Tag Archives: Zinfandel Stompers

THE ROSSMOOR JAZZ CLUB CONTINUES “THE GOOD WORKS” IN 2014

I’m happy to tell JAZZ LIVES readers about another place where hot jazz and ragtime are flourishing — monthly concerts at a comfortable space in Walnut Creek, California.  It’s the Rossmoor Jazz Club, which has been going strong in 2013.  I’m told by my friend and fellow enthusiast Bob Burch that the theatre is comfortable, seating 500, and dancers are welcome.

Admission for each concert is $10 (members) and $15 (non-members), and one can become a member with an annual payment of $30.  Their 2014 series features these bands (it began with the Natural Gas Jazz Band on January 22):

Feb. 26: Ted Shaefer’s Jelly Roll Jazz Band

March 11: Stephanie Trick, Paolo Alderighi, Marty Eggers, Danny Coots (7:30 PM start)

April 23: Ken Brock’s Jambalaya Jazz Band

May 28: Clint Baker’s New Orleans Jazz Band

June 25: Jim O’Briant’s Zinfandel Stompers

July 10: Ray Skjelbred and his Cubs

August 20: Chris Bradley’s Jazz Band

September 19: Don Neely’s Royal Society Jazz Orchestra

October 20: Mike Slack’s San Francisco Feet Warmers

The November and December concerts are (at this writing) TBA, but TBA always swings, too.

The concerts will be held at the Tahoe Room of the Rossmoor Event Center, 1061 Stanley Dollar Drive, Walnut Creek, California.  The concerts begin at 7 PM and end by 9:30, with a short intermission.

Tell your jazz-loving friends.

May your happiness increase!

HOWARD MIYATA AND HIS MAGIC HORN (Jan. 7, 2012)

When the eminent brass player, teacher, and historian Howard Miyata and his wife Susan (she plays the French horn among other instruments) came to visit us this afternoon in Sonoma, California, I didn’t expect that there would be an impromptu concert-demonstration . . .but I am so delighted to be proven wrong!

For those of you who don’t know Howard, he is famous for playing with many bands — beginning with the Royal Society Jazz Orchestra and continuing up through the Zinfandel Stompers, the New Eldorado Stompers, Clint Baker’s New Orleans Jazz Band, and the High Sierra Jazz Band — which is where I first met him.  Howard studied at San Jose State University and directed bands for the Gilroy Unified School District. He also directs the Pacific Brass Band — one of only three authentic British style brass bands in California.  You might have encountered him on a JazzDagen cruise or at a jazz party; brass players will know him through his work as a tuba / trombone / euphonium artist and clinician for Kanstul (http://www.kanstul.com).  He is also a superb singer – vaudevillian (I’ve posted his performance of THE YAMA YAMA MAN here

and, more recently, A KISS TO BUILD A DREAM ON here.)

And before I had ever heard Mr. Miyata play, I had known of him as “Uncle How,” the man behind Gordon, Brandon, and Justin Au — and no doubt hundreds of grateful younger players.  (He is a superb teacher — but more about that in another post sometime.)  Most recently, I’ve posted videos of the Au Brothers Jazz Band with Uncle How, Katie Cavera, and Danny Coots in the rhythm section.

Howard had two horns in his car — a huge tuba and his Conn double-bell euphonium.  And when I said I had only heard of the latter horn in the lyrics to SEVENTY-SIX TROMBONES, he was more than happy to bring it in to show off how it sounded.  About ten seconds into his cheerful presentation, I asked him to hold everything, and I brought my video camera — thinking that this was too good not to share:

Even without a double-bell euphonium, Howard Miyata makes music wherever he goes.  We are very lucky to have him!