Tag Archives: Westy Westenhofer

BERLIN STORIES: EDDIE ERICKSON, SUE KRONINGER, WESTY WESTENHOFER, CHRIS CALABRESE, YVE EVANS, BILL DENDLE at MONTEREY (March 7, 2014)

Where would we be without the inexhaustible creativity of Irving Berlin? I don’t know the answer to that rhetorical question and am thankful I don’t have to envision a world without his melodies and plain-spoken but always right words. One of the sweet surprises of JazzAge Monterey’s March 2014 Jazz Bash by the Bay was their Singers’ Showcase devoted to the music of Mr. Berlin. Here are three outstanding performances, featuring commentary / piano by Yve Evans, also Chris Calabrese, piano; Westy Westenhofer, tuba, vocal; Eddie Erickson, banjo, vocal; Gary Ryan, banjo; Sue Kroninger, washboard, vocal. Thanks to Israel Baline for the inspiration!

THERE’S NO BUSINESS LIKE SHOW BUSINESS (Sue — balancing comedy and seriousness wonderfully):

MARIE (Westy — with glorious hand gestures for free):

YOU’RE JUST IN LOVE (Eddie and Sue, having a fine time):

May your happiness increase!

FIFTY-FOUR SECONDS OF BLISS

Someone took his or her phone / camera to California Adventure Disney and caught the Ellis Island Boys in action — Ralf Reynolds, washboard, vocal; John Reynolds, guitar, vocal; Marc Caparone, trumpet; Westy Westenhofer, sousaphone (sitting in for Katie Cavera, string bass). 

SADIE GREEN (The Vamp of New Orleans) from 1926 — a delicious miniature of hot jazz, hokum, and hilarity — and listen to the way Marc ends his bridge.  Mother, mother, pin a rose on me!

Pssssst.  The Ellis Island Boys are usually known as The Reynolds Brothers or The Reynolds Brothers Rhythm Rascals when they perform elsewhere . . . they will be at the 2012 Dixieland Monterey Jazz Bash by the Bay . . . will you?

ONCE AGAIN, IT HAPPENS IN MONTEREY — the 2012 JAZZ BASH BY THE BAY is COMING!

I’m a late-adopter but a deep convert to California jazz.  My first exposure to it in the flesh took place a year ago at the Jazz Bash by the Bay in Monterey, and — since tempus fugit at an alarming rate, the 2012 edition will be here in two months.  Here’s a link to the site:

Sue Kroninger, who not only runs the show but also sings and plays the washboard, tells me, “The theme of the year is variety, diversity, mix and match.  We’ve got a whole bunch of exciting and unexpected pairings from within the core bands and it is my fondest wish that guests will have a tough time deciding among all the choices.”

I know this is true from my one experience last year: I had a long session with the schedule and a highlighter, thinking, “I want to go here, but if I do that, I can’t go there.”  We should all have such problems.

Between 11:30 AM Friday, March 2, and late afternoon Sunday, March 4, you’ll have more than one hundred and sixty sets to choose from, from solo piano to the Royal Society Jazz Orchestra, and dance lessons from Dave & Linda Dance Company.

Some of the other players and bands are John Sheridan, Katie Cavera, Eddie Erickson, Bob Draga, Hal Smith, Bill Allred, Doug Finke, Bob Schulz and his Frisco Jazz Band, Take Two, Old Friends, Reynolds Brothers, High Sierra, Marc Caparone, Hal Smith, Carl Sonny Leyland, Josh Colazzo,  Mary Eggers, Virginia Tichenor, Titan Hot Seven, John Cocuzzi, Allan Vache, Ed Metz, Side Street Strutters, The Barehanded Wolfchokers, Yve Evans, Gonzalo Bergara, Jeff Barnhart, Anne Barnhart, Jerry Krahn, Tom Hook, Bill Dendle, Shelley Burns, Westy Westenhofer, Jason Wanner, Howard Miyata, Bryan Shaw, Mark Allen Jones, Frederick Hodges, Crown Syncopators Ragtime Trio, Chris Calabrese, Dave Gannett, the Rhythm Hounds, Grant Somerville, Reedley River Rats, Crazy Eights, Bob Phillips, George Young, Saxaphobia, Danny Coots (Musician of the Year at the festival, with good reason), sets of gospel music for Sunday, tributes to Bix, Nat Cole, Fats Waller, Harold Arlen, the washboard, Scobey and Clancy . . . duo-piano sets, lots of solo and group ragtime, and many surprises, as people sit in and have a good time, on and off the bandstand.  Most sets run an hour, giving us leisurely mini-concerts.

To purchase tickets, visit here.

Children under 12 are admitted free with an adult, as are high school students with an ID.  Discounted tickets are also available for college students, so if you have a music major in the house or just someone glued to his or her iPod oriPhone, the discounted tickets make a meaningful gift — perhaps the beginnings of a conversion experience.

Dear grandparents who lament that the young people “aren’t coming to hear our kind of music”: now’s the time to take steps to reverse the trend!  Jazz, like charity, begins at home.

Here’s some vivid evidence from 2011.  First, A KISS TO BUILD A DREAM ON, featuring Marc Caparone, Bryan Shaw, Howard Miyata with High Sierra:

And another kind of romantic serenade, SENTIMENTAL GENTLEMAN FROM GEORGIA by the Reynolds Brothers:

And 2012 promises even more!  So — to refer back to a song performed by Clarence Williams around 1933 — I hope you’ll come over and say “Hello”!  I’ll be juggling a video camera and a notebook. And I’ll be happy as the day is long.

THE CURE FOR WHAT AILS YOU: THE REYNOLDS BROTHERS and CLINT BAKER at SWEET AND HOT 2011

Feeling blue?  Grumpy?  Old Man Existential Dread got you this morning?  Well, hope is at hand; there’s a light at the end of the tunnel.  Begone, dull care!

The Reynolds Brothers are back to banish strife and ennui, something they do so splendidly.  Here they are at the 2011 Sweet and Hot Music Festival (recorded on an astonishing day for hot music, September 3, 2011).  The collective cast of characters (a term I don’t use lightly here) is John Reynolds, guitar, vocals, wryness; Ralf Reynolds, washboard, refereeing, vocals, asides; Marc Caparone, cornet, passion; Katie Cavera, all manner of stringed instruments, vocals, charm; guests Clint Baker, trombone, vocal; Westy Westenhofer, tuba, vocals; Chris Calabrese, piano, fatherhood; Larry Wright, alto saxophone, ocarina, kazoo, quotations, vocals; Doug Mattocks, banjo.  Wardrobe by Edith Head.  Empathy by Lorna Sass.

Here’s SOME OF THESE DAYS (you’ll be lonely if you abandon me, son!):

And my favorite Buddhist song — more to come on that subject soon — NEVER SWAT A FLY:

JUBILEE features one of the few singing tubaists I know, and a good one in Westy:

Got those SAINT LOUIS BLUES, the rocking embodiment of what Dicky Wells called (and Jim Leigh celebrates), “fuzz”:

Katie has a hectic schedule all the time — but TOO BUSY is about another subject.  Her joy comes through even when she’s hidden behind that forest of microphone stands:

Where’d she go?  SOMEBODY STOLE MY GAL, mercy:

And the set closes with an inducement to dance, or perhaps an incitement, in HAPPY FEET:

Feeling better?  It works every time.

THE SWEET AND HOT CORNUCOPIA (September 2-5, 2011)

How about spending Labor Day weekend 2011 with these musicians:

Howard Alden, John Allred, Dan Barrett, Chris Calabrese, Marc Caparone, Katie Cavera, Chris Dawson, Bob Draga, Eddie Erickson, Yve Evans, Chloe Feoranzo, Joel Forbes, Jim Galloway, Banu Gibson, Connie Jones,  Rebecca Kilgore, Janet Klein and her Parlor Boys, Dave Koonse, Sue Kroninger, Tim Laughlin, Dan Levinson, Carl Sonny Leyland, Russ Phillips, Randy Reinhart, John Reynolds, Ralf Reynolds, Molly Ryan, Mark Shane, Ed Shaughnessy, John Sheridan, Richard Simon, Hal Smith, Putter Smith, Allan Vache, Johnny Varro, Westy Westenhofer . . . and others to be announced?

It can be done!  (The Beloved and I have made our plans.)

The players and singers above will be appearing at the Sweet and Hot Music Festival, September 3-5, 2011, at the Los Angeles Airport Marriott Hotel.  For information about the hotel: http://www.sweethot.org/hotel.html

I am a self-confessed jazz snob, with a happily narow range (although I tell people my immersion is deep).  But many people want much more variety.  They will find it easily at Sweet and Hot, which has a broad range.

There will be The Mills Brothers – not the foursome we knew from 1936, but a group led by John Mills (son, grandson, and nephew of the original Brothers) their descendents, performing their classic hits.

Singers Ernestine Anderson and Barbara Morrison will perform, and perhaps the patriarch of 1940-1 Ellingtonia, Herb Jeffries, will be there.

A Classic Classical piano set will feature Warner Bros recording artist Yolanda Klappert, joined in a four hand-one piano extravaganza by thirteen-year old Lucas Crosby.

Those who can’t get enough of Gypsy swing will revel in the playing of the Argentinian Gonzalo Bergara Quartet.

The Cunninghams will appear for the first time, playing and singing the Great American Songbook — straight from Vegas.  Alicia and Don duet, and he plays the sax and vibes.

The irrepressible Banu Gibson will bring her band as well as an eighteen-year old trumpet player who is that is the city of New Orleans’ Junior Satchmo Ambassador.

Speaking of the future of jazz, there will be the Jazz America of 2011: a group from 11 to 18.

Cajun music from Gator Beat, four dance bands, and many special sets to be announced . . . from boogie woogie to Broadway, Oscar-winning performers and writers including Sean Callery and John Altman, as well as the Hues Corporation of Rock the Boat fame.

All of this sounds expensive, right?  I wouldn’t presume to tell JAZZ LIVES readers how to spend their savings, but I will quietly point out that someone can buy an all-events badge — covering all the music for four days straight — for $100.  Individual day badges are priced accordingly, with discounts for youth:

http://www.sweethot.org/tickets.html

Something for everyone!