Tag Archives: Tecla pearl

“IT’S A TÉCLA PEARL!”

At great cost and expense, a major mystery has been solved.

But first, the problem.

Here’s Henry Hall and the BBC Dance Orchestra, with George Elrick singing GOT A BRAN’ NEW SUIT — music by Arthur Schwartz, words by Howard Dietz, from the 1935 revue AT HOME ABROAD, where the song was sung by Ethel Waters:

And here’s singing / tap-dancing Eleanor Powell’s version of the same song with the young Tommy Dorsey Orchestra:

After the bridge, the singer (male or female) sings of donning a “tiepin” or “stickpin,” that’s a genuine “Técla pearl.”  In these versions, “Técla” rhymes with  “Decca,” more or less — although the two most famous versions of this song — by Mister Strong and Mister Waller — pronounce the first syllable to rhyme with “week.”

Since Thirties men’s fashion is not a subject I have studied well, I thought the singers were referring to something particularly arcane: a “T-clasp pearl,” which suggested a jeweled tie clasp.  I only found out that what they were singing was “Técla pearl” when I bought the sheet music for the song at an antique store about a year ago.

Trying to find out what kind of pearl a Téecla pearl was . . . . I must not have had my websurfer’s hat (the one with the light on) fastened correctly.  So I despaired.  I thought it would be another unsolved mystery.  But then a friend recommended that I secure the services of Sir Damien Sitzfleisch, the world’s most successful tracer of the obscure.  We haggled over price, but one we had agreed, results were immediately forthcoming.  Hence and forthwith.

Serene and radiant.

And (circa 1923) there was only one Técla shop in America, so the wearer of such a pearl was someone of means who knew (and wore) the best.  I’m also fascinated with the lyric as an early example of product placement, or perhaps giving a company a free advertisement . . . and that something so well-known in 1935 has become completely obscure today.  With or without the accent over the first E (the sheet music lacks the accent, I believe).

In 1913, the Técla pearl was a standout in Germany:

It was especially ELEGANT in France in 1932:

And here — as a special treat — is the May 2012 version of this song (in G, no less) by John Reynolds, guitar and vocal; Marc Caparone, cornet; Ralf Reynolds, washboard; Clint Baker, trombone; Katie Cavera, string bass.  John knows about a Técla pearl, because I shared the results of my preliminary research with him . . . but he hasn’t seen the advertisements!

Not only is the mystery solved, but we get to hear John sing (twice), Marc and Clint, Ralf and Katie rock it for all time . . . !

And perhaps someone more gifted will share the Louis and Fats versions on YouTube if we all ask politely . . . ?  Perhaps some JAZZ LIVES readers are specialists in early twentieth-century jewelry and can tell us more.  But for me, anything that Arthur Schwartz and Howard Dietz created, that Louis Armstrong, Ethel Waters, Fats Waller, Eleanor Powell, Henry Hall, George Elrick, and the Reynolds Brothers s(w)ing out is important in itself.  (There’s also an instrumental version by Ruby Braff and Dick Hyman on a wondrous Chiaroscuro recording, FATS WALLER’S HEAVENLY JIVE . . . )

You won’t find me wearing a string of Técla pearls at the next jazz party, but that’s only because they make my complexion look sallow.

P.S.  398 Fifth Avenue, once the home of Técla pearls, now is the home of a rug company.  Nothing against rugs, mind you, but sic transit gloria mundi.

May your happiness increase.

TEN EASY LESSONS: THE REYNOLDS BROTHERS, CLINT BAKER, and PIETER MEIJERS at the SACRAMENTO MUSIC FESTIVAL (May 25, 2012)

I could easily have titled this blogpost ‘S’WONDERFUL, the title tune and an apt capsule review of this performance by the Reynolds Brothers.  In case you’ve just come to this party, the Reynolds Brothers are John Reynolds (guitar, banjo, vocal, whistling); Ralf Reynolds (washboard, vocal, keeper of the peace); Marc Caparone (cornet, vocal); Katie Cavera (string bass, vocal); guests and friends Clint Baker (trombone); Pieter Meijers (clarinet).  Here they are at the 2012 Sacramento Music Festival, spreading all kinds of joy.

‘S’WONDERFUL:

GOT A BRAN’ NEW SUIT, that sweetly joyous 1935 song recorded by both Fats and Louis.  And it’s a “Tecla pearl” in the lyrics, something that I need more information about:

“Fetch me that gin, son.”  Hoagy’s ROCKIN’ CHAIR:

NEVER SWAT A FLY (with lyrics that should be common knowledge in most educational endeavors):

OUT OF NOWHERE (thanks to Bing, Russ, Don Byas, and many others):

Feeling peckish? Beans and cabbage, but I like PEPPER STEAK:

Having eaten, we feel remorse.  And the question becomes WAS THAT THE HUMAN THING TO DO?:

Carpe diem, Sisters and Brothers — grab someone while you’re still YOUNG AND HEALTHY:

Even if you’re no longer young and healthy, LOVE IS JUST AROUND THE CORNER:

And to close, this swing affirmation, ALL GOD’S CHILLUN GOT RHYTHM:

If you were to ask, “Ten easy lessons in what, Michael?” the answers come out in a rush: How to swing.  How to let the heroes of the past live through you.  How to create a warm sound and a warm rapport with the audience.  How to make people feel happier than they were an hour earlier.  How to play and sing with heart, mixing precision and abandon.  But you can add your own responses to my list.

May your happiness increase.