Tag Archives: Tom Melito

I WISH I WERE TWINS (For Sunday, Dec. 12, 2010)

Only hypothetically.  Think of the grocery bill doubled, the attendant clutter in the apartment if there were two of me . . . and so on.  But this coming Sunday night (December 12, 2010) I have two gigs I badly want to go to — and videorecord — and the only way to hear them both from start to finish is by way of Frank Loesser’s song.

The first gig is (not surprisingly) a special edition of The EarRegulars at The Ear Inn (326 Spring Street, Soho, New York City) which runs from 8-11.  Jon-Erik Kellso will be doing that remarkable thing, sharing the stage with one of his trumpet-playing pals, the esteemed Randy Reinhart.  Matt Munisteri and Joel Forbes will be doing what they do wonderfully on guitar and bass.  I swear on a stack of Adrian Rollini autographs that Huge Fun is in the offing.

But wait!  There’s more!

Dan Block and Friends are playing the lovely (and sometimes little-known) music of Ellington and Strayhorn that night at the Brooklyn Lyceum — 227 Fourth Avenue, Brooklyn, New York.  But the good news is that there are two sets, one at 9 and the other at 10:30.  Dan will be joined by Lee Hudson, bass; James Chirillo, guitar; Michael Kanan, piano; Tom Melito, drums; Mark Sherman, vibes.  Admission is $10. 

So I have a plan: the first set at The Ear, offer a libation to Phillup DeBucket, get in the car, reposition the GPS on the windshield, and drive to Brooklyn.  It gets my blood moving even thinking about it.  No need to be twins here.  I hope to see some of the faithful at either / both gigs: you’ll recognize me by my intent look, my videocamera, my tripod, and my delight at being alive to hear and witness such wonderful events.

P.S.  If you don’t know Fats Waller’s recording of Frank Loesser’s I WISH I WERE TWINS, you haven’t lived.  Then there’s Red Allen’s.  And Marty Grosz’s.  The world is not only wide but delightful . . .

PAT O’LEARY’S NIGHTINGALE

If you had asked me, a few months ago, to tell you all I knew about Patrick O’Leary, I would have said, “Wonderful bass player — a real melodic sensibility and strong time — and an extraordinary jazz cellist.  Witty fellow, a good sort.”  And I would have directed you to some of the videos I’ve taken at The Ear Inn for proof.  But that estimate, which remains true, would have sold Mr. O’Leary short as a classical composer and arranger, someone able to integrate jazz improvisation and folk material into classical forms (vocal as well as instrumental) doing justice to all the music. 

I wouldn’t make such claims without musical evidence.  Here is  the third section from Pat’s MONTENEGRO JAZZ SUITE, his choral / symphonic improvisations on the Monenegrin folk song “Slavjo Poje,” which translates appropriately as “Nightingale.”

Pat explains, “Maja Popovich asked me to write a suite of pieces based on Montenegrin folk music for choir, string ensemble, and jazz quartet.  Stjepko Gut played the trumpet and flugelhorn, Ehud Asherie, piano; Tom Melito, drums, and I played bass and arranged.  Zoja Durovic conducted the choir and Irena Vukovic conducted the string ensemble. This concert was filmed at The Kic Center in Podgorica, Montenegro on June 21, 2009. Everyone did a great job considering the amount of time allowed for rehearsal(s).”

For my readers who have a classical background, see if the string writing isn’t reminiscent of Vaughan Williams or perhaps Barber’s ADAGIO FOR STRINGS — and for jazz listeners who might be less patient, wait a bit and your patience will be rewarded by marvelous playing from the quartet.  Bravo!

And other sections of the MONTENEGRO JAZZ SUITE are accessible on YouTube: visit Pat’s channel, “usenewsyuleooze,” a name that will make much more sense when muttered aloud.