Hot Lips Page is supposed to have said, on the subject of repertoire one could improvise on, “The material is immaterial.” Or, as a segment on the Benny Goodman Camel Caravan was headlined, “Anything can swing!” Many jazz fans cling to a favored selection of songs, performed loud and fast — you know the tunes that the audience is ready to applaud even before a note is played, the lure and comfort of the familiar. Not so here. This is music for people willing to pay close attention, and to feel what’s being created for them.
Ray Skjelbred goes his own way, deep in the heart of melody, and we are glad. Here he is with Marty Eggers, string bass, and Jeff Hamilton, drums, documented for all of us and for posterity by RaeAnn Berry. Ray’s renamed this trio “The Hot Corner,” a reference to third base in baseball, but the music lives up to the name in very subtle ways. In fact, it’s quiet and thus even more compelling, reminding me of the passages on 1938-40 Basie records where only the rhythm section is playing, quiet and even more quiet: enthralling!
Ray loves Bing Crosby, and Bing inspired some of the best songs, including his theme, a melody almost forgotten now:
Here’s what my dear friend Mike Burgevin would call “another Bingie,” this one best listened to over a dish of fresh — not canned — pineapple:
We wander from Bing to King — Wayne King, “the Waltz King,” that is:
Notice, please, the sweet patience of musicians who don’t have to jump into double-time, who can stay contentedly in three-quarter time, and it all swings so affectingly. And here, just because technology makes it so easy, for those listeners who might not know the originals (and can now marvel even more at what Ray, Jeff, and Marty make of them), here they are.
Bing, with added attractions Eddie Lang and Franklin Pangborn:
and in a Hawaiian mood:
That famous waltz (which Bob Wills and Tamar Korn have also made their own):
and the Wills version, because why should I deny us the pleasure?
May your happiness increase!