Tag Archives: Ted Sturgis

DICK, RYAN’S, FIVE CONNIE-SIGHTINGS, and PEE WEE

An eBay assortment of curiosities!

A Forties photograph autographed to Dick — by Count Basie (who seems to have signed it first in some careful way, then inscribed it on the site) and Jimmy Rushing:

TO DICK BASIE RUSHING

An autographed flyer for Jimmy Ryan’s — that jazz oasis (after a fashion) of West Fifty-Fourth Street, featuring Roy Eldridge, Bobby Pratt, Joe Muranyi, Dick Katz, and Ted Sturgis, Eddie Locke:

JIMMY RYAN'S DIXIELAND flyer

Collectors of sheet music know that the artists pictured or photographed on the cover may have had only the most tenuous connection to a particular song (I’ve seen copies of — among other oddities — WHEN THEY PLAYED THE POLKA featuring Adrian Rollini, LITTLE SKIPPER featuring Bobby Hackett, and LIGHTS OUT featuring Louis, which of course they may have played.)  But here are five Connie Boswell-sightings, circa 1931-33, both reassuring and elusive.

One:

CONNIE ONE

Two:

CONNIE TWO

Three:

CONNIE THREE

Four:

CONNIE FOUR

Five:

CONNIE FIVE

If anyone has acetates of Connie singing these songs, do let me know!

For those who want the rarest Boswelliana, check out the official Boswell Sisters eBay store — http://stores.ebay.com/theboswellsistersstore — which is run by Kyla Titus, Vet’s granddaughter, so you know the treasures are authentic. You can also visit it at helvetia520 — which has a 100% approval rating from buyers.

And this — I know that Al Bandini, a trumpet player who for a time ran the band at the Riviera in New York (which still exists, although serving food rather than music)  and Pee Wee Russell collaborated on GABRIEL FOUND HIS HORN, but this was new to me:

PEE WEE sheet music

I note with pleasure that this song comes from Mr. Russell’s Boston period, circa 1945, and find it particularly affecting that it was part of a music therapy program, which is more than apt.  (Someone outbid me on this, which is fine with me, although I won’t have Pee Wee gazing down at me from one of my apartment walls, alas.)

Draw your own conclusions about provenance and what it might mean that these lovely odd artifacts are bubbling to the surface.  I’m just delighted that they are.

May your happiness increase!

JAZZ RELICS

A recent eBay search turned up still more paper delights.  Collectors sometimes call these “ephemera,” suggesting, I think, that they were not meant to last.  But the evidence indicates that these treasured items have a reassuring permanence.  See for yourself:

The most famous of the irreplaceable Misses Boswell — apparently before she began signing her name with two E’s.

Perfectly self-explanatory . . . from Roy’s long run on Fifty-Fourth Street.  And the bar opened at 10 AM!

Again, perfectly self-explanatory.  But I want to know the story behind this unused ticket.  Who got sick or couldn’t go?  That tale needs to be told.

Lucky “Pat,” a Swell Fellow indeed!  And lucky us . . .

This blurry Christmas card looks unimportant, even cheaply produced, until you see the signatures and realize its rarity.  Lee Wiley and Jess Stacy weren’t married for a long time (or happily, for that matter) so they can’t have sent out years of Christmas cards.  Immensely rare and perhaps immensely sad.  (For the precise readers out there, I do know that Jess was happily married, later in life, to Pat Peck, but I am taking the eBay seller at his or her word when the card is presented as from Jess and Lee.  It would have been nice to see their signatures, although they may have been printed, too.)