Tag Archives: Tickle-Toe

FRIENDLY HOT LYRICISM: DUKE HEITGER, DAN BARRETT, DAN BLOCK, ROSSANO SPORTIELLO, PAUL KELLER, DANNY COOTS at the ATLANTA JAZZ PARTY (April 26, 2014)

Duke Heitger — playing or singing — makes special music, lyrical and hot. I’ve had the great privilege to see him in action for ten years now, and he never coasts in on autopilot.  His lip may be worn down after a full day of playing; he may be asked to sing in a key that’s not the right one . . . but he always reaches deep down and creates beautiful music. He did it many times at the 2014 Atlanta Jazz Party, but a special treat was this set, one he led, on Saturday, April 26, 2014.

It didn’t hurt at all that he had wonderful lyrical players alongside him: Dan Barrett, trombone; Dan Block, clarinet / tenor saxophone; Rossano Sportiello, piano; Paul Keller, bass; Danny Coots, drums.

They performed four numbers, each one a beauty of its own singular kind:

The classic ode to sweet summer, JUNE NIGHT:

A surprise! Lester Young’s TICKLE-TOE (one of the highlights of the weekend for me):

A dark sweet exploration of WHEN DAY IS DONE (where Dan Barrett showed at the start that he, too, could play trombone the Bob Havens way):

And a romping New Orleans take on HIGH SOCIETY:

I look forward to encountering Duke again in Cleveland at the September Allegheny Jazz Party and two months later, in Newcastle, England, for the Whitley Bay Classic Jazz Party, later that month in New Orleans, for the Steamboat Stomp . . . and in April, the 2015 Atlanta Jazz Party.  He is an inspiring fellow indeed, and he has great musical pals, as you can see here.

May your happiness increase!

THE SWING SESSION’S CALLED TO ORDER: HARRY ALLEN, DAN BLOCK, DAN LEVINSON, SCOTT ROBINSON, ROSSANO SPORTIELLO, FRANK TATE, PETE SIERS, REBECCA KILGORE at JAZZ AT CHAUTAUQUA (Sept. 17, 2011)

I was tempted to call this post COUNT BASIE MEETS MARILYN MONROE, but thought better of it and opted for the title of a 1937 Victor 78 with Mezz Mezzrow, Sy Oliver, J.C. Higginbotham, and others — for this delightful late-night saxophone / vocal gala. 

Sessions featuring a proliferation of one kind of instrument (you know, four trumpets and a rhythm section) sometimes rely on drama for their motivating force: will A outplay B?  But these musicians are united my love and admiration rather than competition, so they left the cutting contest out on the Hotel Athenaeum lawn.  Basie, not JATP. 

And what musicians!  On the reeds, we have Scott Robinson, Dan Levinson, Dan Block, Harry Allen; with Rossano Sportiello, piano; Frank Tate, bass; Pete Siers, drums — with a lovely cameo appearance by Becky Kilgore, singing two songs associated with Marilyn Monroe — while remaining our Becky. 

Theu began this session with a BASIE BLUES — a time-tested stress reliever and my secret recipe for world peace:

In the same lovely mindset, TICKLE-TOE —  Lester Young’s tribute to a marvelous dancer . . . in music that keeps dancing in our heads:

For Hawkins, but also for Lester (think 1942) and Sonny Rollins, a series of improvisations on BODY AND SOUL:

Something sweet from Miss Kilgore — evoking Marilyn Monroe but not copying any of her vocal mannerisms on a song few people know, INCURABLY ROMANTIC:

And something witty and silly, A LITTLE GIRL FROM LITTLE ROCK:

To close, a saxophone opus (think of Dexter Gordon, Johnny Griffin, Lockjaw Davis, Gene Ammons, and Sonny Stitt), BLUES UP AND DOWN:

What a marvelous session — not exactly DANCING WITH THE STARS . . . more like ROCKING WITH THE MASTERS.