Tag Archives: The Peerless Quartet

A “GOOD OLD GOOD ONE,” SWUNG: JON-ERIK KELLSO, SCOTT ROBINSON, CHRIS FLORY, PAT O’LEARY (The Ear Out, August 29, 2021)

When Louis Armstrong was going to play ‘WAY DOWN YONDER IN NEW ORLEANS with his All-Stars, he might say, “Now, ladies and gentlemen, we’re going to take you down to my home town, to jump a good old good one . . . ” and after Billy Kyle or Marty Napoleon had played a piano introduction, the band would play it at a fairly fast tempo. But it wasn’t always so: the 1922 recording by the “Dixie Daisies” is quite moderate, and the 1927 Bix-and-Tram excursion even more so, although bands took the song faster as the decades went by.

Here, for context, lyrics, verse, and more — and it’s a delightful recording! — is the first recording of the song:

I find that version perfectly charming. Perhaps fifteen years later, Lester Young (who remembered NOLA fondly) performed the song at a faster tempo, but Lester being Lester, there was a good deal of elasticity in his approach to the song as it rollicked by, stretching out over the beat like a cat waking from a nap.

The EarRegulars, that phenomenal jazz-repertory-company of lower Manhattan and environs, took up ‘WAY DOWN YONDER IN NEW ORLEANS at their holy gathering of August 29, 2021. Taking it very easy, but with a purpose, they glide through the “good old good one,” a hymn in praise of the Crescent City, in a very Lester-Buck-Durham-Page-and-then-Rollini mood (you could look it up).

They are Jon-Erik Kellso, Puje trumpet; Scott Robinson, tenor and bass saxophone; Chris Flory, guitar; Pat O’Leary, string bass, at The Ear Out — that’s on the sidewalk outside The Ear Inn, 326 Spring Street, Soho, New York:

Transformative and lovely. The EarRegulars, since Halloween, have gone indoors — Sunday nights from 8-11 (approximately) and I hope to bring myself and my camera there and money for our friend Phillup the Bucket. Maybe we’ll get to say HELLO! (in our Fats-voices or not).

May your happiness increase!