Tag Archives: vipers

“BABY, YOU’RE THE BEST”: EDDY DAVIS, JON-ERIK KELLSO, EVAN ARNTZEN, CONAL FOWKES (Cafe Bohemia, December 26, 2019)

Cafe Bohemia, 15 Barrow Street, Greenwich Village, New York City

Eddy Davis — banjo, vocals, compositions — is a glorious eccentric I’ve been admiring for fifteen years in New York.  And he has a long history in Chicago, playing with the greats of previous generations, including Albert Wynn, Bob Shoffner, and Franz Jackson, among others.  Here are four selections from a beautiful evening with the Cafe Bohemia Jazz Quartet: Jon-Erik Kellso, trumpet; Evan Arntzen, reeds; Conal Fowkes, string bass / vocal — at the end of last year.

Eddy’s had some health difficulties recently, so I wanted to use the blog as a spiritual telephone wire to send him the best wishes for a speedy and complete recovery, so he can come back to startle and delight us soon.  And just generally, may we all be safe from harm.  Thanks to Eddy’s friends Conal Fowkes and Debbie Kennedy.

TWO DEUCES / “BABY, YOU’RE THE BEST”:

STRUTTIN’ WITH SOME BARBECUE, with Miss Lil’s major seventh:

CANAL STREET BLUES, some New Orleans jazz that didn’t come from a book:

VIPER MAD (“Good tea’s my weakness!”):

May your happiness increase!

THOSE RHYTHM MEN: RAY SKJELBRED’S FIRST THURSDAY JAZZ BAND (May 5, 2011)

Here are some more uplifting moments in jazz, courtesy of  on YouTube. 

The prime movers here are Ray Skjelbred’s First Thursday Band, performing at Seattle’s New Orleans Restaurant, on May 5, 2011.  That’s Ray on piano and vocal; Steve Wright, cornet, clarinet, alto and soprano saxophones, vocal; Dave Brown, string bass, vocal; Mike Daugherty, drums, vocal.

I would write “Four minds with but a single thought — to swing,” but that would be an oversimplification.  The beauty of this little band is that they are unified, presenting something irresistible, but each player shines through, his individual sensibility intact yet happily part of the group.  Ray, Steve, Dave, and Mike surely rock — in the best old-time-modern ways.  Savor those tempos!  Many bands with less feeling for the music play only Fast or Slow . . . . not this quartet.  But you don’t need me to tell you how good this band is: the music will do that in a minute. 

THAT RHYTHM MAN — connected to Louis and Fats in 1929 — was originally a dance number for the chorus line, I recall, so its tempo would have been hot.  The FTB takes it at an insinuating medium-tempo, just intoxicating:

Something for Bix — even if the debate goes on whether he is on the Irving Mills 1930 recording of this song — LOVED ONE:

Jelly Roll Morton’s tune WHY asks that puzzling question:

And for the vipers in the house . . . here’s a Thirties paean to the joys of muta.  Mike shows how it would feel to be Tall: he’s VIPER MAD:

More delights await — video performances of AVALON, STUMBLING, MOANIN’, ONE HOUR, AFTER YOU’VE GONE, and a favorite of mine, the lovely FOREVERMORE.

But wait!  There’s more!  “Informed sources,” as I used to read about in the New York Times, have told me that there is a First Thursday Band CD in the works.  What good news!  Watch this space!