Tag Archives: Triad Theater

“YOUR FAVORITE COLLEGIATES!”: THE ORIGINAL CORNELL SYNCOPATORS MAKE THEIR NEW YORK CITY DEBUT at THE TRIAD THEATER (September 28, 2018)

Enthusiasm, precision, and love are qualities that the Original Cornell Syncopators brought to their New York debut at the Triad Theater on West 72nd Street.

“Direct from Cornell University in Ithaca, New York, your favorite collegiates, the Original Cornell Syncopators, bring you Hot Jazz from the 1920s and 30s to the Triad Theater! Music includes songs by King Oliver, Bix Beiderbecke, the New Orleans Rhythm Kings, Paul Specht, The Original Prague Syncopated Orchestra, Bennie Moten and more!”

This joyous young band is not only curious about where the music we love came from, but righteously works to make sure it doesn’t get dusty.  They delve into “all of jazz’s earliest forms, from its first recorded sounds, to the roots of Swing and beyond.”

Can you tell I admire and love this band and that it was a joy to see and hear them in Manhattan?  (I’ll see them again — and you can too — at the San Diego Jazz Fest.  You could come, too.)

Here are four of my rather informal videos: Colin tells me that professional videos and a CD issue of this concert are coming . . . a great pleasure.

The “Syncs,” as they jovially call themselves, are Colin Hancock, cornet, clarinet, vocals; Lior Kreindler, trumpet, vocals; Dave Connelly, trumpet; Rishi Verma, trombone; Kieran Loehr, alto saxophone, clarinet; Stephen Newcomb, alto and baritone saxophone, clarinet; Troy Anderson, tenor saxophone, clarinet; Clare Burhenne, tenor and baritone saxophone, vocals; Uche Chukwukere, violin;
Robbert Van Renesse, banjo, guitar, vocals; Christina Li, piano; Noah Li, drums;
Sarah Cohn-Manick, tuba.  And, remarkably, not one of them is majoring in music at Cornell . . . so they have (as we say) other strings to their bow.

I WONDER WHAT’S BECOME OF JOE sports a fervent vocal by Clare and superb ensemble work by the OCS:

SWEET LIKE THIS is a melancholy 1929 King Oliver rumination:

ECCENTRIC summons up the New Orleans Rhythm Kings, always welcome:

And BLUE (or BLUE AND BROKENHEARTED) is homage to the Goodman – McPartland hot ballad:

This just in!  SYNCS TAKE TO THE PARK!  (Who said jazz musicians are solely nocturnal?)

May your happiness increase!

 

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WHEN PAST AND PRESENT EMBRACE: “SWEET LIKE THIS”: THE ORIGINAL CORNELL SYNCOPATORS with ED CLUTE (September 2018)

I first encountered the Original Cornell Syncopators at the 2017 San Diego Jazz Fest, where “they blew me away” with their joyous enthusiasm and fierce determination to get it right while having a good time.  Here they are with our friend Katie Cavera sitting in, and here is a second helping.  Since some of the original members graduated from Cornell in the interim, I had worries that the OCS would have been a brilliant Hot supernova, streaking once only across the sky. I needn’t have worried.

In the fashion of the great bandleaders he adores, the multi-talented Colin Hancock has recruited a whole new crop of brilliant young people to play the music most convincingly . . . and the OCS is embarked on its East Coast tour, with a New York City gig coming up.

And here’s a recent — and very moving example: their version of the King Oliver / Dave Nelson SWEET LIKE THIS, with a guest appearance by the remarkable pianist Ed Clute.

In this video, the OCS (or, as Colin calls them, the “Syncs”) are Colin Hancock, cornet, arranger, director; Lior Kreindler, trumpet; David Connelly, trumpet; Uche Chukwukere, violin; Rishi Verma, trombone; Kieran Loehr, alto, clarinet; Stephen Newcomb, alto, baritone, clarinet; Troy Anderson, tenor, clarinet; Robbert Van Renesse, banjo; Christina Li, piano; Sarah Cohn-Manick, tuba; Noah Li, drums; special guest Edward Clute, piano:

I find that simple melody completely haunting, and hear a whole generation of melancholy music in it — parallel with some of 1928 Louis and forward to 1940 Duke.  A true tone-painting, rendered so soulfully by the Syncopators.

This Friday, September 28, the OCS will play a ninety-minute concert at the Triad Theater (158 West 72nd Street, New York City) from 7 to 8:30: details here.  I suggest that if you are interested in seeing this phenomenon, you look into buying tickets.  As I remember it — from my Upper West Side days — the Triad is not a huge space.  But it will be filled to the rafters with love, heat, and enthusiasm.

May your happiness increase!