Tag Archives: Troy Anderson

THE HILL COUNTRY DANCE ORCHESTRA: “WORDS”

The chorus begins, “Words that seem so tender / Words of sweet surrender,” so you can invent the rest of this 1924 song — by Al Dubin, Al Tucker, and Otis Spencer — on your own.  I have to improvise as well, because the complete sheet music has eluded me so far.

Most of us, if we know the song at all, know the Fletcher Henderson acoustic Vocalion recording where youthful Louis Armstrong explodes into his chorus, backed by an equally stirring Kaiser Marshall, or perhaps later evocations.

Here is a very remarkable “modern” (i.e., 2019) recording of the song that only a few listeners have made friends with — by the Hill Country Dance Orchestra, a band you won’t find in Brian Rust’s books.  Listen and marvel:

Hot enough for you?  “Authentic” enough for you?  Yes, on both counts.

What’s most remarkable is that the Hill Country Dance Orchestra — its personnel two cornets, trombone, two alto saxophones, baritone saxophone, C-melody saxophone, clarinet, violin, banjo, piano, tuba, drums — is both a discographer’s dream and nightmare, because of this young brilliance, Colin Hancock from Texas (and now studying in New York City):

My more attentive readers might be saying, “But I don’t understand.  Which instrument does Colin play on this recording?”  And then I would respond, with the appropriate emphasis.  “ALL  OF  THEM.”  The magic of modern technology; the exuberance and accuracy of a great artist.

I’ll wait while you return to listen to this marvel once again.

And here is Colin’s newest band, his Signature Seven, rollicking through I’M GONNA STOMP MISTER HENRY LEE and DOWN HOME RAG:

Colin’s noble roisterers (he’s playing cornet) are Jeffery Miller, trombone; Daniel Dickinson, alto saxophone, clarinet; Troy Anderson, tenor saxophone; Juan Vidaurre, banjo; Isaiah Thompson, piano; Julian Johnson, drums.

Great music.  Tell your friends.  Wake the children.  No one will want to say, “I wasn’t paying attention when Colin Hancock and friends were making glorious sounds.”

And you can get a direct line to the new / old sounds by subscribing to Colin’s YouTube channel SemperPhonographCo here.  (Why wait?)

May your happiness increase!

“YOUR FAVORITE COLLEGIATES!”: THE ORIGINAL CORNELL SYNCOPATORS MAKE THEIR NEW YORK CITY DEBUT at THE TRIAD THEATER (September 28, 2018)

Enthusiasm, precision, and love are qualities that the Original Cornell Syncopators brought to their New York debut at the Triad Theater on West 72nd Street.

“Direct from Cornell University in Ithaca, New York, your favorite collegiates, the Original Cornell Syncopators, bring you Hot Jazz from the 1920s and 30s to the Triad Theater! Music includes songs by King Oliver, Bix Beiderbecke, the New Orleans Rhythm Kings, Paul Specht, The Original Prague Syncopated Orchestra, Bennie Moten and more!”

This joyous young band is not only curious about where the music we love came from, but righteously works to make sure it doesn’t get dusty.  They delve into “all of jazz’s earliest forms, from its first recorded sounds, to the roots of Swing and beyond.”

Can you tell I admire and love this band and that it was a joy to see and hear them in Manhattan?  (I’ll see them again — and you can too — at the San Diego Jazz Fest.  You could come, too.)

Here are four of my rather informal videos: Colin tells me that professional videos and a CD issue of this concert are coming . . . a great pleasure.

The “Syncs,” as they jovially call themselves, are Colin Hancock, cornet, clarinet, vocals; Lior Kreindler, trumpet, vocals; Dave Connelly, trumpet; Rishi Verma, trombone; Kieran Loehr, alto saxophone, clarinet; Stephen Newcomb, alto and baritone saxophone, clarinet; Troy Anderson, tenor saxophone, clarinet; Clare Burhenne, tenor and baritone saxophone, vocals; Uche Chukwukere, violin;
Robbert Van Renesse, banjo, guitar, vocals; Christina Li, piano; Noah Li, drums;
Sarah Cohn-Manick, tuba.  And, remarkably, not one of them is majoring in music at Cornell . . . so they have (as we say) other strings to their bow.

I WONDER WHAT’S BECOME OF JOE sports a fervent vocal by Clare and superb ensemble work by the OCS:

SWEET LIKE THIS is a melancholy 1929 King Oliver rumination:

ECCENTRIC summons up the New Orleans Rhythm Kings, always welcome:

And BLUE (or BLUE AND BROKENHEARTED) is homage to the Goodman – McPartland hot ballad:

This just in!  SYNCS TAKE TO THE PARK!  (Who said jazz musicians are solely nocturnal?)

May your happiness increase!