Tag Archives: Ulf Johansson Werre

THE RETURN OF THE WEATHERBIRD JAZZ BAND

I don’t know anything about migratory patterns between suburban New York and Sweden, but when the Weatherbird Jazz Band flies by, our spirits lift.  Sightings earlier this year were here and here and here.

So here they are with more hot music: intense, focused, playful, exact, and delicate.  You can invent your own words of praise as you listen. And the marvelous players and occasional singers are Bent Persson, trumpet or cornet; Kaj Sifvert, trombone; Tomas Ornberg, clarinet or soprano saxophone; Ulf Johansson Werre, piano; Goran Lind, string bass; Goran Eriksson, banjo or alto saxophone; Sigge Dellert, drums.

The Weatherbirds are eager to please, even when technology arbitrarily subdivides the impulse in two:

and more, because it would be cruel to leave us there (and Goran’s rolling-and-tumbling alto solo is worth hearing twice):

a gorgeously somber 1928 BASIN STREET BLUES with the appropriate vocals:

Mister Morton’s THE CHANT with some (perhaps) early-Thirties touches:

a too-brief trip to CHINATOWN by the band-within-a-band:

SOME OF THESE DAYS, with the verse in the middle — it’s only right:

HIGH SOCIETY, based on a Hot Chorus, a thrilling duet for trumpet and piano:

and, to close this offering, a delightful CHICAGO BREAKDOWN:

I guarantee they’ll be back.

May your happiness increase!

“KNEE DROPS” and OTHER MOOD-ENHANCERS: WEATHERBIRD JAZZ BAND (BENT PERSSON, KAJ SIFVERT, TOMAS ORNBERG, ULF JOHANSSON WERRE, GORAN LIND, GORAN ERIKSSON, SIGGE DELLERT)

Everyone I know, and I include myself, is slightly unhinged these days: you can name the emotions, so drastic measures are needed.  I can’t send homemade soup through the ether, so here’s another infusion of warmth and energy from the Weatherbird Jazz Band, featuring Bent Persson, trumpet and cornet; Kaj Sifvert, trombone; Tomas Ornberg, clarinet and soprano saxophone; Ulf Johansson Werre, piano, vocal; Goran Lind, string bass; Goran Eriksson, banjo and alto saxophone; Sigge Dellert, drums.

AFTER YOU’VE GONE starts in a pensive mood, and then heats up:

Look out — it’s the WILD MAN!

Only a short leap from WILD MAN to Bechet’s brightly-colored WILD CAT BLUES, featuring Tomas:

I hope your ROAD isn’t LONESOME:

I’ve posted other videos by another edition of the Weatherbirds here and here  — for your dining and dancing pleasure.  And Christophe from Lugano suggests that the supply is not yet depleted, so hold on tight.

May your happiness increase!

HOT SOUNDS (Part Two) FROM THE WEATHERBIRD JAZZ BAND (BENT PERSSON, JESSE LINDGREN, TOMAS ORNBERG, ULF JOHANSSON WERRE, GORAN LIND, GORAN STACHEWSKY)

For the moment, it has stopped raining where I am, but skies worldwide still need to be brightened.  Music is one of the best ways I know.  Hot music.

You can read more about how these videos came to me (thanks to Kriss) and hear a wonderful WOLVERINE BLUES here.

For these performances, the Birds are Bent Persson, trumpet / cornet; Goran Stachewsky, banjo; Goran Lind, string bass; Ulf Johansson Werre, piano; Tomas Ornberg, reeds; Jens “Jesse” Lindgren, trombone.

Today, a quartet of songs / performances associated with Louis in his late Twenties cosmology.  And please listen closely to Bent, who has spent years in study and performance of the Louis Hot Choruses / Hot Breaks book from 1927: an ascending break can be heard late in NEW ORLEANS STOMP, and a whole chorus in JIMTOWN BLUES, a song Louis never recorded.  And the Weatherbirds romp . . . if birds can be said to romp!  (Perhaps another verb for jubilation?  No matter.)

NEW ORLEANS STOMP:

SAVE IT, PRETTY MAMA, with a Hines-chorus from Ulf and an evocative vocal by Jesse, while Tomas imagines Bechet joining Louis in the OKeh studios:

WILLIE THE WEEPER — so much swing in under three minutes:

JIMTOWN BLUES:

Kriss has promised me more, as these wonderful Birds fly over . . .

May your happiness increase!

“WOLVERINE BLUES”: WEATHERBIRD JAZZ BAND (BENT PERSSON, KAJ SIFVERT, TOMAS ORNBERG, ULF JOHANSSON WERRE, GORAN LIND, GORAN ERIKSSON, SIGGE DELLERT)

My dear jazz friend Christophe from Lugano, who happily answers to the sobriquet “Swiss Kriss” just sent me a present, a video-performance by the Weatherbird Jazz Band of Mister Morton’s WOLVERINE BLUES, which he asks that I share with you, as an antidote to isolation.  (The photograph below is from the cover of their Stomp Off Records lp, which may still be available through that company.  Inquire here.

The Weatherbirds (named for that famous Louis-Earl duet) flourished about forty years ago, but many of their members are thriving and continuing to make music — chief of them being Bent Persson, trumpet, who is also a Louis scholar making black marks on the page come alive.  You’ll hear it in his second solo chorus, which is his interpretation of a chorus Louis played that was notated in 1927 for the “Fifty Hot Choruses” folio.

But here’s some hot music!  The other Birds are Sigge Dellert, drums; Goran Eriksson, banjo; Goran Lind, string bass; Ulf Johansson Werre, piano; Tomas Ornberg, reeds; Kaj Sifvert, trombone.  And here they are, making music and raising our collective spirits:

This post is also for Laura Wyman, who knows all about being a Wolverine.  And there will be more music from this terrific band to come.

May your happiness increase!