Tag Archives: Uncle Howie

CLINT BAKER’S NEW ORLEANS JAZZ BAND: DIXIELAND MONTEREY, March 4, 2011

Clint Baker is an inspiring multi-instrumentalist (everything from brass to reeds to strings to drums to vocals) and here at Dixieland Monterey 2011, he contented himself with leading a small hot group from his drum set — he is a master of percussive sounds and propulsions.  With him were hot cornetist Marc Caparone, pianist / singer Dawn Lambeth (united in connubial bliss), trombonist and euphonist Howard Miyata (that’s Uncle Howie to Gordon, Brandon, and Justin Au), reedman Mike Baird, bassist Paul Mehling, and guitarist / banjoist Katie Cavera.

Oh, they did rock!

Their first selection was a request — from Dottie Baird, Mike’s wife, who always asks for WHEN MY DREAMBOAT COMES HOME, on which Mike has to play saxophone.  A wonderful idea:

One law of performance is “Get the crowd involved: engage the audience!”  So here’s a bit of audience participation — feel free to join in at home in the HOLLER BLUES with shrieks or howls:

Dawn Lambeth (who is moderately pregnant — we wish her the world’s easiest delivery!) is also a spectacularly gifted singer.  Here she introduces IT HAPPENED IN MONTEREY, written by Mabel Wayne, as a song with a great deal of sentimental depth for Marc and herself — the sad lyrics notwithstanding.  Even with a terrible cold, Dawn sounds so fine:

A good old good one — what could be better than PANAMA by William H. Tyers, king of the Exotic Landscape (he also wrote MAORI):

And a tribute to Papa Joe Oliver, King Oliver, Louis Armstrong’s spiritual father, SNAG IT (An idle thought: where did the inspiration for that slang phrase come from?  I take it to mean “Oh, get it!”  From fishing?  From baseball?):

Finally, something personally pleasing.  SWEETHEARTS ON PARADE is one of my favorite songs — even though it’s not exactly harmonically taxing — perhaps because I heard Louis’s recording of it early in my life.  And I felt very much embraced at and by Dixieland Monterey (a weekend of many hugs, all given and received happily), no more so than when Marc asked me if I had any requests and then played this one.  You know you’ve arrived!  Two by two, they go marching through:

This band is the absolute equivalent of a big plate of down-home red beans and rice: spicy, colorful, hot, satisfying for a long time afterwards.  And look how happy they look!

A footnote: JAZZ LIVES readers who energetically watch “SFRaeAnn”‘s channel will see her videos of these performances.  She is Rae Ann Berry, a wonderful archivist and deep friend to me and to many musicians . . . and we were often sitting at the same concert in Monterey and videotaping.  Why, then, you might ask, why post my versions as well as hers?  I have this fantasy that someone more technically gifted than myself will find a way to screen both her video and mine on a particular song – – – synchronized, to provide something like Dixieland Cinerama, or Hot Technicolor.  Just imagine!

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GET ‘EM WHILE THEY’RE HOT! (NOW!)

I’m very excited about some wonderful jazz in New York City tomorrow, Sunday, April 17, 2010, and Monday, April 18, 2010.

My friends Dawn Lambeth (a delightful sweet-hot singer) and her husband Marc Caparone (a trumpeter who understands Louis, Red Allen, and Jim Goodwin) have come to New York City for a brief visit . . . and we’ve worked out some opportunities to spread bicoastal joy.  SITTING IN is very much on the menu!

On Sunday, we’ll be making our way down to Fat Cat to visit with pianist Ehud Asherie and his little group — 75 Christopher Street.  The session begins at 6 PM.

We’ll race down to The Ear Inn (326 Spring Street) to hear the Ear Regulars: Jon-Erik Kellso, Matt Munisteri, Harvey Tibbs, and Jon Burr: an 8 PM start. 

Then, we’ll rest.

On Monday, Dawn, Marc, the Beloved, and I will head to Sofia’s in the Hotel Edison (221 West 46th Street) to hear Vince Giordano and the Nighthawks, again at 8 PM.

Everyone’s prepared.  I’ve charged three batteries for my video camera.  Dawn has brought a thermos of hot tea and honey all the way from California, and Marc is so well-stocked with valve oil that he could have slid past the TSA inspectors, should he have chosen to do so.

I know this post is short notice for some of my readers, and some of you won’t be able to make it here in time — don’t fret, I’ll record what I can and share it with you — but it would be nice for those of you in the New York City area to come witness another delightful example of West Meets East.

Here’s Dawn on her April 2009 New York visit — sweetly singing THEM THERE EYES with the very same Nighthawks:

And Marc and Dawn, swinging out with the New El Dorado Jazz Band in February of this year (that’s Clint Baker, clarinet; Hal Smith, washboard; Howard Miyata*, trombone; Carl Sonny Leyland, piano; Katie Cavera, banjo; Georgia Korba, bass):

And, to quote Clarence Williams, “Won’t you come over and say hello?”

*Howard Miyata is Gordon Au’s “Uncle Howie,” bless him.