Tag Archives: YouTube

NOTES FROM CONNIE (April 8, 2016)

small purple flowerAbout a month ago, I wrote this tribute to the most beloved Connie Jones, who announced his retirement at a performance at the French Quarter Jazz Fest, two weeks after the performances below on April 8.  Through the good offices of my friend, the superb drummer Hal Smith, I found these two precious videos, shot by Mark Jones — documenting that concert.  Connie Jones and the French Quarter Festival All Stars are Connie, vocal and cornet; Tim Laughlin, clarinet; Charlie Halloran, trombone; Duke Heitger, trumpet; Otis Bazoon, tenor saxophone; David Boeddinghaus, piano; Ed Wise, string bass; Hal Smith, drums.

Here’s A HUNDRED YEARS FROM TODAY:

and TISHOMINGO BLUES:

Bless Connie Jones and his devoted friends.

May your happiness increase!

BOB AND RUTH BYLER + CAMERA = HOURS OF GOOD MUSIC

Bob and Ruth Byler

Bob and Ruth Byler

I first became aware of Bob Byler — writer, photographer, videographer — when we both wrote for THE MISSISSIPPI RAG, but with the demise of that wonderful journalistic effusion (we still miss Leslie Johnson, I assure you) I had not kept track of him.  But he hasn’t gone away, and he is now providing jazz viewers with hours of pleasure.

“Spill, Brother Michael!” shouts a hoarse voice from the back of the room.

As you can see in the photograph above, Bob has always loved capturing the music — and, in this case, in still photographs.  But in 1984, he bought a video camera.  In fact, he bought several in varying media: eight-millimeter tape, VHS, and even mini-DVDs, and he took them to jazz concerts wherever he could. Now, when he shares the videos, edits them, revisits them, he says, “I’m so visual-oriented, it’s like being at a jazz festival again without the crowd.  It’s a lot of fun.”  Bob told me that he shot over two thousand hours of video and now has uploaded about four hundred hours to YouTube.

Here is his flickr.com site, full of memorable closeups of players and singers. AND the site begins with a neatly organized list of videos . . .

Bob and his late wife Ruth had gone to jazz festivals all over the world — and a few cruises — and he had taken a video camera with him long before I ever had the notion.  AND he has put some four hundred hours of jazz video on YouTube on the aptly named Bob and Ruth Byler Archival Jazz Videos channel. His filming perspective was sometimes far back from the stage (appropriate for large groups) so a video that’s thirty years old might take a moment to get used to. But Bob has provided us with one time capsule after another.  And unlike the ladies and gents of 2016, who record one-minute videos on their smartphones, Bob captured whole sets, entire concerts.  Most of his videos are nearly two hours long, and there are more than seventy of them now up — for our dining and dancing pleasure.  Many of the players are recognizable, but I haven’t yet sat down and gone through forty or a hundred hours of video, so that is part of the fun — recognizing old friends and heroes.  Because (and I say this sadly) many of the musicians on Bob’s videos have made the transition, which makes this video archive, generously offered, so precious.

Here is Bob’s own introduction to the collection, which tells more than I could:

Here are the “West Coast Stars,” performing at the Elkhart Jazz Party, July 1990:

an Art Hodes quartet, also from Elkhart, from 1988:

What might have been one of Zoot Sims’ last performances, in Toledo, that same year:

a compilation of performances featuring Spiegle Willcox (with five different bands) from 1991-1997, a tribute  Bob is particularly proud of:

from the 1988 Elkhart, a video combining a Count Basie tribute (I recognize Bucky Pizzarelli, Milt Hinton, Joe Ascione, and Doc Cheatham!) and a set by the West End Jazz Band:

a Des Moines performance by Jim Beebe’s Chicago Jazz Band featuring Judi K, Connie Jones, and Spiegle:

and a particular favorite, two sets also from Elkhart, July 1988, a Condon memorial tribute featuring (collectively) Wild Bill Davison, Tommy Saunders, Chuck Hedges, George Masso, Dave McKenna, Marty Grosz, Milt Hinton, Rusty Jones, John Bany, Wayne Jones, in two sets:

Here are some other musicians you’ll see and hear: Bent Persson, Bob Barnard, Bob Havens, the Mighty Aphrodite group, the Cakewalkin’ Jazz Band, the Mills Brothers, Pete Fountain, Dick Hyman, Peter Appleyard, Don Goldie, Tomas Ornberg, Jim Cullum, Jim Galloway, Chuck Hedges, Dave McKenna, Max Collie, the Salty Dogs, Ken Peplowski, Randy Sandke, Howard Alden, Butch Thompson, Hal Smith, the Climax Jazz Band, Ernie Carson, Dan Barrett, Banu Gibson, Tommy Saunders, Jean Kittrell, Danny Barker, Duke Heitger, John Gill, Chris Tyle, Bob Wilber, Gene Mayl, Ed Polcer, Jacques Gauthe, Brooks Tegler, Rex Allen, Bill Dunham and the Grove Street Stompers, Jim Dapogny’s Chicago Jazz Band, the Harlem Jazz Camels, and so much more, more than I can type.

Many musicians look out into the audience and see people (like myself) with video cameras and sigh: their work is being recorded without reimbursement or without their ability to control what becomes public forever.  I understand this and it has made me a more polite videographer.  However, when such treasures like this collection surface, I am glad that people as devoted as Bob and Ruth Byler were there.  These videos — and more to come — testify to the music and to the love and generosity of two of its ardent supporters.

May your happiness increase!

WORDS AND MUSIC BY RAY SKJELBRED (and HIS CUBS) at SAN DIEGO, NOVEMBER 28, 2015

norwegian-farm-photos

There’s a particularly hurried or perhaps impatient species of video-critic who comments on many of my YouTube productions when the musicians have the temerity to speak before playing, “Music starts at 2:30.”  That particular kind of data-notation is true enough, but I like to keep my video camera running, because many musicians are fascinating raconteurs and verbal improvisers. And I think of future generations : what wouldn’t we give to hear Alex Hill say, “Wow, it’s cold in here,” or Jimmie Blanton say, “Excuse me, what did you say?” So the passages of musician-monologue or -dialogue are always interesting to me.

Ray Skjelbred is a thrillingly individualistic pianist — he loves the tradition and it courses through him, but he knows that all journeys are wildly irregular.  So his little band, his Cubs, is always surprising.  They rock, also, at any tempo.  Here’s their performance of SUGAR from the 2015 San Diego Jazz Fest: that’s Ray, Kim Cusack, clarinet; Jeff Hamilton, drums; Katie Cavera, guitar; Clint Baker, string bass — from November 28, 2015.  (Jeff’s face is hidden by the music stand but you certainly hear and feel him — all to the  good.)

Public service announcement for the unusually restless.  The music in the video below begins at 1:40.  But if you skip it, you will have missed an opportunity to learn a great deal about an arcane but relevant subject:

Wherever Ray and his Cubs are, there’s lovely music and wondrous surprises. And I hope to see you at the San Diego Jazz Fest this Thanksgiving.

May your happiness increase!

A BEETLE-SIGHTING!

Piano

Yes, you read that right.  But it’s not a termite swarm or something to fear.  No, rather it is two minutes of the legendary stride pianist Stephen “The Beetle” Henderson, playing James P. Johnson’s KEEP OFF THE GRASS on a radio broadcast circa 1940, introduced by Art Hodes.  I assume this is from the period when Hodes had airtime on the New York City municipal station — what we now know as WNYC:

I assume that Henderson got his mildly unflattering name because of wearing thick-lensed eyeglasses.  But there’s nothing to satirize in his playing.  Yes, a few modern masters I know could and would play this more “cleanly,” but Henderson’s version has the earthy gaiety of a dance, and his bass patterns are beautifully varied.  Thanks to the generous BlueBlackJazz for sharing this masterpiece in miniature with us.  I’ve subscribed to that YouTube channel and I encourage you to do so as well.

I have found no solid biographical information about the Beetle, except that he was praised by Ellington, and that (this may be apocryphal) he was notoriously relaxed about showing up for gigs.  This version of KEEP OFF THE GRASS, however, comes from a record called HARLEM STRIDE MASTERS on the Euphonic label, and the record also includes the Beetle’s version of CAROLINA SHOUT.  I’d love to hear that someday also.

It is possible that all might be revealed to us.

May your happiness increase!

 

 

 

to https://www.youtube.com/channel/UCQQFZcDOcAjIk4kwNujo3gw

EXPANDING THE COMMUNITY, or WELCOME, KELLEY!

I think of the small group of people who are so devoted to jazz that they become video archivists as a dear community.  None of this “standing on the shoulders of giants” for me, because my balance is not so good when I am standing in that way.  Merely envisioning this gives me vertigo.

No, my image is a small circle of people holding hands, close enough to look in each others’ eyes and grin, proud of their own work and happy that others are doing it as well.  Here are a few friends I know personally, who have done so much to make the music accessible to people who can’t be everywhere.

My first role model was — and continues to be — the diligent Rae Ann Hopkins Berry, the reigning monarch of California Hot.  Since March 2008, she’s kept up a steady flow of videos on her YouTube channel.  I was inspired by her and continue to be so, even though I am no longer in California.  The people I first thought as the dear heroes of music I saw on her videos.

I started videoing on YouTube a bit later, and my first videos were of David Ostwald’s Gully Low Jazz Band / Louis Armstrong Centennial Band / Louis Armstrong Eternity Band in October 2008.  And I upload while you are sleeping, often while I, too, am sleeping.

New friends and videographers came along.  Eric Devine, the master of multiple cameras, who’s known as CineDevine, creates very polished videos at concerts, parties, and festivals from New England to Florida.  He started in 2008, too, although we continue to have an older brother – younger brother relationship when we talk shop.

A few years later, the Michigander flautist and friend of jazz Laura Beth Wyman set up shop in the Ann Arbor, Michigan area, and has provided JAZZ LIVES with so many gorgeous videos of Professor James Dapogny and friends that she was asked to be the Chief of the Michigan Bureau, a task she accepted with great grace.

The newest member of the hand-holding video community is very welcome: her name is Kelley Rand and although her first videos have only shown up on Facebook about a week ago, her work is astonishing.  For one thing, she is getting splendid results with her iPhone (which means that, unlike me, she is not carrying an eighteen-pound knapsack of cameras) and she has made about a half-dozen astonishing videos in New Orleans.  Several feature the ever-astonishing Dick Hyman and the melodic wonder Tim Laughlin in duet: WHO’S SORRY NOW, ONE HOUR, A NIGHTINGALE SANG IN BERKELEY SQUARE, and Hyman solos on JITTERBUG WALTZ and S’WONDERFUL.  She’s also captured Tim and the brilliant young pianist Kris Tokarski in performance at the Bombay Club: IF DREAMS COME TRUE, LOVE NEST, OH DADDY BLUES, RIVERBOAT SHUFFLE.

Since I am in New Orleans once a year, so far, at most, I have appointed her the Chief of the Louisiana Bureau.  She will only find this out when she reads this far, and I hope she agrees.  The health benefits are not delineated in any contract: they simply mean that more people will get to know her, thank her, and appreciate her diligence and generosities.

The nicest part of all this is that we all respect each other, make subtle courteous agreements not to step on each others’ turf, get in each others’ shots, and so on. We are united in the name of MUSIC, and the deep notion that as many people should get to enjoy it as possible.  And we capture the evanescent and make it tangible, even eternal.

And — as an afterthought — I know there are many people videoing at clubs and concerts around the world, and I mean them no offense by not including them here.  But these four people are dear to me, and I am proud to know them.

May your happiness increase!

HE HAS RHYTHM. AND OTHERS DO AS WELL.

When Louis Armstrong states I GOT RHYTHM, who among us would doubt it?  Here, he uses the Gershwin song to introduce the members of his very energized (and brotherly) Chicago band:

complete with comic ending.

And for those looking for the perfect t-shirt design, may I propose this?  You won’t start many conversations on the street, but those motivated to speak to you because of this shirt will certainly be people with whom you have deep matters in common:

LOUIS I Got Rhythm

Thanks, once again, to eBay and YouTube for making multi-media presentations possible — honoring Louis is always rhythmically satisfying.

May your happiness increase!

HOW FAR IS IT TO NÎMES?

I need Google Maps, or maybe Mapquest, to figure out the distance. Because on the evidence of this and an earlier video clip, that French city is the place to be for Hot!

Here’s what the descriptive summary says beneath the latest YouTube video by washboardist Jeff Guyot and noble pals:

AU PUB O’FLAHERTY’S A NÎMES LE 8 JANVIER 2014 AVEC

Michel BASTIDE(ct) DANIEL HUCK (sax & vocal)Jean-François BONNEL (sax tenor,tp,cl)Bernard ANTHERIEU (Cl)Philippe GUIGNIER (Bj) Patrice AVIET(B) Jeff GUYOT (Wb)

Vidéo: Armand YEPES

Which I translate (!) as Armand Yepes, my French brother, went to O’Flaherty’s Pub on January 8, 2014, and recorded a band with some allegiance to the Hot Antic Jazz Band and the Anachronic Jazz Band romping through AVALON: Michel Bastide, cornet; Daniel Huck, saxophone and ecstatic vocal; Jean-Francois Bonnel, my hero, on tenor saxophone; Bernard Antherieu, clarinet; Philippe Guignier, banjo; Partrice Aviet, string bass; Jeff Guyot, washboard.  Not only are the solos delightful, but the riffs (listen, for instance, behind Antherieu) and the general ebullience . . . priceless.  And my Facebook pals were having a serious debate the other day about their favorite male vocalist — may I ask that the name of DANIEL HUCK be inscribed in anyone’s list in capital letters?

How do you say WOW! in French?

May your happiness increase!