Pee Wee Russell hadn’t taken good care of himself, and his body had rebelled in 1951. Thank goodness for the medical acumen of the times that enabled him to live almost twenty years more. But I also think that knowing that he was so loved — Jack Teagarden and Louis Armstrong visiting him in the hospital — and events such as this concert must have helped. Music and love were so intertwined that it would be silly to ask where one starts and the other one ends, because neither one of them ends.
It’s odd to write that good things came out of the Cold War. But the belief that one of the best ways to exhibit the happiness possible under capitalism was to share hot music as an emblem of freedom may seem naive now, but it had sweet results. The Voice of America, an active propaganda medium, beamed live American jazz “behind the Iron Curtain,” hoping for conversion experiences.
In 2021, those of us old enough to remember Khruschev’s shoe and the Bay of Pigs, hiding under our desks, terrified of a thermonuclear device, can listen to some rich “Americondon” music. And for those who have no idea what those historical references might mean are encouraged to learn a little history and listen to the joys.
Here’s the menu:
JAZZ CLUB USA (Voice of America): from Town Hall, New York City, February 21, 1951: Tribute to Pee Wee Russell.
FIDGETY FEET / I’M FOREVER BLOWING BUBBLES Wild Bill Davison, Cutty Cutshall, Ed Hall, Gene Schroeder, Eddie Condon, Bob Casey, Buzzy Drootin / UNDER A BLANKET OF BLUE Ernie Caceres, Schroeder, Al Hall, Buzzy / I CAN’T GET STARTED – HALLELUJAH! Joe Bushkin, Ray McKinley / IN A MIST Ralph Sutton / BASIN STREET BLUES as FIDGETY FEET:
And Pee Wee got better. Isn’t that lovely?
May your happiness increase!