It’s amazing how tiny relics carry such weight and hint at such stories. Here’s a small collection of autographs for sale (for the moment) on eBay, and the link is here:
If possible, the back sides of these slips of paper — eighty years old — are even more revealing:
I wrote to the seller who promptly and politely told me that Maxwell’s was in St. Joseph’s, Missouri (although a few might be from his father’s move to Los Angeles), and that these were his father’s treasures — and that “Albertina” might have been an example of his “off-the-wall humor.” So there you have it — a little in-person slice of life documenting what it would be like to stand in front of the band and ask Mr. Miller or Mr. Cole for an autograph — when the Cab Calloway band played the “Frog Hop” — an actual place, a ballroom built by one Frank Frogge.
What a wonderful thing that these pages survive!
In the same eBay sweep, I found these portraits of Miss Lee Wiley, who obviously might have been a film siren if the circumstances had been different. Rumor has it that her one film appearance (circa 1936, in a variety short with Woody Herman) never was seen because she was so difficult to work with. But these photographs are powerful evidence of her beautiful sensuality — even when she wasn’t singing.
Here’s Lee with Leo Reisman in 1931, singing Vincent Youmans:
Thanks to eBay, the world’s attic, and to the sellers who keep finding things for us to rhapsodize over.
May your happiness increase!
Re Lee, if we ever do another interview could talk about her. Siren indeed….
>
We have talked about her — especially her 1972 Carnegie appearance!