Tag Archives: Thorbye

“EAST ST. LOUIS TOODLE-OO”: KEITH NICHOLS’ BLUE DEVILS PLAY DUKE ELLINGTON at the 2011 WHITLEY BAY CLASSIC JAZZ PARTY (thanks to Flemming Thorbye)

November 5, 2011, Saturday night at the Whitley Bay Classic Jazz Party was a highlight — the crowd cheered, with good reason!

With Mr. Nichols at the piano and occasionally exercising his vocal cords, the band included Rico Tomasso, Andy Woon, and Bent Persson, trumpets; Alistair Allan, trombone; Matthias Seuffert, Jean-Francois Bonnel, Mauro Porro, reeds; Martin Wheatley, banjo and guitar; Richard Pite, string bass; Nick Ward, drums; Cecile McLorin Salvant, vocals.

THE MOOCHE (featuring the Jungle Band sound and the earthy percussion of Nick Ward, as well as a beautiful alto excursion by M. Bonnel before Rico masterfully growls us to the finish line):

CREOLE LOVE CALL (beginning with Cecile’s wordless vocal — a la Baby Cox or Adelaide Hall, then the mournful sound of Alistair Allan, the dangerously-muted Rico and the multi-talented Mauro on clarinet.  Hear that reed section!):

Then something riotous, borrowing some of its impetus from — you guessed it, OLD MAN RIVER — the 1930 showpiece OLD MAN BLUES, which is a famous film highlight from the Amos ‘n’ Andy film CHECK AND DOUBLE CHECK: Alistair Allen becomes Tricky Sam; Mauro Porro does his Harry Carney; Keith Nichols strides out; Jean-Francois Bonnel, on soprano, soars; Bent Persson roars:

The 1932 version of THE SHEIK OF ARABY, indebted far more to Bechet than Valentino, features the usual brilliant suspects — adding Andy Woon (as Cootie), Keith (as himself — with commentary by Rico), and Mauro (as Hodges on soprano) to the solo order:

TRUCKIN’ brings Mr. Nichols back in the vocal spotlight, and there’s a solo spot for Matthias Seuffert on clarinet — with a multi-media opportunity for audience participation later on. (Bridget Calzaretta and Paul Asaro are truckin’ on down on the tiny dance floor.):

IT DON’T MEAN A THING (IF IT AIN’T GOT THAT SWING) begins with the verse by Keith, then Cecile McLorin Salvant joins in to reiterate the philosophy — best embodied by that searing trumpet section:

An encore, COTTON CLUB STOMP, showed off that this band still had lots of energy. (That’s Jonathan David Holmes in dark shirt and glasses, near the stage on the right):

The Maestro would have been pleased.  See these videos and many more at http://www.thorbye.net.

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SOUL MUSIC: THE SCANDINAVIAN RHYTHM BOYS (April 2011)

The four gentlemen who make up the Scandinavian Rhythm Boys make more music than a full orchestra — simple yet deep, propulsive yet full of feeling, with arching melodies, deep roots, and more.  They are Robert Hansson, trumpet; Frans Sjostrom, bass and soprano saxophones; Michael Boving, banjo, guitar, and vocal; Ole Olsen, bass and clarinet.  The excellent videos were created by Flemming Thorbye, my Scandinavian comrade.

Here’s a lovely, poignant version of I’M COMIN’ VIRGINA, with Bix in mind:

MAKE ME A PALLET ON THE FLOOR was “written” by W.C. Handy as the ATLANTA BLUES.  Here, this achingly slow version features Frans on soprano saxophone and Michael on one of his irreplaceable deep-inside vocals.  Robert dares the brass Fates and Ole lays down a foundation you could build a cathedral on:

The Boys ask the unanswerable existential question, HAVE YOU EVER FELT THAT WAY?

Michael continues in the same searching vein, “How long will I have to wait?” enclosed in this rendition of HESITATING BLUES.  (For passion without artifice, he touches the heart every time!):

JUST A CLOSER WALK WITH ME is perfect for a jazz lecture in a church (a very hip church that has both the SRB and a menorah):

Moving again towards secular matters, the Boys explore BUDDY’S HABIT.  We don’t know what his habit was — but I suspect he couldn’t get enough hot, lyrical jazz of the kind the SRB lays down here:

And finally — the most endearing version of “Mind your own business!” you’ll ever hear — AIN’T NOBODY’S BUSINESS IF I DO:

For those who can’t get enough of proper documentation, the first performance was recorded at the Hotel Christiansminde, Svendborg, Denmark, on April 16, 2011.  The remainder were captured at a jazz lecture given by the Scandinavian Rhythm Boys on April 30, 2011, at Broenshoej Kirke — the oldest church in Copenhagen (from 1180) titled GOSPEL, JAZZ, AND THE SONGS OF THE OPPRESSED. 

To hear more, find the SRB’s latest CD — CHARLESTON MAD — a wonderful effort.    

Thank you, Michael, Frans, Robert, Ole, and Flemming!

P.S.  Flemming Thorbye has excellent taste in hot jazz: visit his YouTube channel, thorbye, for much more enjoyment.