Tag Archives: taragoto

FOR THE LOVE OF JOE MURANYI (March 9, 2015): BELA SZALOKY, MATT MUNISTERI, SCOTT ROBINSON, JON-ERIK KELLSO, PAT O’LEARY (Part Two)

If you haven’t seen Part One of this glorious concert, here it is.  We’ll wait for you to catch up.  The facts, for those who find them essential, are this.

On Monday, March 9, 2015, a wonderful jazz concert entitled “Joe Muranyi: A Tribute from America and Hungary” took place in New York City under the aegis of the Hungarian Cultural Center. I (and my camera) were lucky enough to be there — and here is the second part of the concert for you to savor.

The remarkable musician Béla Szalóky — a wonder on both trumpet and trombone — joined forces with the EarRegulars, those marvelous denizens of The Ear Inn (326 Spring Street, Soho, New York City) on Sunday nights: Jon-Erik Kellso, trumpet; Scott Robinson, tenor saxophone, Joe’s taragoto and clarinet; Matt Munisteri, guitar; Pat O’Leary, string bass.

It was a marvelous evening of inspired music in the most deliciously quiet surroundings. Thanks to the head of the Hungarian Cultural Center, Gergely Romsics, for his gentle stewardship.

We start off with Yearning as scored for Jon-Erik, Matt, and Pat: GEE, BABY, AIN’T I GOOD TO YOU?

And everyone comes back onstage for a sweetly swinging I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER (Scott on taragoto):

Scott’s deeply searching solo taragoto performance of a Hungarian folk song,

Krasznahorka büszke vára (THE PROUD CASTLE OF THE TOWN), which then leads in to one of Joe’s favorite songs that he played with Louis Armstrong, OLE MISS:

Something else inspired and so beautifully performed by Louis, A KISS TO BUILD A DREAM ON, with Scott playing Joe’s tenor saxophone:

For Louis, again — BACK HOME AGAIN IN INDIANA:

And an encore, a blues by Pee Wee Russell that Joe often played, PEE WEE’S BLUES:

I know comparisons are odious, and hyperbole even more so, but I think this was one of the greatest musical evenings of my life.  And since I think that “the dead” don’t leave us when they separate from their corporeal selves, I believe entirely that Joe is very happy with the music played here and the love it expresses.  I was honored to be at this concert and am honored to be able to share it with you.

May your happiness increase!

FOR THE LOVE OF JOE MURANYI (March 9, 2015): BELA SZALOKY, MATT MUNISTERI, SCOTT ROBINSON, JON-ERIK KELLSO, PAT O’LEARY (Part One)

On Monday, March 9, 2015, a wonderful jazz concert entitled “Joe Muranyi: A Tribute from America and Hungary” took place in New York City under the aegis of the Hungarian Cultural Center.  I (and my camera) were lucky enough to be there — and here is the first part of the concert for you to savor.

The remarkable musician Béla Szalóky — a wonder on both trumpet and trombone — joined forces with the EarRegulars, those marvelous denizens of The Ear Inn (326 Spring Street, Soho, New York City) on Sunday nights: Jon-Erik Kellso, trumpet; Scott Robinson, tenor saxophone, Joe’s taragoto and clarinet; Matt Munisteri, guitar; Pat O’Leary, string bass.

It was a marvelous evening of inspired music in the most deliciously quiet surroundings.  Thanks to the head of the Hungarian Cultural Center, Gergely Romsics, who introduces the evening.

THE SHEIK OF ARABY:

MEDUSA:

BIG BUTTER AND EGG MAN:

DON’T CRY:

I DIG SATCH:

What a wonderful concert — inspired so deeply by the love of Joe and his music. If you never knew Joe, these performances will act as a door into his world; if you did know him, they are even more touching: evidence of his creativity and the love he inspired in us all.

The second half of this concert is soon to come.

May your happiness increase!

“SEND ME, GATE!”: DEEP GROOVES AT JAZZ AT CHAUTAUQUA: MARTY GROSZ, JON-ERIK KELLSO, RANDY REINHART, SCOTT ROBINSON, DAN BLOCK, BOB HAVENS, JOHN SHERIDAN, FRANK TATE, PETE SIERS (September 21, 2012)

My heroes.  Marty Grosz (guitar and moral leadership); Jon-Erik Kellso (trumpet); Randy Reinhart (cornet); Scott Robinson (Joe Muranyi’s taragoto, his own tenor sax); Dan Block (clarinet and slightly recalcitrant bass clarinet); John Sheridan (piano); Frank Tate (string bass); Pete Siers (drums).

Jelly Roll Morton’s SHOE SHINER’S DRAG:

JADA — taken at the kind of tempo you don’t hear often enough these days.  Soaring and sweet and rocking.

We were sent.  No question about it.

Your homework: find the computer in your home that has the best speakers and the largest monitor, turn up the sound, make sure the picture is “full-screen,” gather the family and pets . . . show ’em what Swing’s about.

May your happiness increase.