GENEROSITIES OF SOUND: CELEBRATING TED BROWN (Part One: December 2, 2012)

I admire the tenor saxophonist Ted Brown immensely — for his quiet lyricism, his floating melodic improvisations that seem to come directly from his heart through the bell of his horn.

And Ted — soft-spoken, reticent, not a man to call attention to himself — reversed the usual practice in December 2012 when it came to celebrating his eighty-fifth birthday.  Instead of sitting at a table surrounded by people who love and admire him, opening gifts and receiving congratulations, Ted gave us presents — as you will see and hear below.

This is the first of a three-part series celebrating Ted: the first two parts will present a divinely inspired evening at Michael Kanan’s Brooklyn studio, The Drawing Room (December 2); the third part will document an evening at Somethin’ Jazz (December 13) where Ted was joined by the energetically lyrical trumpeter Bob Arthurs.

Here’s the first part: music performed at The Drawing Room with tenor saxophonist Brad Linde and Michael Kanan as guiding spirits alongside Ted.  For once, I will leave all commentary aside: Ted’s music really speaks deeply for itself, a mixture of lightness and deep feeling — conscious spiritual homage to Lester Young.

BROADWAY features Ted, Brad Linde, Michael Kanan, Murray Wall (string bass), Taro Okamoto (drums):

SMOG EYES adds alto saxophonist Sarah Hughes for a famous original line of Ted’s:

MY MELANCHOLY BABY was an amusing choice, given the broad smiles in the room:

317 EAST 32nd STREET belongs to Lennie Tristano — his line on OUT OF NOWHERE chord changes:

A second set paired Ted with the wonderful cornetist Kirk Knuffke, Chris Lightcap (dtring bass);, Matt Wilson (drums).  It was my first in-person introduction to Kirk and Matt, and I am still amazed, three weeks later.

They began with BLIMEY (on the chords of LIMEHOUSE BLUES):

Then, three more famous Brown original lines — FEATHER BED:

DIG IT:

JAZZ OF TWO CITIES:

Michael and Brad joined in for SLIPPIN’ AND SLIDIN’ (on the chords of I FOUND A NEW BABY):’

What astonishing music!  Happy birthday, Mr. Brown — with more music and more birthdays to come.

POUND CAKE Kirk Knuffke

And for those who are inspired by these videos to want TWO OF A KIND Brad Lindesomething musical they can carry around, Ted has released two new compact discs: one, TWO OF A KIND Bleebop 1202, pairs him with Brad; POUND CAKE, Steeplechase 31749, puts him alongside Kirk and Matt.  I will have more to say about these discs in 2013, but you don’t need my permission to venture boldly into ownership.  Delicious airs!

And for some of my more “traditionally-minded” readers who might be inclined to back away from this “modern” jazz . . . . listen deeply and you will hear Lester and Jo Jones — their swing, their lightness — brought into this century by warm gentle improvising men and women.

Thanks to the spirits — Lester, Jo, Lennie, Bird — and to the people in the room: Hyland and Ben, Stephanie and Lena . . . as well as to the heroes making the music.

May your happiness increase.

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4 responses to “GENEROSITIES OF SOUND: CELEBRATING TED BROWN (Part One: December 2, 2012)

  1. Video perspective on RAGGIN THE SCALES was awful. Could not see piano or guitar. Sound was perfect though.
    Bill Paquin BRISTOL CT

  2. I do enjoy listening every day a new JAZZ LIVES arrives.

  3. Pingback: GENEROSITIES OF SOUND: CELEBRATING TED BROWN (Part Two: December 2, 2012) | JAZZ LIVES

  4. Pingback: GENEROSITIES OF SOUND: CELEBRATING TED BROWN (Part Two: December 2, 2012) | Jazz Music Trends

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