Tag Archives: Tony Steele

SUNDAY NIGHTS AT 326 SPRING STREET (Part Twenty) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

You know the routine by now, or I hope so.  It’s Sunday, and time to make our cyber-metaphysical-hopeful-time-and-space spanning journey to the Place of Bliss, The Ear Inn, 326 Spring Street, New York City, for the uplifting music of The EarRegulars.  If all of this is strange or unfamiliar to you, you have a good deal of Remedial Ear-ring to do.

This might help:

And this:

Today’s menu special is the sounds from the early part of the evening of May 30, 2010 (the latter portion appears here) by Danny Tobias, cornet; Chuck Wilson, alto; James Chirillo, guitar; Murray Wall, bass, first strolling their way through SOMETIMES I’M HAPPY:

LINGER AWHILE, plus guests Pat O’Leary, cello and bass; Dan Block, clarinet; Tony Steele, bass:

CREOLE LOVE CALL:

EXACTLY LIKE YOU, scored for Quartet: Messrs. Tobias, Wilson, Chirillo, Wall:

There’s more to come: I offer these video-performances as injections of hope for the present and future, manifestations of creativity and community that will return.

May your happiness increase!

SUNDAY NIGHTS AT 326 SPRING STREET (Part Nineteen) — WE NEED SOMETHING TO LOOK FORWARD TO: SESSIONS AT THE EAR INN, featuring THE EarRegulars (2007 – the Future)

This is my antidote to the gnawing signs that winter, yes, winter, is coming — even though it’s over sixty degrees outside, the radiator is swinging out Blakey-fashion in my apartment and online sites are offering me forty-pound Thanksgiving turkeys for the crowd that exists in their imagination.

I plan to enjoy some time with the EarRegulars at The Ear Inn.  You come too.

Last week, I presented a lovely long set by Jon-Erik, Scott, Matt, and Neal (these names should be familiar to you by now) with guest Julian Lage.  If you missed this excursion, feel free to join in here.

Here are the closing selections from a long late-spring (May 30, 2010) session at 326 Spring Street, featuring in various combinations Danny Tobias, cornet; Chuck Wilson, alto sax; James Chirillo, guitar; Murray Wall, bass — and guests Dan Block, clarinet; Pat O’Leary, cello and bass; Tony Steele, bass. . . .although not everyone is present on every number.  I didn’t need to be reminded how much we all miss Chuck, who moved to another neighborhood two years ago.  Goddamnit.

(The selections performed earlier that night will appear next week in Part Twenty.  Have faith.)

BEALE STREET BLUES:

AIN’T MISBEHAVIN’:

AIN’T MISBEHAVIN’ (the conclusion, very brief, good to the last drop):

LOVE ME OR LEAVE ME:

LOVE ME OR LEAVE ME (the conclusion):

And a final romp on CHINA BOY by the original Quartet:

Until we meet again, ideally in person but perhaps here only for a time, may your Ears be full of good sounds.

May your happiness increase!

A DOWNTOWN PILGRIMAGE (May 30, 2010)

My Sunday-night trips downtown to the Ear Inn (in Soho, Greenwich Village, New York City, 326 Spring Street) are really spiritual pilgrimages in search of the right sounds to heal any of the non-musical affronts of the preceding week.  These quests let me watch artists at play, hear them improvise delightfully, to feel joy — things not to be taken lightly in this world.

Fortunately for me, the trip to The Ear is less arduous than the one Chaucer’s pilgrims had to undertake: they didn’t have the benefit of the C or the number 1 train.   

The healers I went to see last Sunday night (May 30) weren’t Doc Cooke and his 14 Doctors of Syncopation.  They were The Ear Regulars (or the EarRegulars — scholars differ on this): Danny Tobias, cornet; Chuck Wilson, also sax; James Chirillo, guitar; Murray Wall, bass.  Later on in the evening other swing gurus joined: Dan Block, clarinet; Pat O’Leary, cello and bass; and newcomer (from County Mohan, Ireland — although he’s been here for ten years), Tony Steele, bass.  

They began the evening with the most encouraging welcome: LINGER AWHILE:

And then, a slow-rocking SOMETIMES I’M HAPPY:

LINGER AWHILE made me think of the precious 1943 recording by Dicky Wells; SOMETIMES reminded me greatly of all the Keynote Records sessions — Danny’s lyrical motions and subtle (almost invisible) bandleading, his riffs and encouragements, always create the best small-band-Swing.

A tender but gutty CREOLE LOVE CALL followed:

Please notice James Chirillo’s wonderfully dissonant surprises [Charles Ives meets Teddy Bunn meets Herb Ellis]; Chuck Wilson’s speaking melodic style, Murray Wall’s lovely pulsing beat and singing solos.

Dinner for the band and conversation amongst everyone followed; then it was time for the second set.

A deliciously slow-motion EXACTLY LIKE YOU led off (proof that almost all great melodies can benefit from being played slowly):

An eager BEALE STREET BLUES:

A two-part version of AIN’T MISBEHAVIN’ brought Pat back with his cello, alongside Tony Steele on bass:

And the riffing conclusion with Pat O’Leary’s cello commentaries:

LOVE ME!:

OR LEAVE ME!:

And the evening closed with a brisk, brief, speedy CHINA BOY — the original band plus Dan Block:

Feeling lost?  Downtrodden?  Does your clothing suddenly seem heavy on your shoulders?  A trek to ask the Sage for guidance won’t be necessary.  Come to the Ear Inn or any of the other jazz spots I’ve been featuring.  I predict an immediate emotional uplift in a few hours.