Tag Archives: Trigger Alpert

LOVE LETTERS IN SOUND: JON DE LUCIA OCTET at THE SLOPE LOUNGE (November 5, 2018)

Here is delightful evidence of a heartfelt creative evening of music by the Jon De Lucia Octet, with arrangements and compositions by Jon, Jimmy Giuffre, Lee Konitz, and Dick Hyman,  Recorded on November 8, 2018, at the Slope Lounge (formerly the Tea Lounge) in Broooklyn, New York.  The saxophones in addition to Jon are John Ludlow, Dan Block, Adam Schneit, Andrew Hadro; Roberta Piket, keyboard; Kevin Thomas, string bass; Steve Little, drums (not his own, as always).

If you’d asked me two decades ago whether I liked “cool jazz” or “West Coast jazz,” from a position of relative ignorance I would have said no immediately, dismissing it as pale and cerebral where the music I loved was passionate.  But time after time, Jon De Lucia has (gently and sweetly) shown me the error of my ways.  The music he brings forth and composes is rooted deeply, and that word is central, in the sweet ardor of Lester Young: melodically, harmonically, and rhythmically rich and multi-layered even when it might initially seem spare.  Jon and his varied ensembles are now wonderfully rewarding . . . . music to my ears. I hope they are to yours also.

Jon’s own PRELUDE TO PART FIRST:

DREAMILEE, Jon’s arrangement of a Lee Konitz solo on I’LL SEE YOU IN MY DREAMS:

VALSE VIVIENNE, scored for four clarinets by Jon, in honor of his goddaughter:

Jimmy Giuffre’s arrangement of Jerome Kern’s THE SONG IS  YOU:

Jon’s transcription of Giuffre’s arrangement of LOVE LETTERS — an extraordinarily beautiful piece of music and performance:

Dick Hyman’s arrangement of the Gershwin TREAT ME ROUGH from a Trigger Alpert recording:

Cole Porter’s LOOKING AT YOU:

Jon’s own I RESEMBLE YOU:

Jon and friends make wonderful music, multi-layered and translucent.  For his new CD, visit here.  And to keep track of where he is playing next, here.  Take it from me: he’s someone worth following around for glorious surprising music.

May your happiness increase!

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WARM SOUNDS IN MOTION: JON DE LUCIA OCTET in RECITAL: JON DE LUCIA, ANDREW HADRO, DAN BLOCK, RICKY ALEXANDER, JAY RATTMAN, STEFAN VASNIER, AIDAN O’DONNELL, STEVE LITTLE (City College, May 3, 2018)

I abandoned my adult responsibilities last Thursday to hear the Jon De Lucia Octet at City College, and I am so glad: this performance was an oasis.

Jon’s group, in existence for slightly more than two years, is a flexible, swinging chamber group devoted to the music-for-saxophones of Gerry Mulligan, Lee Konitz, Jimmy Giuffre, Ted Brown, Bill Smith, Alec Wilder, the Dave Brubeck Octet, and Jon’s own arrangements and compositions.  I’ve been following Jon and the Octet around New York since their inception, and have always felt rewarded.  Here is a sample from March 2017.

Perhaps it no longer applies, but it used to be fashionable to characterize such music as “cerebral,” to some, a euphemism for chilly aural architecture, jazz drained of untidy emotions, art from the neck up.  Not true for the Octet, which is a warm, mobile band, always with a generous offering of improvised solos.  You’ll hear and see for yourself.

If you have an established prejudice against what is perceived by some as “cool,” please take a visit to PRESERVATION, DREAMILEE, DISC JOCKEY JUMP . . . . and then re-assess.

At this too-brief concert, the players were Jon, alto saxophone and clarinet; Stefan Vasnier, piano; Aidan O’Donnell, string bass; Steve Little, drums; Jay Rattman, tenor saxophone; Dan Block, alto saxophone and clarinet; Ricky Alexander, tenor saxophone; Andrew Hadro, baritone saxophone.

Gerry Mulligan’s DISC JOCKEY JUMP, originally composed by young Mr. Mulligan for the Gene Krupa ensemble, then arranged for saxophones a decade later by Bill Holman:

Jerome Kern’s PICK YOURSELF UP (I think of Fred Astaire pretending to be clumsy) arranged by Jon:

The Gershwins’ TREAT ME ROUGH, from GIRL CRAZY, arranged by Dick Hyman for a Trigger Alpert record date:

PRESERVATION, by Ted Brown, a sinuous improvisation on Lester Young’s TICKLE-TOE, arranged by Jon:

The gorgeous PRELUDE, by Dave Van Kriedt, originally for the Dave Brubeck Octet:

DREAMILEE, Lee Konitz’s solo / variations on I’LL SEE YOU IN MY DREAMS, arranged by Jon:

PRELUDE TO PART FIRST, a Baroque jazz fantasy by Jon, which I associate with his new  Bach Shapes book:

Cole Porter’s very pretty LOOKING AT YOU (I think of Lee Wiley’s 1940 recording with Bushkin and Berigan) arranged by Jon.  Dance music for very hip couples:

and a memory of a vanished New York City subway-system entrance machinery, TURNSTILE, again composed by Mulligan and arranged by Holman:

Jon’s Octet — with the splendid Ted Brown — will be releasing their debut recording, a live performance from their first recital — on Neal Miner’s noble Gut String Records — this summer.  Expect to hear more about it here.

May your happiness increase!