- PART TWO: HAPPY BIRTHDAY TO OUR MAN DAN MORGENSTERN, 92!
- MAGNIFICENCE: TOM BAKER PLAYS “WEST END BLUES” with MICHAEL SUPNICK, EVAN CHRISTOPHER, CHRIS HOPKINS, MARTIN WHEATLEY, TREVOR RICHARDS (Ascona, July 4, 2000)
- HAPPY BIRTHDAY TO OUR MAN DAN MORGENSTERN, 92!
- TREASURES FROM THE FRENCH QUARTER FEST, NEW ORLEANS: CHRIS TYLE, STEVE PISTORIUS, HAL SMITH, JACQUES GAUTHE, SCOTT BLACK, JOHN ROYEN, TOM EBERT, TOM SAUNDERS, AMY SHARP, JAMES SINGLETON, CLAUDE LUTER (April 7 and 9, 1989)
- A CONTROLLED BLAZE: GABRIELLE STRAVELLI, DAN BLOCK, PAUL BOLLENBACK, PAT O’LEARY (Swing 46, September 21, 2021)
- WHERE ANYTHING CAN HAPPEN AND OFTEN DOES: The EarRegulars All-Star Ad Hoc Big Band and Brass Conference (The Ear Out, 326 Spring Street, Soho, New York City): JON-ERIK KELLSO, MATT MUNISTERI, BILL ALLRED, PAT O’LEARY, GORDON AU, JOHN ALLRED, HARVEY TIBBS, STEVE BLEIFUSS, JOAN CODINA, ADAM MOEZINIA (Sunday, October 17, 2021)
- THEY WANT US TO BE HAPPY, TOO: STEPHANIE TRICK, PAOLO ALDERIGHI, NICKI PARROTT, ENGELBERT WROBEL, BERNARD FLEGAR (Jazz im Rathaus, Westoverledingen, Germany (April 9, 2016)
- “WE’VE SPRUNG A LEAK. GET HELP!”: JON-ERIK KELLSO, MATT MUNISTERI, JAY RATTMAN, TAL RONEN (The Ear Out, June 6, 2021)
- BIX, 1979: THE NEW YORK JAZZ REPERTORY COMPANY at the Grande Parade du Jazz: DICK HYMAN, DICK SUDHALTER, BOB WILBER, SPIEGLE WILLCOX, NORRIS TURNEY, HEYWOOD HENRY, BUCKY PIZZARELLI, GEORGE DUVIVIER, BOBBY ROSENGARDEN (July 10, 1979)
- “SOUNDIE”? WHAT’S A SOUNDIE?
- ASKING QUESTIONS for TRIO and QUARTET: LEE KONITZ, JIMMIE ROWLES, RED MITCHELL, SHELLY MANNE (Grande Parade du Jazz, July 7, 1978).
- “ECHOES OF SWING”: APRIL DeSHIELDS IS DOING WHAT WE’D LIKE TO DO, ONLY BETTER
- “MY THOUGHTS ARE EVER WENDING HOME”: MARC CAPARONE, JOHN SMITH, CARL SONNY LEYLAND, JEFF HAMILTON (August 13, 2013)
- BENNY SENT ME: JON-ERIK KELLSO, SCOTT ROBINSON, CHRIS FLORY, PAT O’LEARY at The Ear Out (May 23, 2021)
- “WE LOVE THEM. MADLY.” GABRIELLE STRAVELLI, DAN BLOCK, MICHAEL KANAN, PAT O’LEARY (Swing 46, October 5, 2021)
- “IN SUNNY ROSELAND,” or THE ARTS OF MELODIC EMBELLISHMENT: BARNEY BIGARD, VIC DICKENSON, DICK SUDHALTER, ART HODES, MARTY GROSZ, PLACIDE ADAMS, PANAMA FRANCIS (Nice Jazz Festival, July 22, 1977)
- START THE WEEK RIGHT
- NOTHING STAYS THE SAME”: TAMAR KORN, ROB EDWARDS, JARED ENGEL, GREG RUBY at The Ear Out (August 15, 2021)
- ELISE ROTH WEARS THREE HATS, AT LEAST
- “CAN’T YOU TAKE A DARE?”: JON-ERIK KELLSO, JAY RATTMAN, MATT MUNISTERI, TAL RONEN, ALBANIE FALLETTA, JOSH DUNN at The Ear Out (June 6, 2021)
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Tag Archives: musette
I appreciate the comfort of improvising on familiar themes: I haven’t tired of the blues or BODY AND SOUL. But even the most “traditional” of listeners can find that venturing beyond one’s fenced front yard can be uplifting. A new CD, INTRODUCING MUSETTE EXPLOSION, is a happy, bracing exploration of fresh fields and pastures new (the lively cover art, befitting the music, is by Na Kim). The three impish yet serious improvisers on this disc are Will Holshouser, accordion / compositions; Matt Munisteri, guitar and banjo; Marcus Rojas, tuba.
The music they are exploring is French musette — dance-based pop music of Paris that flourished in the last century. A listener new to the form will hear some Django-connections, both literal (one of the compositions is the Reinhardt-Grappelli SWING 39) and whimsical — some songs are by the virtuoso accordionist Gus Viseur, others by guitarist Baro Ferret. But this isn’t another by-the-numbers Django-and-Stephane tribute, and the music has its own vivid energies, its own quirky turns.
Each track seems a small musical drama all its own — not simply an attempt by jazz musicians to pretend to be French strolling street musicians, but their delightful variations within and around the form.
Some performances instantly suggest films that haven’t yet been created (and there are a few neat aural interpolations — witty surprises that don’t feel hackneyed) but each track is its own dance. In fact, it is easy to listen to the whole disc at a sitting as if one were at a chamber-music concert with ten movements in a suite. (This variety, never forced or abrupt, is something few discs offer.)
This isn’t to suggest that the music is “contemporary classical,” with all the intellectual rigor implied by that name, because this trio swings. The performances are affectionate but I wouldn’t call them sentimental: no berets and striped sailor shirts are audible in this hour of music.
I first heard accordionist Holshouser on a Matt Munisteri CD, and was immediately impressed with the easy grace he brings to an instrument that, in other hands, can be melodramatic and rhythmically constrained. Munisteri shines wherever he is; he consistently improves the landscape — enough said. Tubaist Rojas is not only a splendid player who makes his instrument as light-hearted and melodic as any French hornist, but he is also a deft musical impersonator: the bird songs or whale murmurs heard on this CD come from him. (I was reminded of hornist Jimmy Buffington, and that is not small praise.)
In his notes, Will writes that he and Matt “got hooked” on French musette music — seduced by the “dark beauty and thrilling virtuosity” they heard in the classic recordings, “passionate and sweet, but played with a fierce edge — like jazz.” But rather than create a repertory project, another set of old records in contemporary fidelity, they brought jazz players’ vigor and willingness to explore to the songs and conventions they had grown to love, finding new ways to improvise on the material.
And as brilliant as Will, Matt, and Marcus are as soloists, they come together marvelously as ensemble players — something is always going on in every performance, and this combination of instruments that would seem odd or unbalanced in other hands sounds complete and rich here.
You can hear brief samples of the music on Will’s site here. The band has been captured on video, playing SWING VALSE:
and GITAN SWING:
Those who are members of the Terry Gross Fan Club have already heard Will play and talk about this band and their music on NPR’s FRESH AIR, but that fascinating segment can be heard here. The band’s Facebook page is here. And the disc itself can be found in all the old familiar places: CD Baby, Amazon (may I gently urge readers to investigate Amazon Smile, where a percentage from one’s purchases goes to a charity one selects), or iTunes.
I find this music happily atmospheric, so I offer a suggestion that is part challenge. I hope some creative film-school or drama-school type finds this music and begins to make short films, no dialogue needed, with each track as a central character in a theatre piece or a short film. Those who aren’t making films, writing, directing, or acting in theatre can simply buy copies of the disc or download it — rare pleasures are in store.
May your happiness increase!