Tag Archives: Monterey

GOING MY WAY? (to the JAZZ BASH BY THE BAY, March 6-7-8, 2015?)

bash

I hope that posts such as these aren’t too frustrating for those JAZZ LIVES readers who are far away from the particular Mecca of Hot.  If you’re in Illinois or Newcastle, you are hereby let off the hook.  But for those readers who can, or could, or might . . . read on.

The 2015 Jazz Bash by the Bay is happening soon — an opening concert / dance on Thursday, March 5, then full-steam ahead for Friday through Sunday. I have delightful memories of being there from 2011 on — a very friendly and hospitable festival, the staff and volunteers exceedingly nice, the rooms in which one hears and sees music very comfortable.  And the music itself, although the players and singers shift slightly from year to year, is always both superb and varied.  Your favorite bands — including High Sierra, the Carl Sonny Leyland Trio, Ivory & Gold, Ellis Island Boys, Crescent Katz, Cocuzzi/Vache All Stars, Le Jazz Hot, Royal Society Jazz Orchestra.  Soloists: Dan Barrett, Eddie Erickson, Rebecca Kilgore, Ehud Asherie, Stephanie Trick, David Boeddinghaus, Banu Gibson, Dawn Lambeth, Yve Evans, Jeff Barnhart, Jason Wanner, Marc Caparone, Bob Draga, John Reynolds, Jeff Hamilton, Paul Mehling, Clint Baker, John Cocuzzi, Allan Vache, Danny Coots, Virginia Tichenor, Marty Eggers, and many more.  Everything from hot jazz to swinging rhythmic ballads to ragtime, stride, and boogie-woogie, with offferings of zydeco and gypsy swing.

It’s a lovely place to visit, also — my meteorological memories of Monterey in March (say that once at a conversational tempo) are lovely: sunny and warm.

Here are the band schedules.  I spent a happy fifteen minutes this morning with a green highlighter, noting sets I absolutely wanted to be at — and there were no idle hours.

And just for our collective happiness, here are my videos of a March 2011 performance featuring Clint Baker, Marc Caparone, Howard Miyata, Mike Baird, Dawn Lambeth, Katie Cavera, Jeff Hamilton, and Marty Eggers — mixing sweet, swing, and hot.

I am eagerly looking forward to it.  And I hope to see you there, too.  No fooling. And if you’re hungry for more music, you can search this site for “bash” or “Monterey” and find videos from 2011-14 . . . better yet, you can make plans to attend.

May your happiness increase!

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SUNLIGHT, A LIFETIME COMMITTMENT, MOONLIGHT: DAWN LAMBETH, CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON at the JAZZ BASH BY THE BAY (March 9, 2014)

Here are three more performances by one of the best singers I know (Dawn Lambeth) with one of the best bands (Carl Sonny Leyland, piano; Marty Eggers, string bass; Jeff Hamilton, drums) captured on March 9, 2014, at the Jazz Bash by the Bay in Monterey, California.

That ought to do it, but if you need more evidence, explication, explanation . . . for once I will stand aside and let the music say what the words only hint at. And here is a previous posting from this same session, with Dawn and friends making four seriously venerable songs bright shining new.

My title is whimsical, but since I am a self-employed independent contractor in Blogland, I am allowed these japes as long as they don’t clutter up cyberspace.

ON THE SUNNY SIDE OF THE STREET:

AS LONG AS I LIVE (with a divinely quirky introduction from Carl):

WHAT A LITTLE MOONLIGHT CAN DO:

Indeed.  For some, what I will write next is already obvious, but many people have figured that Carl Sonny Leyland is a fine boogie-woogie and blues pianist. That’s indisputable.  But some listeners have typecast him — not realizing that he is a spectacularly gratifying musician and jazz pianist. And I think that Marty and Jeff deserve a great deal of credit for uplifting the music whenever they play.

The fine news is that Dawn will be having her own sets at the 2015 Jazz Bash by the Bay which happens March 6-7-8 — something those who know about the best jazz singing are looking forward to.  My sources tell me that Carl, Marty, and Jeff will be there, too, so who knows what might happen?  But it will all be superb.

Dawn has a faithful following — as she should — but there’s always room for new admirers! To find out more about her upcoming gigs, visit her website or become a Facebook friend.

May your happiness increase!

“YOU HEAR THE RHYTHM ROMPING?”

The question I pose in my title becomes rhetorical as soon as Rebecca Kilgore, Paolo Alderighi, piano; Dan Barrett, trombone; Phil Flanigan, string bass, and Jeff Hamilton, drums, begin to play Gene Krupa’s DRUM BOOGIE at the 2014 Monterey Jazz Bash by the Bay —

During this set, a musician I know casually sat down behind me, tapped me on the shoulder while Jeff was elevating the proceedings even higher, and said with a grin, “Big Sid’s in the house.”  Jeff Hamilton doesn’t imitate anyone, but he has Catlett’s beautiful sense of sound and space.  And that’s not to ignore Becky, Dan, Paolo, and Phil — who make the rhythm romp as a matter of course.  As for me, I’m still floating.

May your happiness increase!

SEISMIC SWING FOR WASHBOARD SAM: CARL SONNY LEYLAND, MARTY EGGERS, JEFF HAMILTON, and PATRICK SKIFFINGTON at MONTEREY (March 8,, 2014)

The life story of “Washboard Sam,” born Robert Brown (singer / songwriter / washboardist) is melancholy and seems all too familiar: early fame, influential recordings, a short life — 1910-1966 — and burial in an unmarked grave.

WASHBOARD-SAM-1931

But his music lives on.  Here is a brief but successful musical tribute performed at the 2014 Monterey Jazz Bash by the Bay. At the head of this compact swinging band is the inimitable Carl Sonny Leyland, piano / vocal, with Marty Eggers, string bass; Jeff Hamilton, drums.

For this trio of selections, Carl invited the young washboardist Patrick Skiffington to join in, to give the music its proper shaking and rattling quality.

The washboard often has been looked down on in jazz but when it’s played well, it can drive a band (think of the hot records by the Washboard Rhythm Kings circa 1931-33).

Young Mister Skeffington knows his craft: as an ensemble player, he listens; he varies his dynamic range, and he’s a true addition to the band, his sounds and rhythms steady and varied. He’s been on the scene a bit, but JAZZ LIVES takes pleasure in welcoming him officially.

I wonder if I might see a quartet set by this band at a California festival?  An idea whose time might well have come.  For the moment, enjoy these three performances.

I apologize to those viewers who wanted to see Patrick in all his glory. It didn’t happen during this set — he is mostly hidden — but hearing is believing.  Next time, perhaps I will choose a better vantage point.

And thanks as always to Carl, Marty, and Jeff, who always create solid vibrations of the finest kind.

MY BUCKET’S GOT A HOLE IN IT:

SHE BELONGS TO THE DEVIL:

THE LEVEE CAMP BLUES:

May your happiness increase!

CLINT BAKER’S NEW ORLEANS JAZZ BAND: DIXIELAND MONTEREY, March 4, 2011

Clint Baker is an inspiring multi-instrumentalist (everything from brass to reeds to strings to drums to vocals) and here at Dixieland Monterey 2011, he contented himself with leading a small hot group from his drum set — he is a master of percussive sounds and propulsions.  With him were hot cornetist Marc Caparone, pianist / singer Dawn Lambeth (united in connubial bliss), trombonist and euphonist Howard Miyata (that’s Uncle Howie to Gordon, Brandon, and Justin Au), reedman Mike Baird, bassist Paul Mehling, and guitarist / banjoist Katie Cavera.

Oh, they did rock!

Their first selection was a request — from Dottie Baird, Mike’s wife, who always asks for WHEN MY DREAMBOAT COMES HOME, on which Mike has to play saxophone.  A wonderful idea:

One law of performance is “Get the crowd involved: engage the audience!”  So here’s a bit of audience participation — feel free to join in at home in the HOLLER BLUES with shrieks or howls:

Dawn Lambeth (who is moderately pregnant — we wish her the world’s easiest delivery!) is also a spectacularly gifted singer.  Here she introduces IT HAPPENED IN MONTEREY, written by Mabel Wayne, as a song with a great deal of sentimental depth for Marc and herself — the sad lyrics notwithstanding.  Even with a terrible cold, Dawn sounds so fine:

A good old good one — what could be better than PANAMA by William H. Tyers, king of the Exotic Landscape (he also wrote MAORI):

And a tribute to Papa Joe Oliver, King Oliver, Louis Armstrong’s spiritual father, SNAG IT (An idle thought: where did the inspiration for that slang phrase come from?  I take it to mean “Oh, get it!”  From fishing?  From baseball?):

Finally, something personally pleasing.  SWEETHEARTS ON PARADE is one of my favorite songs — even though it’s not exactly harmonically taxing — perhaps because I heard Louis’s recording of it early in my life.  And I felt very much embraced at and by Dixieland Monterey (a weekend of many hugs, all given and received happily), no more so than when Marc asked me if I had any requests and then played this one.  You know you’ve arrived!  Two by two, they go marching through:

This band is the absolute equivalent of a big plate of down-home red beans and rice: spicy, colorful, hot, satisfying for a long time afterwards.  And look how happy they look!

A footnote: JAZZ LIVES readers who energetically watch “SFRaeAnn”‘s channel will see her videos of these performances.  She is Rae Ann Berry, a wonderful archivist and deep friend to me and to many musicians . . . and we were often sitting at the same concert in Monterey and videotaping.  Why, then, you might ask, why post my versions as well as hers?  I have this fantasy that someone more technically gifted than myself will find a way to screen both her video and mine on a particular song – – – synchronized, to provide something like Dixieland Cinerama, or Hot Technicolor.  Just imagine!

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