Tag Archives: THESE FOOLISH THINGS

“OH, HOW THE GHOST OF YOU CLINGS”: DAWN LAMBETH (with DAVE STUCKEY, MARC CAPARONE, NATE KETNER, JONATHAN DOYLE, CARL SONNY LEYLAND, KATIE CAVERA, JOSH COLLAZO: Redwood Coast Music Festival, September 29, 2022)

Dawn Lambeth has been one of my favorite singers for more than fifteen years now. I’d never heard of her (such is the East Coast / West Coast divide in Jazz America) until I was asked to review her CD, MIDNIGHT BLUE, for the much-missed Mississippi Rag, and I was astonished. Her lovely voice, her warm phrasing, her love of the melody, her understanding of the lyrics — all splendidly touching. She swings; she embodies the great traditions but sounds like herself, understated and passionate at the same time.

And I could marvel at her work in a variety of contexts at the most recent Redwood Coast Music Festival. Here she is with Dave Stuckey and the Hot House Gang: Dave, guitar, vocals, and fun; Marc Caparone, cornet; Nate Ketner, Jonathan Doyle, reeds; Carl Sonny Leyland, piano; Katie Cavera, string bass; Josh Collazo, drums.

Many people feel that singing isn’t, after all, so difficult. You learn a song by listening to recordings, perhaps you ask friends who play what key you are singing in, you hope to remember the lyrics and to not hang on to the mike stand too ostentatiously, the pianist plays four bars, you open your mouth — and look, ma, I’m singing! Nice clothing, good hair — also essential.

But this art is so much more complex, and it rests on the dual mastery of the song (how to get from one note to another with grace and personality, and then, how to courageously improvise and land well) and the lyrics (what do those words actually mean? what’s “the story” here? where should I take a breath?) and the deeper understanding of the emotions a song is meant to stir. I could be very wrong here, but an eighteen-year old might not sing THANKS FOR THE MEMORY with the deep rueful sensitivity that the song requires, in the same way that same youthful striver might not deeply understand the feelings of a literary character.

And there’s an even more difficult art — drama without acting — or how to make a group of people in a large hall, through your voice and gesture sent through a microphone, feel the nuances that composer, lyricist, and singer must convey.

I write this perhaps discouraging prelude to simply say that Dawn Lambeth not only knows how to do these rare things, but she embodies the art of communicating information and feeling while the notes roll on. We know, in the song I am about to present here, the joy of past experience and the ruefulness that the experiences are past.

THESE FOOLISH THINGS, by Jack Strachey and Eric Maschwitz (and perhaps Harry Link), has been sung often since its emergence in 1935, and inexperienced singers can make the melody a series of predictable steps, the lyrics a shopping list of sentimental fragments of memory. It has been sung so often that in the wrong hands, its sharp edges have been blurred. But Dawn reaches into the song, without overacting, and offers us the novella of love unattained but recalled that it really is. Hear her poignant variations on “You conquered me!” and know what this rare art truly is.

So moving. Thank you so much, Dawn and friends, for these tender, candid moments.

May your happiness increase!

HAPPY BIRTHDAY TO LARRY McKENNA! (Part Two): LARRY McKENNA, SAM TAYLOR, STEVE ASH, NEAL MINER, FUKUSHI TAINAKA at SMALLS (June 23, 2019)

Larry McKenna got to the gig early, as did I and many others who knew what gorgeous music we were about to hear, created right in front of us.  He and Sam Taylor, both on tenor saxophone; Steve Ash, piano; Neal Miner, string bass; Fukushi Tainaka, drums, made castles of sound for us — two sets’ worth.  And for those who live by clocks and calendars, Larry turned 82 on July 21, 2019.  He’s not “spry”: he is in full flower right now.  Consider the blossoming evidence of the first set at Smalls here.

Before the gig. Photograph by Melissa Gilstrap.

(Incidentally, Larry and Danny Tobias have a little concert date on Sunday, September 21, at the 1867 Sanctuary in Ewing, New Jersey — details here.)

Now, for the second set at Smalls — beautiful playing by everyone!

SOMETHING’S GOTTA GIVE (as they used to say, “from the movie of the same name):

The lovely THERE’S NO YOU (hear a delighted woman in the audience say, “Oh, yeah!” once the melody registers):

The durable swing standard ROSETTA, which gives Sam a very touching opportunity to tell about his early and sustained connection with Larry:

MORE THAN YOU KNOW, a feature for Sam:

And to close, another song associated with Earl Hines [and Louis Armstrong and Lester Young!] its title a sweet reminder of the bonds we forge, YOU CAN DEPEND ON ME:

The sounds of this evening were completely gratifying, but what got to me — and you can see it in the videos — were the smiles on the musicians’ faces (echoed on the faces of people near me), expressions of  gratitude, joy, and pride — what an honor it was to be there and, to hear the artistry, to feel the delight.  How rare, how wonderful.

May your happiness increase!

HAPPY BIRTHDAY TO LARRY McKENNA! (Part One): LARRY McKENNA, SAM TAYLOR, STEVE ASH, NEAL MINER, FUKUSHI TAINAKA at SMALLS (June 23, 2019)

Today, July 21, 2019, the wonderful tenor saxophonist Larry McKenna turns 82.  Pause, please, to consider that.

Here is music that Larry and friends created, at Smalls in New York City, when he was a mere 81.  The friends are Sam Taylor, tenor saxophone; Steve Ash, piano; Neal Miner, string bass; Fukushi Tainaka, drums.

This is the first set of two: savor the energetic singing quality Larry offers us and how it inspires not only the audience but the other players.

Before the gig. Photograph by Melissa Gilstrap.

YOU’RE IT (Larry’s original, based on IT’S YOU OR NO ONE):

a less-morose version of YOU’VE CHANGED:

and my request, THESE FOOLISH THINGS — with Steve’s lovely introduction:

FATS FLATS (or BARRY’S BOP) which closed the first set:

Thanks of course to Sam Taylor, whose idea this session was, and to Fukushi, Steve, and Neal.  Thanks also to Melissa Gilstrap, Liz Waytkus, Joe McDonough, and John Herr.

When we have music like this to be nourished by, who needs cake or wrapping paper?  Every note is a celebration of our collective lives.

May your happiness increase!

THE MASTER’S ART: TED BROWN AT NINETY (December 2, 2017): AARON QUINN, KRIS MONSON, DERIC DICKENS

This post isn’t just a celebration of durability, steadfast endurance, and longevity.  Those are all virtues we love, but in the case of tenor saxophonist Ted Brown, who turned ninety in early December 2017, what we cheer is his wondrous commitment to creating beauty: not at top speed, not in a shout, but as if he were whispering tender secrets into our ears.

Ted’s birthday party took place at that shrine for music, the Drawing Room (aimed straight at the grail by Michael Kanan and Stephanie Greig) on December 2, 2017.  In this video — a touching exploration of THESE FOOLISH THINGS — Ted is lovingly accompanied by Aaron Quinn, guitar; Kris Monson, string bass; Deric Dickens, drums.  Also in the course of the evening Jeff Brown took over the drum throne and the gracious organizer of the party — someone we’re all indebted to, tenor saxophonist Brad Linde — played alongside Ted as well.  But this one, delicate, curious, and touching, is all Ted’s.  You could say that he navigates by the stars of Lester and Lennie, but his internal compass has long ago been his own.

And, afterwards, there was cake.  Of course!

Blessings on Ted Brown, a sweet inspiration.  And gratitude that lasts longer than twenty-four hours.

May your happiness increase!

MAKING MELODY COME ALIVE: LARRY McKENNA, AARON SEEBER, DAVID WONG (March 18, 2018)

Listening to Louis Armstrong play, Bobby Hackett reportedly said to an observer, “Do you know how hard it is to make melody come so alive?”  Hackett knew, because he made such transformations happen for forty years of picking up the cornet.  I am sure that both Bobby and Louis would deeply admire the mastery of tenor saxophonist Larry McKenna, a legendary figure I got to meet a few weeks ago at a downtown New York restaurant.

Larry had made the trip (by Bolt bus!) from his Philadelphia home, and he was quietly dazzling — along with the sensitive playing of David Wong, string bass, and Aaron Seeber, drums.

Such beauty might sound easy, but it isn’t easy to create.  So we salute Mr. McKenna, graceful, quiet, modest, yet building castles of feeling and sound right in front of us.

May your happiness increase!  

“OF THINGS PAST”: JIMMY KNEPPER, DICK KATZ, GEORGE MRAZ, MEL LEWIS (1986)

This doesn’t require much commentary: it is a gorgeously tender themeless improvisation on THESE FOOLISH THINGS by Jimmy Knepper, trombone; Dick Katz, piano; George Mraz, string bass; Mel Lewis, drums.

Knepper began his recording career with big bands, so playing ballads was part of the training, since one played for dancers.  And if you’ve never heard of him, I invite you to be uplifted by calm, searching music that is at once melancholy and uplifting.

I hope you are as moved by this as I am.

May your happiness increase!