Tag Archives: The EarRegulars

“MY NEW RECRUIT IS MIGHTY SWEET AND CUTE,” THE ROMANTIC MISTER MORTON: JON-ERIK KELLSO, HARVEY TIBBS, MATT MUNISTERI, NEAL MINER (The Ear Out, October 3, 2021)

At the end of last summer, one of the great pleasures was the Sunday sessions created by the EarRegulars outside of the Ear Inn on 326 Spring Street. I’ve been sending their wonderful music out slowly, a performance at a time, hoping to come to the end of the 2021 gifts as the 2022 summer sessions begin again. Cue Helen Humes singing I CAN DREAM, CAN’T I?

On October 3, the EarRegulars were Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Harvey Tibbs, trombone; Neal Miner, string bass. And here they are musing their way, collectively and singly, through Jelly Roll Morton’s SWEET SUBSTITUTE, with delicacy and fervor:

Accept no substitutes. Ask for The EarRegulars wherever better music can be found. (They have resumed their Sunday evening sessions indoors, from 8-11, loosely, and those gatherings at 326 Spring Street are also life-changing, in subtle ways.)

May your happiness increase!

ON THE STREET WHERE THEY SWING: JON-ERIK KELLSO, MATT MUNISTERI, PAT O’LEARY, BILL ALLRED (The Ear Out, October 17, 2021)

This.

Here.

Last summer’s blissful Sunday sanctuary for all wise enough to visit.

My sources tell me that this is the official fight song — composed in 1910 — of Washington and Lee University. It was also the song that Jon-Erik Kellso played with his high school marching band, if my sources are correct. And I believe there were Allen Park alumnae in the audience on this balmy October 17, 2021, afternoon — outdoors at The Ear Out, 326 Spring Street, Soho, New York City. The brilliant players are Jon-Erik, trumpet; Bill Allred, trombone; Matt Munisteri, guitar; Pat O’Leary, string bass. Notable highlights here are Jon-Erik’s soliloquy for buzz mute, Bill trading phrases with the rhythm section, Matt’s ringing single notes, Pat’s eloquent swinging comedy:

Two weeks from now, more or less, the calendar says it’s Spring. Can these outdoor rambles be far behind? They made a post-pandemic paradise for us. We live in hope. Always

May your happiness increase!

“EXACTLY!”: JON-ERIK KELLSO, BILL ALLRED, MATT MUNISTERI, PAT O’LEARY at The Ear Out (10.17.21)

Thank you, Jimmy McHugh and Dorothy Fields, for one of the most durable swing-songs and love songs (also the harmonic basis of TAKE THE “A” TRAIN), the 1930 EXACTLY LIKE YOU. It became an international hit early — Tom Lord’s online jazz discography lists more than 800 versions, and while I am writing this, some band is playing it and someone’s singing it.

Notice that ON THE SUNNY SIDE OF THE STREET came from the same show:

Speaking of “some band,” we are fortunate that The EarRegulars chose to take EXACTLY for a stroll on one of their outdoor revival-meetings at The Ear Out (I am not alone in hoping that they resume this spring) on October 17, 2021. The nimble participants are Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Pat O’Leary, string bass; Bill Allred, trombone:

Since I am now at a point in my life where “I know why I waited / Know why I’ve been blue / Waited, dear, for someone EXACTLY LIKE YOU” has more meaning, I am even more in favor of swinging renditions like this one. Ex-actly. But enough about me. Listen once, listen again.

May your happiness increase!

IS THERE A (VIDEO) DOCTOR IN THE HOUSE? JON-ERIK KELLSO, HARVEY TIBBS, MATT MUNISTERI, NEAL MINER (The Ear Out, November 3, 2021)

Life is a banquet of imperfections, as I can tell you from experience.

And I am about to offer you a performance that is sonically restorative while at the same time it is visually flawed. For only the second time in its mechanical-technical life, one of my cameras has proven rebellious: about twenty-five seconds in to this “video,” the image freezes and remains a still photograph.

But the music pulses delightfully on.

It would have pained me (and perhaps the shade of Ferdinand LeMenthe) to have consigned this to the darkness . . . so I present it to you here with the caveats above. It’s lovely rousing music, with daring solos and splendid ensemble interplay by The EarRegulars, people who know how to do the Charleston without leaving their seats: Jon-Erik Kellso, trumpet (perhaps his Harry B. Jay model?); Harvey Tibbs, trombone; Matt Munisteri, guitar; Neal Miner, string bass.

All this medicalized joy took place at The Ear Out, 326 Spring Street, Soho, New York City, on Sunday, November 3, 2021. Now you know it all, and can savor the healing powers of hot jazz:

As to the rebellious camera, perhaps it will go to an over-55 senior community, where it can tell tales of the many hours of music it recorded for all of us.

May your happiness increase!

SPOTTED IN SOHO, A TRIUMPH OF TROMBONES: The EarRegulars All-Star Big Band and Street Fair: JON-ERIK KELLSO, MATT MUNISTERI, PAT O’LEARY, BILL ALLRED, JOHN ALLRED, JOAN CODINA, STEVE BLEIFUSS, HARVEY TIBBS, ADAM MOEZINIA (The Ear Out, October 17, 2021)

The core: Bill and John Allred, Pat O’Leary, Jon-Erik Kellso, Matt Munisteri

This wonderful combination of like-minded creators took place on Sunday, October 17, 2021 — near the end of the magical season created by the EarRegulars at the Ear Out, 326 Spring Street, Soho, New York City.

It’s another of the improvisatory wonders that so uplifted our hearts from May – October 2021: in F, the key of love, ROSETTA (credited to Earl Hines but I believe by Henri Woode) from the EarRegulars’ All-Stars Big Band: Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Pat O’Leary, string bass; John Allred, Bill Allred, Harvey Tibbs, Joan Codina, Steve Bleifuss, trombone; Adam Moezinia, guitar.

The roadmap: ensemble with Kellso leading, John Allred, Codina, Bleifuss, Bill Allred, Tibbs, then trades in approximately the same order, Moezinia, Munisteri, then trades, Kellso, a riff from TOO CLOSE FOR COMFORT, O’Leary, and a Kellso-led final ensemble.

That this happened, that it happened in a city I could get to, that the musicians don’t mind my little techno-voyeurism and sharing their work with you for free. . . all magnificent gifts of these jazz Magi. Without watch chains or long hair: generously given, received with great joy.

May your happiness increase!

IF THE CONDITION PERSISTS, SEE YOUR ORTHOPEDIST (or START A BAND): DANNY TOBIAS, SCOTT ROBINSON, JAMES CHIRILLO, FRANK TATE (The Ear Inn, August 6, 2017)

Here’s the first clue in the diagnosis.

I don’t know the Latin name for this delightful malady, but the lay population calls it this:

You might also know recorded versions by the Wolverine Orchestra, Fletcher Henderson, Eddie Condon, Joe Sullivan, Sidney Bechet, Humphrey Lyttelton, Doc Evans, Panama Francis, Mutt Carey, Johnny Wiggs, Kid Ory, Lu Watters, Turk Murphy, Miff Mole, Willie “the Lion” Smith, Graeme Bell, Jack Teagarden, Red Nichols, Jimmy McPartland, Ken Colyer, Chris Barber, Albert Nicholas, Buck Clayton, Earl Hines, Red Allen, Art Hodes, Dave McKenna, Kevin Dorn, Dick Wellstood, Alex Welsh, Wild Bill Davison, Kenny Davern, or other luminaries. And those recordings are in the last hundred years or so.

As I write this, some band or solo pianist is getting FIDGETY.

And I can now present to you a previously unseen performance from 2017, by the EarRegulars at The Ear Inn on a Sunday night. These luminaries are Danny Tobias, cornet; Scott Robinson, baritone saxophone, taragoto; James Chirillo, guitar; Frank Tate, string bass. Watch them go!

Thank goodness for these players; thank goodness for The Ear Inn.

May your happiness increase!

IF BEALE STREET COULD TALK, IT WOULD SOUND LIKE THIS: DANNY TOBIAS, SCOTT ROBINSON, JAMES CHIRILLO, FRANK TATE (The Ear Inn, Sunday, August 6, 2017)

“I’d rather be here / Than any place I know.”

Maybe that’s hyperbole, but The Ear Inn (326 Spring Street, Soho, New York City) on Sunday nights — since summer 2007 — has given me and others much joy. Here’s a previously unseen document of that feeling, provided by Danny Tobias, cornet; Scott Robinson, taragoto; James Chirillo, guitar; Frank Tate, string bass. W.C. Handy’s BEALE STREET BLUES taken at a groovy lope.

May your happiness increase!

ONDATRA ZIBETHICUS, ON THE LOOSE IN SOHO: JON-ERIK KELLSO, HARVEY TIBBS, MATT MUNISTERI, NEAL MINER at The Ear Out (November 3, 2021)

I had to choose: if I’d called this post A WANDERING RODENT, that would have given the wrong idea. And this photograph might not have helped, except as an advertisement for better dental hygiene:

But it’s only my comedic way of introducing a glorious performance of MUSKRAT RAMBLE by the EarRegulars at the end of their 2021 summer season at The Ear Out. The naturalists whose music charms us so are Jon-Erik Kellso, trumpet; Matt Munisteri, guitar; Harvey Tibbs, trombone; Neal Miner, string bass — taking this venerable composition at the proper rambling tempo:

Goodness, how they swing. What a gift to us. And to Louis, too.

May your happiness increase!

A “GOOD OLD GOOD ONE,” SWUNG: JON-ERIK KELLSO, SCOTT ROBINSON, CHRIS FLORY, PAT O’LEARY (The Ear Out, August 29, 2021)

When Louis Armstrong was going to play ‘WAY DOWN YONDER IN NEW ORLEANS with his All-Stars, he might say, “Now, ladies and gentlemen, we’re going to take you down to my home town, to jump a good old good one . . . ” and after Billy Kyle or Marty Napoleon had played a piano introduction, the band would play it at a fairly fast tempo. But it wasn’t always so: the 1922 recording by the “Dixie Daisies” is quite moderate, and the 1927 Bix-and-Tram excursion even more so, although bands took the song faster as the decades went by.

Here, for context, lyrics, verse, and more — and it’s a delightful recording! — is the first recording of the song:

I find that version perfectly charming. Perhaps fifteen years later, Lester Young (who remembered NOLA fondly) performed the song at a faster tempo, but Lester being Lester, there was a good deal of elasticity in his approach to the song as it rollicked by, stretching out over the beat like a cat waking from a nap.

The EarRegulars, that phenomenal jazz-repertory-company of lower Manhattan and environs, took up ‘WAY DOWN YONDER IN NEW ORLEANS at their holy gathering of August 29, 2021. Taking it very easy, but with a purpose, they glide through the “good old good one,” a hymn in praise of the Crescent City, in a very Lester-Buck-Durham-Page-and-then-Rollini mood (you could look it up).

They are Jon-Erik Kellso, Puje trumpet; Scott Robinson, tenor and bass saxophone; Chris Flory, guitar; Pat O’Leary, string bass, at The Ear Out — that’s on the sidewalk outside The Ear Inn, 326 Spring Street, Soho, New York:

Transformative and lovely. The EarRegulars, since Halloween, have gone indoors — Sunday nights from 8-11 (approximately) and I hope to bring myself and my camera there and money for our friend Phillup the Bucket. Maybe we’ll get to say HELLO! (in our Fats-voices or not).

May your happiness increase!

“WE’VE SPRUNG A LEAK. GET HELP!”: JON-ERIK KELLSO, MATT MUNISTERI, JAY RATTMAN, TAL RONEN (The Ear Out, June 6, 2021)

When NOLA funk comes to NYC Soho, it’s a wonderful connection of forces.

and

and

If you think I’m being melodramatic in my title, wait for the group vocal on THE BUCKET’S GOT A HOLE IN IT, from Jon-Erik Kellso, trumpet and post-Guinness glass mute; Jay Rattman, alto saxophone and clarinet; Matt Munisteri, guitar; Tal Ronen, string bass. It’s a sad tale of a plumbing problem that could lead to life-threatening dehydration:

I believe that on or before October 31, the EarRegulars, seen above as Out, will go In — reverting to their more familiar Sunday-night performances inside The Ear Inn. Know that these uplifting jazz picnics will become nocturnal soirees as the temperature drops and the days shorten.

And take good care of your bucket. Check it regularly for leaks.

May your happiness increase!

BENNY SENT ME: JON-ERIK KELLSO, SCOTT ROBINSON, CHRIS FLORY, PAT O’LEARY at The Ear Out (May 23, 2021)

Puccini, Jolson, Rose, Goodman, and innumerable jazz groups — one of the reliable get-off-the-stand numbers, here performed by the EarRegulars at the Ear Out (326 Spring Street, Soho, New York City) on Sunday, May 23, 2021. They are, from left, Jon-Erik Kellso, trumpet; Pat O’Leary, string bass; Scott Robinson, C-melody saxophone and trumpet; Chris Flory, guitar (who played this song with Benny, himself).

And about this performance? All I can say is Yes.

Here’s hoping you find your love in Avalon, or someplace even closer, and you bring that person to the Ear Out on a Sunday afternoon before winter comes, as we know it will.

May your happiness increase!

START THE WEEK RIGHT

Do you dread the start of the workweek? Or does Monday remind you of homework undone, bills unpaid, responsibilities that weigh? Take heart: JAZZ LIVES is here to help.

(Cue rousing music): the EarRegulars to the rescue! And they’re locally sourced and cage-free. Investigating all the corners of Earl Hines’ 1928 classic, they are Jon-Erik Kellso, trumpet; Jay Rattman, clarinet (in a Bechet mood for a few seconds, sparking joy); Matt Munisteri, guitar; Tal Ronen, string bass. All of this took place at the Ear Out — 326 Spring Street — on June 6, 2021:

And just think, with Monday done and done, the rest of the week will soar (or totter) by. Wishing you safe passage — with the help of these joyous sounds.

I have it on good authority that the Sunday-afternoon revival-meetings will continue through October, with guests Don Mopsick, Evan Christopher, Dennis Lichtman, Bill and John Allred . . . don’t miss out!

May your happiness increase!

“CAN’T YOU TAKE A DARE?”: JON-ERIK KELLSO, JAY RATTMAN, MATT MUNISTERI, TAL RONEN, ALBANIE FALLETTA, JOSH DUNN at The Ear Out (June 6, 2021)

The source. As expected:

But we’re in 2021, in the land of blessed live performance, not simply staring rapt at the blue Decca label, and the expression on Albanie Falletta’s face says it all:

A daring little band — the EarRegulars — performing on June 6, 2021, at The Ear Out, 326 Spring Street, Soho, New York City. The core group for this Louis Armstrong classic (written by Terry Shand and Jimmy Eaton) is Jon-Erik Kellso, trumpet; Jay Rattman, clarinet and alto saxophone; Matt Munisteri, guitar; Tal Ronen, string bass. Eminent guests: Josh Dunn, guitar; Albanie Falletta, resonator guitar. Please note the groovy tempo — not too fast — for this playful inducement to public and private displays of affection.

Another musical marvel, I think. Have you been? These Sunday-afternoon sessions will not happen when the frost is on the pumpkin. So get your musical blessings while you may.

May your happiness increase!

IN SPRING, ON SPRING, THEY SWING: JON-ERIK KELLSO, JOHN ALLRED, JOE COHN, NEAL MINER (The Ear Out, May 16, 2021)

We all may have reasons for thinking the spring of 2021 particularly memorable — I know I do.

Home of delightful vibrations!

But I will also think of it as the season of The Ear Out, a frankly miraculous series of Sunday-afternoon soirees (or revival meetings?) with the EarRegulars preaching the mellow sermon whose text, “Isn’t it glorious to be alive and breathing?”

Do I overstate? I think not. Here’s some secular-sacred evidence from Sunday, May 16, 2021, laid down by Jon-Erik Kellso, Puje trumpet; John Allred, trombone; Joe Cohn, guitar; Neal Miner, string bass — the venerable chapter being SOME OF THESE DAYS:

That feels good. Bless this foursome, and thank them, too — and all the other memorable EarRegulars.

May your happiness increase!

SOUND ADVICE: JON-ERIK KELLSO, SCOTT ROBINSON, CHRIS FLORY, PAT O’LEARY at The Ear Out (May 23, 2021)

I’m so glad and relieved that no one has written in to ask, “How come you post so much of The EarRegulars?” because then I might have to question their aesthetic. These summer revival meetings at The Ear Out have proven, performance after performance, that this band — in all its permutations — has no peer in The Groove, in swinging inventiveness. Here’s another example, Walter Donaldson’s binary ultimatum, LOVE ME OR LEAVE ME, a festival of daring sounds and inspired conversations:

I love them, and I hope they never have to leave us. Class dismissed.

May your happiness increase!

SHE’S BEING NAUGHTY . . . AGAIN: JON-ERIK KELLSO, SCOTT ROBINSON, CHRIS FLORY, PAT O’LEARY at The Ear Out (May 23, 2021)

There are certain songs I have a limited tolerance for, and BLUES MY NAUGHTY SWEETIE GIVES TO ME is one. I revere the Jimmie Noone and Eddie Condon versions, but too many times when this song is performed by a “traditional” band someone steps forth to speak-sing it, chorus and patter. Perhaps I have NAUGHTY SWEETIE PTSD.

But not in this case. For one thing, no one in this edition of The EarRegulars burst into song. They are Jon-Erik Kellso, Puje trumpet; Scott Robinson, tenor saxophone; Chris Flory, guitar; Pat O’Leary, bass.

No, the ambiance here is entirely lacking in striped-vest-and-plastic-boater-counterfeited-glee. In fact, even though none of these musicians was born in either Kansas City, there is a distinct Pres-Reno Club flavor to this, and I am sure Milt Gabler and Harry Lim approve:

Nothing particularly naughty about this — innovative, rocking, and delightful, though. Characteristically EarRegular.

May your happiness increase!

OUR THOUGHTS ARE OF NEW ORLEANS

This morning, Hurricane Ida made landfall in Louisiana, and is proving to be a very terrifying storm — on the sixteenth anniversary of Hurricane Katrina. I know some of my friends have found safe havens elsewhere, but I send these sounds out to everyone feeling the wrath of Ida.

Ironically, the apt sounds — melancholy but with a groove — were created almost a month ago, on July 25, 2021, at the Ear Out, 326 Spring Street, by the EarRegulars: Jon-Erik Kellso, Puje trumpet; John Allred, trombone; James Chirillo, guitar; Neal Caine, string bass. The song? Hoagy Carmichael’s NEW ORLEANS, which I associate with Jimmy Rushing and Louis Armstrong, among others. Here it is, without words but with feeling:

I present it here as a prayer for durability and resilience of that “quaint old Southern city” and its people.

STROLLING ON SPRING STREET: The EarRegulars PLAY LOUIS FOR US — JON-ERIK KELLSO, JOHN ALLRED, JAMES CHIRILLO, NEAL CAINE (The Ear Out, 326 Spring Street, Soho, New York City, July 25, 2021)

There’s an immense Groove to whatever the EarRegulars play: think Louis and Basie having a good time together.

Yes, those two deities are posing for a photographer, but I imagine them grinning at the music made by the EarRegulars one Sunday afternoon, July 25, 2021 (although any EarRegulars gathering would produce the same response).

That Sunday, the EarRegulars were Jon-Erik Kellso, Puje trumpet; John Allred, trombone; James Chirillo, guitar; Neal Caine, string bass — lovingly playing Louis’ 1947 composition, SOMEDAY YOU’LL BE SORRY, which I think of as the sweetest song of reproach and revenge possible:

The EarRegulars have been appearing all summer at The Ear Out, details specified above, from 1-3:30 on Sundays. Have you been?

May your happiness increase!

GLIDING WITH The EarRegulars — JON-ERIK KELLSO, JOHN ALLRED, JAMES CHIRILLO, NEAL CAINE (The Ear Out, July 25, 2021).

Doing that easy glide! Yes, it’s the EarRegulars, spreading joy once again — in front of The Ear Inn, 326 Spring Street, Soho, New York — on one of their Sunday afternoon spiritual- refreshment gatherings.

They are Jon-Erik Kellso, Puje trumpet; John Allred, trombone; James Chirillo, guitar; Neal Caine, string bass. And this was the very first song of their July 25, 2021 performance.

Incidentally, the song was written in 1915 and published in 1917 by Shelton Brooks, the African-American (born in Ontario) composer who we also know for SOME OF THESE DAYS.

I have a sentimental attachment to this song: it was one of those my father taught me to sing when I was about 4, even though I doubt I knew what most of the words meant. Thanks, Dad, for a life where music is always restorative.

May your happiness increase!

SADNESS WILL BE GLADNESS, or THE JOYS OF SURRENDER: The EarRegulars Plus at The Ear Out, 326 Spring Street — JON-ERIK KELLSO, SHAYE COHN, JOHN ALLRED, JAMES CHIRILLO, NEAL CAINE (July 25, 2021)

Our culture celebrates victory, but sometimes giving in is the only way: this song dramatizes the surrender to love.

I SURRENDER, DEAR has an ache in its heart. (If you don’t know the classic versions by Bing and Louis, you owe it to yourself to visit them.) But sadness, whole-heartedly dramatized, is joy.

Thank the EarRegulars for this sustained burst of emotions, coming from The Ear Out (that’s located on Sunday afternoons from 1 to 3:30 in front of The Ear Inn, 326 Spring Street, Soho, New York City). On July 25, 2021, they were Jon-Erik Kellso, Puje trumpet; John Allred, trombone; James Chirillo, guitar; Neal Caine, string bass, with NOLA guest Shaye Cohn, cornet, joining them, adding to the collective lyricism.

If you can, and you haven’t participated in these Sunday-afternoon musicales, you are seriously missing out. And you wouldn’t want to tell the grandchildren that you were too busy with the Times puzzle, would you?

May your happiness increase!

SO RICH, SO RARE: “LOVER, COME BACK TO ME,” by the EarRegulars Plus — JON-ERIK KELLSO, JOHN ALLRED, JAMES CHIRILLO, NEAL CAINE, SHAYE COHN — at The Ear Out, 326 Spring Street (July 25, 2021).

James Chirillo, Shaye Cohn, in action.

Who could resist such a request? Thank you, Sigmund Romberg, of course.

John Allred, Jon-Erik Kellso, Neal Caine, showing us how it’s done.

And thank the EarRegulars for this sustained joy from The Ear Out (that’s located on Sunday afternoons from 1 to 3:30 in front of The Ear Inn, 326 Spring Street, Soho, New York City).

Where it happens — on Sunday afternoons, 1-3:30.

On July 25, 2021, they were Jon-Erik Kellso, Puje trumpet; John Allred, trombone; James Chirillo, guitar; Neal Caine, string bass, with NOLA guest Shaye Cohn, cornet, joining them. And here’s a masterpiece of chamber jazz, no exaggeration: solos, swing, ensemble telepathy, lyricism:

I’ve posted several other luminous performances from this session, with guests Jen Hodge, Josh Dunn, Rafael Castillo-Halvorssen, and Tamar Korn: THEM THERE EYES, IF I COULD BE WITH YOU ONE HOUR TONIGHT, and ONCE IN A WHILE. They don’t need explication, although they (and this burst of pleasures) remind me of someone from the UK — obviously deep into her own preferred variety of jazz — who used to comment on my postings, “Too swingy.”

She meant it as a criticism: I take it as the highest compliment.

The EarRegulars and friends deserve our most reverent thanks. And our physical presence: every Sunday afternoon from 1 to 3:30, at 326 Spring Street, Soho, New York City.

And a self-referential postscript: in some unimagined context, should someone ask me, “Michael, what have you done with your life? I understand you were a college professor for decades . . .” I would point them to videos like this as the achievements I’m most proud of.

May your happiness increase!

INSPIRED NONCHALANCE at THE EAR OUT by The EarRegulars and Friends: JON-ERIK KELLSO, SHAYE COHN, RAFAEL CASTILLO-HALVORSSEN, JOHN ALLRED, JAMES CHIRILLO, JOSH DUNN, JEN HODGE (July 25, 2021)

By the time I began to attend live jazz happenings in New York City, 1970, the block of Fifty-Second Street once known as “Swing Street” had lost its marvelous coloration: banks and stores now stood where for, about a decade, there had been a line of jazz clubs where one could hear the most magnificent music, with musicians playing not only their own gigs but visiting others’. Ben, Bird, Billie, Big Sid, Bechet, Big T — among a hundred others. All that remained was a few dozen photographs and some record dates that tried to simulate the energies that bubbled up every night.

But in 2007, when Jon-Erik Kellso started a Sunday-night residency at The Ear Inn, 326 Spring Street, often with guitarist Matt Munisteri — the group was not yet called The EarRegulars — those sessions were the closest thing to Swing Street glories that I had ever seen, as the original quartet would delightfully grow with friends coming to add their voices to the swinging choir.

Since May of this year, Jon-Erik has been holding sessions outside The Ear Inn, and they provide the same emotional and aesthetic uplift. The music says in every note: We are not dead. We can still create joy. And we are happy to offer our wise feeling joy to you.

This happened again — most gloriously — on the afternoon of July 25 . . . a fairly quiet time in Soho, with many people having found some way to get out of the city. But those who remained in front of 326 Spring Street will, I propose, never forget what they saw and heard.

And the musicians were similarly transported: watching the performance that follows, please note the facial expressions of the musicians: Jen Hodge’s smile, James Chirillo’s approval, so evident, even behind the double mask. I’ve posted an exuberant sample from that day — the closing performance, THEM THERE EYES, featuring Tamar Korn — and here’s another wonder, James P. Johnson’s IF I COULD BE WITH YOU ONE HOUR TONIGHT:

They make it look and sound so easy, which is one of the marks of great art — what Castiglione called “sprezzatura,” or an inspired nonchalance. An extraordinarily lovely interlude by the EarRegulars plus guests, performed for all and sundry (did the passers-by feel the love as they trotted by?). The creators — bless them in long meter — are Jon-Erik Kellso, trumpet; John Allred, trombone; James Chirillo, guitar; with Rafael Castillo-Halvorssen, trumpet; Shaye Cohn, cornet, Josh Dunn, guitar; Jen Hodge, sitting in for Neal Caine, string bass. Wondrous lyricism, a great feast of sounds for our ears and hearts.

I feel so much gratitude to them and their peers: I hope you feel it also.

May your happiness increase!