Daily Archives: December 13, 2022

MAKE ROOM FOR JAZZ AT THE PHILHARMONIC, 1950-1957

I didn’t see this one coming, and am delighted that it will soon be on my shelf: a new Mosaic Records 10-CD set devoted to the 1950-57 Jazz at the Philarmonic recordings for Norman Granz’s labels.

Before you read one more word, here‘s a link to the site where you can pre-order the set (at a $20 discount through January 8, 2023) and hear some fine audio evidence (complete performances!) from Gene Krupa, Ben Webster, Flip Phillips, Benny Carter, Oscar Peterson, Buddy DeFranco, Lionel Hampton, Herb Ellis, Ray Brown, Buddy Rich, Stan Getz, J. J. Johnson, Percy Heath, Connie Kay.

Others starring in this set are Roy Eldridge, Dizzy Gillespie, Lester Young, Bill Harris, Hank Jones, Harry Edison, Jo Jones, Sonny Stitt, Coleman Hawkins, J.C. Heard, Charlie Shavers, Willie Smith, Illinois Jacquet, Louie Bellson, and of course Miss Ella Fitzgerald. For collectors, there are five unissued performances — and since Granz’s documentation was occasionally improvised, there is scholarship to untangle mysteries.

When I began collecting records, the Verve microgroove issues of JATP concerts were easy to find in the cutout bins. Stunned by the profusion of famous names on the covers, I bought them without hesitation, yet at that point in my listening, I found them uneven. There was wild applause and sometimes histrionic display: trumpet and drum battles that were clearly thrilling in person required a certain sensibility to appreciate when coming out of a record player’s cloth speaker grille. But I did remind myself that there were gems from almost every musician in a JATP concert, and when things got too raucous, I could move the needle ahead. (Perhaps my sensibilities were — and are — too delicate. I won’t deny it.)

But I’ve come to appreciate both Granz — as a pioneer in integration AND in keeping my heroes well-paid and well-recorded (imagine a world without Verve, Clef, and Norgran, if you can). And, most importantly to my ears, every JATP concert featured a lengthy ballad medley.

I am sure that the fifteen-minute versions of INDIANA, HONEYSUCKLE ROSE, various BLUES, FLYIN’ HOME and the like will be full of marvels to me in my more mature state, but what I am really looking forward to it close to fifty ballad performances — many of them one well-chosen chorus — by masters of that art, especially Ben Webster, Lester Young, Roy Eldridge, and Coleman Hawkins.

And so you know that JAZZ LIVES has an ethical platform, I’ve pre-ordered a copy before publishing this post. I hope you’ll join me — especially if you are a jazz enthusiast whose family says, “What in the name of all that’s holy will we get for _____ this year?” Show them the Mosaic site and relax. Better than socks. And I like socks.

May your happiness increase!