Tag Archives: Swing Remix

REMIX WELL! (Part Two): GORDON AU’S GRAND STREET STOMPERS at SWING REMIX (April 13, 2019)

Here’s the second part of a glorious evening of music and dance at Swing Remix, music provided and created by Gordon Au’s Grand Street Stompers — who were, for this gig, expanded: Gordon, trumpet, arrangements, compositions; Joe McDonough, trombone; Ricky Alexander, Matt Koza, reeds; Nick Russo, guitar and banjo; Rob Adkins, string bass; Rob Garcia, drums.  (R1 was there, stepping, twirling, and dipping, although my camera did not catch her in flight.)  It added up to great dance music, delightful small-band jazz, splendidly played, with inventive arrangements that make familiar songs seem new.

Here’s Part One.

Bechet’s SI TU VOIS MA MERE, featuring Matt Koza, in honor of Earl McKee:

From an elegy to an original by Gordon, dedicated to a wayward feline:

A classic from the time when people still carried nickels for the pay phone:

The lovely Harry Ruby – Rube Bloom paean to simplicity:

A nocturnal horror in Swing:

Let’s!

and an encore, from GUYS AND DOLLS:

May your happiness increase!

AT THE BALL, THAT’S ALL (Part One): GORDON AU’S GRAND STREET STOMPERS at SWING REMIX (April 13, 2019)

Dance off both your shoes!  Who could do otherwise when Gordon Au’s Grand Street Stompers play for dancers?  This took place at Swing Remix on April 13, 2019. That’s Gordon, trumpet, compositions and arrangements; Joe McDonough, trombone; Ricky Alexander and Matt Koza, reeds; Nick Russo, guitar; Rob Adkins, string bass; Rob Garcia, drums; Molly Ryan, vocals.  R1 was there, too, which meant that the universe was properly aligned.

The usual caveats apply (not at all to the music!): I can’t shoot videos from the dance floor because of the eager traffic, people who have a right to be there and swing out.  So these videos were recorded from an upstairs balcony, and as a result the sound is somewhat distant . . . but it is what you would have heard if you weren’t fortunate enough to be dancing close to the wonderful band.  I also confess to some technical difficulties (a recalcitrant camera) so the sound is stronger in one channel than the other: no need for you to get a hearing test.  But it’s there. . . .

Here are seven bursts of instrumental pleasure from early in the evening:

Gordon’s own JUMP OUT AND GETCHA (perhaps because he is a connoisseur of things that go bump in the night?):

BLUE ROOM, with verse and clever arrangement:

Half of a new pair, PST (PACIFIC SWING TIME):

And a Grand Street Stompers’ classic, SWANG THANG:

The second half, EST (for EASTERN SWING TIME), a composition John Kirby would admire:

Gordon’s swinging and surprising  take on early bebop, GROOVIN’ HIGH:

and the attractive original NADINE:

There are more videos to come from this delightful evening.  But even better . . . see, hear, and dance to the Grand Street Stompers in person: follow them here.  See you on the dance floor (vertically, not horizontally).

May your happiness increase!