’s recording of THE LAST ROUNDUP.  The song seems to have been more popular with sweet bands — the lyrics below are connected in cyberspace to Eddy Duchin — but that doesn’t rule out Louis hearing or performing it, given his deep affinity for the Lombardo brothers. 

A tangential Louis-connection is that LIGHTS OUT was recorded by a jazz combo — with a vocal by Chick Bullock — under tenorist Art Karle’s nominal leadership (January 1936, Brunswick) with Mezz Mezzrow on clarinet, Joe Bushkin on piano and legendary drummer George Stafford as well as Frank Newton!

Beyond that, we have to imagine Louis tenderly asking the Beloved to close her eyes and dream of him.  I can hear the 1935 Decca band — think of THANKS A MILLION — doing this perfectly.  

The lyrics aren’t complex or striving for cleverness, but they’re very touching in their simplicity:

Lights out, sweetheart,
One more perfect day is through.
Lights out, sweetheart,
One more perfect dream come true.
We’ve reached the hour of parting,
So kiss me tenderly.
Lights out, sweetheart,
Close your eyes and dream of me.

Here’s a simple version of the melody, played sweetly by someone who may answer to “djweth”:

And a cover portrait of Billy Hill:

Let’s all sing!

And a postscript, sent to me from the invaluable Jack Rothstein, who knew “Arthur” Karle in Boston in the late Forties, about the LIGHTS OUT record date: “Arthur Karle told me they needed a piano player so he called Bushkin.  His father answered the phone and told him Joey was at the movies.  Arthur persuaded him to go get him.  He went but they wouldn”t page him so he bought a ticket and from the balcony yelled for Joey to go home.  And that’s how Bushkin got his first recording date.  It was the little Loews on 86th St. between Lexington and Third, directly across the street from the Loews Orpheum (the big Loews).”