Tag Archives: Vince Bartels

HAIL AND FAREWELL: SACRAMENTO MUSIC FESTIVAL (a/k/a SACRAMENTO JAZZ JUBILEE) TO CLOSE AFTER 44 YEARS

More bad news for people who like their jazz in profusion over one weekend: the Sacramento Music Festival, once known as the Sacramento Jazz Jubilee, will not continue on next year. Here is the whole story.

An observant person could tell the reasons for this decision, and they are primarily financial: festivals are terribly expensive to run, and the ratio between costs and audience was not always encouraging.  I am sad to read this, because in the past six months a number of festivals have said goodbye.  I won’t mount the soapbox and harangue readers who had said, “Oh, I’ll go next year,” but the moral — carpe diem over a swinging 4/4 — is clear.

My videos — about one hundred and fifty — show that I attended the SJJ in 2011, 12, and 14.  It was an unusual event.  I seem to remember racing from one side of the causeway (if that is what it was called) to the other for sets, and scurrying (that’s not true — I don’t really scurry) from one venue to another.  There was an astonishing amount of good music in the years I attended, and some very lovely performances took place in the oddest venues.

Here are more than a half-dozen splendid performances, so we can grieve for the loss of a festival while at the same time smiling and swinging.

From 2011, TRUCKIN’ by Hal Smith’s International Sextet:

and one of my favorite 1926 songs, HE’S THE LAST WORD:

The Jubilee also made room for pretty ballads like this one, featuring John Cocuzzi, Jennifer Leitham, and Johnny Varro:

A year later, Rebecca Kilgore was HUMMIN’ TO HERSELF:

Marc Caparone doffs his handmade cap to Louis for HE’S A SON OF THE SOUTH:

Another pretty one — MORE THAN YOU KNOW — featuring Allan Vache:

and some Orientalia out of doors — SAN by the Reynolds Brothers and Clint Baker:

A nice medium blues by Dan Barrett and Rossano Sportiello:

THE BOB AND RAY SHOW in 2014 — Schulz and Skjelbred, performing SHOE SHINE BOY:

CAN’T WE BE FRIENDS, featuring Dave Stone and Russ Phillips with Vince Bartels and Johnny Varro:

and an extended performance by Ray Skjelbred and his Cubs from 2014:

One of my favorite stories — a Louise Hay affirmation of sorts — comes from the Sacramento Jazz Jubilee.  It was held over Memorial Day weekend, and there was riotous excitement on the days preceding Monday — but Sacramento on Memorial Day was one of the most deserted urban centers I’ve ever encountered. The nice Vietnamese restaurant I had hopes of returning to was shuttered for the holiday, the streets were quiet with only the intermittent homeless person taking his ease.  Since I have been a New Yorker all my life, the criminal offense termed “jaywalking” does not terrify me.  On one such Monday, the light was red against me but there were no cars in sight.  Full of assurance, I strolled across the street and made eye contact with a young woman standing — a law-abiding citizen — on the opposite curb.  When I reached her and grinned at her legal timidity, she looked disapprovingly at me and said, “Rule-breaker!”  I grinned some more and replied, “Free spirit!”

At its best, the Sacramento Jazz Jubilee inspired such free-spirited behavior, musical and otherwise — among dear friends.  Adieu, adieu!

May your happiness increase!

JAMMIN’ AT VINCE’S: VINCE BARTELS, DAN BARRETT, DAVE STONE, ALLAN VACHÉ, RUSS PHILLIPS, JOHNNY VARRO at SACRAMENTO (May 25, 2014)

Slightly less than a year ago I was a happy member of the throngs at the 2014 Sacramento Music Festival. I couldn’t make it there this year, but that’s no reason you and I can’t savor some wonderful music I recorded there. All but one performance is emerging from the JAZZ LIVES vaults (deep and extensive) for your listening, dining, and dancing pleasure.

Vince Bartels

The band here is led by drummer Vince Bartels — his All Stars — and they are accurately named.  Dan Barrett, cornet; Allan Vaché, clarinet; Russ Phillips, trombone; Johnny Varro, piano; Dave Stone, string bass.  The ambiance, for the most part, is an unabashed lovefest for the music Eddie Condon and friends made in the Fifties.  Not all the selections were in the Condon repertoire, but the band kicks along splendidly without any imitations.

SWING THAT MUSIC:

THE ONE I LOVE:

Condon Jam Session

THE SELFIE MEDLEY (which requires a little commentary. First, I think the selection of ballads — a beautiful thing — draws seriously on the Columbia recording of JAM SESSION COAST-TO-COAST, one of George Avakian’s nicest ideas.  I hadn’t known that Vince had a M.A. in improvisational theatre, but he puts it to good use here, asking the audience to come up, surround the band, take selfies of themselves and the band, put them on Facebook, send them to relatives overseas, or what you will.  Thus the visual is often a little obscured, but the music is delicious):

OH, BABY!:

CAN’T WE BE FRIENDS? (a heartfelt duo-feature for Russ and Dave):

MOTEN SWING:

JUBILEE:

Oh, joy was certainly spread in abundance.  More to come.

May your happiness increase!

DEEP FEELING: VINCE BARTELS ALL STARS at the SACRAMENTO MUSIC FESTIVAL (May 23, 2014: DAN BARRETT, RUSS PHILLIPS, ALLAN VACHE, JOHNNY VARRO, DAVE STONE)

Vince Bartels, a superb drummer, takes his inspiration as a bandleader from Eddie Condon — so his programs are varied in every way.  Where other bands opt for Fast and Loud, Vince has a deep romantic streak which he encourages in his colleagues.  Thus the Migrant Jazz Workers (the band name created by Eddie Higgins) often pause to look lovingly at the scenery. They aren’t ashamed of sweetness, and they strive to create memorable beauty.

These marvels happened regularly when Vince and his band played at the 2014 Sacramento Music Festival — the Workers were Dave Stone, string bass; Johnny Varro, piano; Allan Vache, clarinet; Russ Phillips, trombone; Dan Barrett, trumpet.

I offer three particularly deep performances — no self-consciousness, no dramatization . . . just beautiful music.

Their extraordinary, sensitive reading of the Ellington SOLITUDE:

Johnny Varro’s sparkling ONE MORNING IN MAY (which Hoagy Carmichael’s mother said was her favorite of her son’s songs):

Russ Phillips, singing and playing the Ellington AZALEA, inspired by Louis Armstrong’s memories of a New Orleans flowering bush that he could never forget.  (How beautifully Russ sings!):

Yes, “traditional jazz” can be sweet and lovely, too.  Thank you, Vince, for keeping this music alive.

May your happiness increase!

FRESH-SQUEEZED: VINCE BARTELS, ALLAN VACHÉ, DAN BARRETT, RUSS PHILLIPS, JOHNNY VARRO, DAVE STONE at the SACRAMENTO MUSIC FESTIVAL (May 23, 2014)

Mister Waller would be delighted.  And we were too.

Vince Bartels had assembled a truly all-star band in the Condon tradition for the 2014 Sacramento Music Festival, with himself on drums, Dave Stone, string bass; Johnny Varro, piano; Allan Vaché, clarinet, Russ Phillips, trombone; Dan Barrett, trumpet. And they performed SQUEEZE ME and got every drop of sweetly lascivious energy out of it — a memorable performance indeed:

I mean my fellow-listeners no disrespect, but that performance deserved much more applause than it got.  Perhaps everyone was stunned into silence.  You may applaud now, as loudly as possible.  If you are someplace where applause might not be appropriate, I will settle for loud grinning and sending this blogpost on to others who might like to have their spirits uplifted.  OK?

May your happiness increase!

OF COURSE WE CAN, or THE ANSWER IS “YES”: DAVE STONE, RUSS PHILLIPS, VINCE BARTELS, JOHNNY VARRO at the SACRAMENTO MUSIC FESTIVAL (May 25, 2014)

The song that follows was created in 1929 by Kay Swift and Paul James; I learned it first from the duet of Ella and Louis, then from the heartfelt early Crosby version and a later Sinatra one. But even though the lyrics speak of heartbreak, this quartet — captured live at the 2014 Sacramento Music Festival — is sweetly optimistic rather than self-pitying. Hear the subtle variations on this theme created by string bassist Dave Stone, trombonist Russ Phillips, with unerring support from drummer / leader Vince Bartels and the invaluable pianist Johnny Varro.

CAN’T WE BE FRIENDS?

Of course we can:

May your happiness increase!

THE GOOD NEWS FROM THE SACRAMENTO MUSIC FESTIVAL (May 2014)

It was oppressively hot last weekend at the Sacramento Music Festival, but the music itself made it all more than worthwhile.  Here’s one extended sample, nearly twelve minutes of beauty created by Vince Bartels and the All-Stars in honor of Eddie Condon, a medium-slow Bb blues that segues into OLE MISS.  The players are Vince, drums; Dave Stone, string bass; Johnny Varro, piano; Allan Vache, clarinet; Russ Phillips, trombone; Dan Barrett, trumpet:

And this wonderful sustained invention took place on May 23, 2014.

Vince and his colleagues here (the late Eddie Higgins, when he was originally part of this band — making their debut CD — called them the MIGRANT JAZZ WORKERS) are honoring, both in spirit and example, Eddie Condon.

What Eddie made happen on a regular basis is quite beautiful and he doesn’t get the credit he deserves: in my jazz pantheon, he is alongside the greatest figures.  He masterfully shaped any group of idiosyncratic eccentrics into a band, gave them an aesthetic (I would say “moral”) focus, and then let them find their own ways to the truth, individually and collectively.  There are and were and will always be marvelous improvisers, but there was only one Eddie, and it was very lovely to see his music being honored and illuminated in this way.  I just wish the Blue Network still existed, but I hope that (in my own way) that JAZZ LIVES spreads the word from Calcutta to Ketchikan. For all you G.I.’s and hot fans!

I will have more video dispatches from the SMF — featuring Vince, Ray Skjelbred and his Cubs, High Sierra, Bob Schulz, Eddie Erickson, and others — as the spring and summer unfold.

May your happiness increase!

MAY WE? THE SACRAMENTO MUSIC FESTIVAL IS COMING (May 23-26, 2014)

Although I’ve been coming to California on a regular basis only since summer 2010 (which hardly makes me a native plant) I’ve been attending the Memorial Day jazz weekend at Sacramento every year I could.

In fact, I seem to have brought my video camera and notebook with me in 2011 and 2012, too.  Evidence below.

But before any reader gets engrossed in Recent Glories, may I direct your attention — as the attorneys always say in courtroom dramas — to what is happening in May 2014?

Here is the Festival’s site.

Jazz purists, please don’t be alarmed if you don’t recognize all of the headliners: the SMF has taken a broader view of “Americana” and “roots music” than it did in earlier years, but there is a wide variety of pleasing sound for all.  The complete list of artists is available here.

I’ll simply note a few JAZZ LIVES’ favorites (in an ecumenical alphabetical order): the Au Brothers, Gordon Au, Bob Schulz Frisco Jazz Band, Clint Baker, Dave Bennett and the Memphis Boys, Eddie Erickson, the Freebadge Serenaders, Grand Dominion, High Sierra, Katie Cavera, Kim Cusack, Meschiya Lake and the Lil Big Horns, Marc Caparone, Midiri Brothers, Mike Daugherty, Pat Yankee, Ray Skjelbred and his Cubs, Red Skunk Gipzee Swing, Royal Society Jazz Orchestra, Stephanie Trick, Vaud and the Villains, Vince Bartels All-Stars . . . and more.

The thought of all that, even spread out over multiple venues from Friday through Monday, is both elating and exhausting.  While I lie down, perhaps you’d like to peruse Years Gone By . . .

Hal Smith’s International Sextet

 
 
 
 
 
Come celebrate at the Sacramento Music Festival with us this year.
May your happiness increase!

SACRAMENTO SWING: VINCE BARTELS, DAN BARRETT, ALLAN VACHE, RUSS PHILLIPS, NICOLAS MONTIER, JASON WANNER, JENNIFER JANE LEITHAM, JEANNIE LAMBERT (May 27, 2012)

This set — one of the last ones at the 2012 Sacramento Music Festival — was a lovely combination of modern ideas, rich swing and inventiveness, and a repertoire going back almost ninety years.  But there was no archaeology, no fancy business: playing the old tunes as they had been in their prime, or reinventing them according to some aesthetic principles.  No, this set was simply a gathering of people who had similar philosophies: swing is everything; sweet melodies uplift our hearts; go for yourself.

Leader / drummer Vince Bartels is a substantial man with a gentle touch on the drums, and he assembled a multifaceted band of like-minded musicians:  string bassist Jennifer Jane Leitham; pianist Jason Wanner; tenor saxophonist Nicolas Montier; trombonist Russ Phillips; clarinetist Allan Vache; cornetist Dan Barrett — with a special guest appearance by singer Jeannie Lambert.

SWING THAT MUSIC, both for Louis and as a statement of principles:

SUGAR:

I WOULD DO ANYTHING FOR YOU:

THE ONE I LOVE, that 1924 pop hit that jazz fans remember fondly because it was the first song — at the Chicago Musicians’ Union — that Earl Hines and Louis Armstrong played together:

BUT BEAUTIFUL, a feature for Ms. Lambert and Mr. Phillips — celebrating their twenty-eighth anniversary — is something special:

POLKA DOTS AND MOONBEAMS shows off Jason Wanner, living proof of how novices with the right stuff become young masters in jazz:

And a Condon-styled CHINA BOY, with Town Hall Concert breaks at the end:

May your happiness increase.

YOU WON’T NEED A SPREADSHEET TO HAVE FUN AT THE SACRAMENTO MUSIC FESTIVAL (May 25-28, 2012)

My friend Nancy Doran Giffin just sent me this early-birthday gift — the schedule for the 2012 Sacramento Music Festival.  I’ll be there.  Will you?  I can see myself racing around from sets:  the Reynolds Brothers, Rebecca Kilgore Trio, Bob Draga, Ray Templin, Clint Baker, Tofu Cavera, Uptown Lowdown, Dave Bennett, Allan Vache, Russ Phillips, John Cocuzzi, Uptown Lowdown, Stephanie Trick, Dan Barrett, Rossano Sportiello, Jennifer Leitham, Big Mama Sue, the Red Skunk Jipzee Swing Band, the New Black Eagles, Eddie Erickson, Molly Ryan, Bob Ringwald, Ray Templin, Vince Bartels . . . and that’s only about twenty percent of what’s on the program.

Since I am an old-fashioned type (I remember life before the computer), I will eventually give myself the sumptuous pleasure of printing out these pages and marking out my musical peregrinations with a yellow highlighter so that I don’t miss an exalted note.  But I’ve looked at this cornucopia for a long time, basking in anticipation of the wonders we will hear . . .

The festival schedule is posted and arranged by day.  Anyone can go to each day and do a “Find” for a particular name, then keep clicking “Next” to see all the places they are listed on that page.

Try it here.  Go ahead, knock yourselves out!

May your happiness increase.

VINCE BARTELS’ SWING QUARTET PLUS at SACRAMENTO (May 29, 2011)

Drummer Vince Bartels knows how to put together assertively swinging groups, and this one — at the 2011 Sacramento Jazz Jubilee — was no exception.  The session began with pianist Johnny Varro, bassist Jennifer Leitham, saxophonist Pete Christlieb, and trombonist John Allred — playing SOFTLY, AS IN A MORNING SUNRISE exuberantly rather than tentatively crepuscular:

LIMEHOUSE BLUES began as a slow drag then romped:

Before the fire marshals were called in, Pete offered the pretty CLOSE ENOUGH FOR LOVE:

and Vince (a proud grandfather) gave twelve-year old Mackenzie Rose Sullivan her chance in the spotlight for ALL OF ME:

The PLUS became apparent when vibraphonist John Cocuzzi joined the group for a rocking TOPSY:

Another delicate interlude — THE NEARNESS OF YOU — featured Cocuzzi, Varro, and Leitham:

And John stayed around for a frankly dangerous CHEROKEE:

Ferociously hot!

“TRIBUTE TO THE JAZZ GREATS” at the 2011 SACRAMENTO JAZZ JUBILEE (May 28, 2011)

Another highlight of the 2011 Sacramento Jazz Jubilee was this tribute — lively and touching — to the recently departed “jazz greats” who had played the Jubilee many times in the past: Jake Hanna, drums; Eddie Higgins, piano; Tommy Saunders, trumpet; Chuck Hedges, clarinet. 

The band was led by the affable and funny Bill Allred (who also happens to be a superb trombonist), with Bob Schulz, cornet, vocals; Kim Cusack, clarinet; Johnny Varro, piano; Darrell Fernandez, bass; Vince Bartels, drums.  And two New York visitors!

They began with a Condonite ROSETTA:

Then a lovely I REMEMBER YOU by the rhythm section:

AS LONG AS I LIVE was good reason to invite Jon-Erik Kellso and John Allred (The Ear Inn’s superheroes) up to the stand to play some:

A touching rendition of OLD FOLKS, highlighted by Bob’s heartfelt singing:

 And the set ended with a leisurely SINGIN’ THE BLUES, for Bix and Tommy and all the dear departed:

Remembering the dead through living music and stories makes them seem to be with us still . . . .

EIGHT DOLLARS BUYS A JAZZ WEEKEND!

Eight dollars might buy you a restaurant lunch but it won’t cover a ticket to the movies.  It doesn’t go very far in the world of jazz, although it would be enough for a used CD or some downloaded songs. 

But here’s a bargain!  

This coming weekend, March 26-28, the clever folks who run the Bohem Ragtime and Jazz Festival in Kecsemet, Hungary, will be broadcasting the proceedings online as they occur for the eight dollar fee mentioned above.  And the eight dollars that would buy you a hamburger and drink will also allow you to view the concerts as you like from April 1 – May 31, with unlimited visits to the site (www.bohemragtime.com.)  

The players include the Washboard Wizardz (USA), Nicolas Montier (France) – ts, Thilo Wagner (Germany) – p, Jennifer Leitham (USA) – sb, Vince Bartels (USA) – dr, Bohém Ragtime Jazz Band (Hungary), PapaJazz (Hungary) Swing Manouche Project (Hungary), Balázs Dániel (Hungary) Iván Nagy (Hungary) Penge Benge Jazz Band (Hungary). 

I know that people are used to viewing video music clips online for free, and I’ve contributed to that phenomenon.  But your eight dollars will also support the continuation of the Bohem Festival in years to come — surely a worthy endeavor. 

Here’s a clip from the 2009 Festival — an all-star group playing SOMEDAY SWEETHEART — proof of the musical and cinematic quality you can expect:

(The players were Herbert Christ, trumpet; Matthias Seuffert, clarinet; Tamás Ittzés, violin, vocal;  Morten Gunnar Larsen, piano; Ad van Beerendonk, bass; Nick Ward, drums.)

NEWS FROM THE BOHEM RAGTIME JAZZ BAND (February 2010)

I’ve shared some YouTube videos of the Bohem Ragtime Jazz Band here in the past: they do live up to their description as “possibly the workd’s most versatile jazz band” — the band adapts wonderfully to all kinds of jazz material without the soloists losing their essential identities.

The BJRB will be celebrating its twenty-fifth anniversary on March 8, 2010.  Congratulations!  Keeping a band together for a quarter-century in these perilous times (perilous for Hot jazz as well as most other things) is a real accomplishment. 

AND the Bohem Jazz Festival is nearly upon us.  That’s March 26-28, 2010.  More information about the six-day package offer here:http://festival.bohemragtime.com/images/fest10-touristinfo.pdf.  The musicians featured at the Festival will include Nicolas Montierm tenor sax;  Thilo Wagner, piano; Jennifer Leitham, string bass; Vince Bartels, drums; Washboard Wizardz, the BRJB, of course;  PapaJazz; Swing Manouche Project; Daniel Balazs, piano; Ivan Nagy, piano; the Penge Benge Jazz Band . . . and more.  

“How did he find all this out?” you might ask.  Easy as paprika: I simply visited http://www.bohemragtime.com.  You can, too!  They have an email newsletter, but they neither harangue nor pester — it’s great fun.  And if you aren’t fluent in Hungarian, don’t panic — click on the Union Jack and everything will appear in a flash in the most melodious English prose.  There you can hear and see Joe Muranyi singing BACK HOME AGAIN IN INDIANA, and find out about your special present from the BRJB.  It’s all true!

But since the Beloved and I are not going to be able to attend the Festival this year, I’ve been delighting in several CDs and DVDs put out by the BRJB and esteemed guests.  There’s a DVD by the BRJB itself, one with guests including Herbert Christ, Bria Skonberg, Matthias Seuffert, Bob Barnard, Nick Ward, and Jeff Hamilton, and a delightful CD — a hot piano / violin recital, with both instruments expertly played by the swinging Tamas Itzes. 

Check it out — no, check them out. 

Sound of New Orleans
(with Bob Barnard & Herbert Christ – tp, Matthias Seuffert – cl, ts)
CD: KJA-BCD 8020, 2005

1. I’m Sorry I Made You Cry (Nicholas Joseph Clesi)
2. You’re Lucky To Me (Andy Razaf–Eubie Blake)
3. Cornet Chop Suey (Louis Armstrong)
4. Sorry (Raymond Klages–Howdy Quicksell)
5. Someday Sweetheart (Benjamin & John Spikes)
6. Stompin’ At The Savoy (Benny Goodman–Andy Razaf–Chick Webb–Edgar Sampson)
7. Black Beauty (Duke Ellington)
8. Smackaroony (Bob Barnard)
9. Wall Street Rag (Bud Coleman)
10. Black Bottom Stomp (Jelly Roll Morton)
11. Everybody Loves My Baby (Jack Palmer–Spencer Williams)
12. Sing, You Sinners (W. Frank Harling–Sam Coslow)
13. Home (Harry & Jeff Clarkson–Peter van Steeden)
14. San (Walter Michels–Lindsay McPhail)
15. Mandy, Mandy, Make Up Your Mind (Meyer–Johnston–Clarke–Turk)
16. Body and Soul (Green–Heyman)
17. Down In Honky Tonk Town (Charles McCharon–Chris Smith)
18. Sweet Substitute (Jelly Roll Morton)

Bohém Ragtime Jazz Band Live! – 12. Dixieland Jubilee, Stuttgart
CD: CACD 8302, 2008

1. Milenberg Joys (Jelly Roll Morton-New Orleans Rhythm Kings)
2. I’m Sorry I Made You Cry (N. J. Clesi)
3. Ballin’ The Jack (Chris Smith)
4. Someday Sweetheart (Benjamin & John Spikes)
5. Whistling Rufus (Kerry Mills)
6. Love At Sundown (H. M. King of Thailand Bhumibol Adulyadej)
7. Sam, the old accordion man (Walter Donaldson)
8. Cataract Rag (Robert Hampton)
9. I’m Confessin’ (Doc Daugherty-Al J. Neiburg-Ellis Reynolds)
10. Creole Jazz (Claude Luter)
11. Black Beauty (Duke Ellington)
12. Louisiana (J. C. Johnson-Andy Razaf-Shafer)
13. Maple Leaf Rag (Scott Joplin)
14. Tango Palace (Ott fogsz majd sírni…) (József Kola-Andor Szenes-Joe Murányi)
15. Honey Suckle Rose (Andy Razaf-Thomas “Fats” Waller)
16. The Entertainer (Scott Joplin-John Brimhall)
17. Good night, ladies (traditional)

1. Wild Romantic Blues [2:15]  
2. Tin Whistle Blues [3:00]  
3. Kiss Me Sweet [2:58]  
4. Never Let No One Man Worry Your Mind [2:28]  
5. The Carolina Blues [1:56]  
6. The Fives [2:28]  
7. Freakish Blues [2:22]  
8. Irresistible Blues [2:46]  
9. Charleston Clarinet Blues [2:34]  
10. War Bride Blues [4:05]  
11. Paradise Blues [2:57]  
12. Monday Morning Blues [2:22]  
13. Blue Law Sunday Blues [2:39]  
14. Jerry the Junker [2:15]  
15. Black Cat Blues [2:55]  
16. Alabama Blues [2:18]  
17. Louisville Blues [3:06]  
18. Jogo Blues [3:16]  
19. It Takes a Long Tall Brown-skin Gal to Make a Preacher Lay His Bible Down [3:03]  
20. You’re Such a Cruel Papa to Me [2:53]  
21. A Bunch of Blues [4:04]  
22. Regretful Blues [3:38]  
23. You’ll Want Me Back Someday [3:06]

And here’s a YouTube sample:

MAHOGANY HALL STOMP (with József Lebanov, trumpet; Attila Korb, trombone; Zoltán Mátrai, clarinet; Tamás Ittzés, piano, leader; József Török, tuba; György Mátrai, banjo; Alfréd Falusi, drums.

BILL GALLAGHER, CAMERA AT THE READY

My California friend Bill went to the most recent Sacramento JAZZ JUBILEE and captured these moments on film for the blog, as he so generously did last year. 

A word about Bill (who deserves more); one of the gratifying things about jazz is the deep friendships it makes possible between people who wouldn’t otherwise meet.  Bill and I first encountered each other perhaps fifteen years ago (by mail) as people sharing an interest in jazz royalty — in particular, Sir Charles Thompson.  Then we discovered our mutual fascination with Teddy Wilson, with stride piano, and on and on.  Bill and I live on opposite coasts, and we’ve only met face-to-face once (over an Italian dinner in New York City, with Bill’s lively wife Sandy) — but we email almost daily, and we’re as good friends as can be. 

Bill is a fine writer (you can read his reviews in the IAJRC Journal) as well as a meticulous discographer, who’s created a Thompson discography online and one of the fine pianist Eddie Higgins (in print). 

And Bill is one of this blog’s unpaid correspondents — in fact, he heads the California bureau — even though I haven’t found a way to offer health benefits or personal days.  Maybe at the next contract negotiation?  Until then, just enjoy his photographs.

Vince Bartels, Jennifer Leitham, Eddie Higgins

Vince Bartels, Jennifer Leitham, Eddie Higgins

Two Allreds (Bill and John) and a Metz (Ed., Jr.) on trombones and drums

Two Allreds (Bill and John) and a Metz (Ed., Jr.) on trombones and drums

Harry Allen

Harry Allen

Eddie Higgins

Eddie Higgins

Where it all took place

Where it all took place

OUR FAR-FLUNG CORRESPONDENTS: SACRAMENTO JAZZ JUBILEE (I)

Bill Gallagher is a fine candid photographer:

Eddie Erickson and Becky Kilgore, striking a pose

Allan Vache, Harry Allen, Bria Skonberg, John Allred

Paul Keller, Joe Ascione

Russ Phillips, Vince Bartels


BED (Dan Barrett, Becky Kilgore, Joel Forbes, Eddie Erickson)

and finally . . . Bill with Eddie Higgins