Tag Archives: Fats Waller

BRILLIANCE TIMES THREE (Part Two): TAL RONEN, MARK SHANE, DAN BLOCK at CASA MEZCAL (Oct. 26, 2014)

I was simply transported, I tell you.

The transporters were three eloquent yet casual musicians — Tal, string bass; Mark, piano; Dan, clarinet and tenor — at work and play in the pleasing surroundings of 88 Orchard Street, on the lower East Side of New York City, their creations captured by my camera on Sunday, October 26, 2014.

Here are the first four videos from that afternoon, which have lost none of their charm.  And four more, floating, lyrically Basie-style, making the air vibrate so sweetly.

I’LL ALWAYS BE IN LOVE WITH YOU:

LINGER AWHILE:

YACHT CLUB SWING:

MOTEN SWING (with a brief camera malfunction during Tal’s solo where the camera suddenly got excited by the tin ceiling and had to be reminded of its proper function. I apologize for it, Tal):

For my first post, I wrote, “This is living synergy, a translucent acoustic orchestra. Such music blesses us,” and I think those words are even truer here.

May your happiness increase!

IN THE GARDEN OF SWING: MIKE LIPSKIN, DICK HYMAN, PAUL MEHLING at FILOLI (August 10, 2014)

Take a contemporary evocation of Eden, add some inspired jazz in front of an enthusiastic, attentive audience . . . and you have the 2014 Stride Summit at Jazz at Filoli, featuring Mike Lipskin and Dick Hyman, guitarist Paul Mehling, and a few other like-minded friends.  Here are a few more highlights from that wonderful afternoon, where the swinging music honors the present artists’ originality while casting affectionate glances back to Fats Waller, Art Tatum, Al Casey, and Django Reinhardt.

HANDFUL OF KEYS (Mike and Dick):

COULD IT BE YOU’RE FALLING IN LOVE? (Mike and Paul):

CARAVAN (Dick):

WILLOW WEEP FOR ME (Dick):

JUST YOU, JUST ME (Mike and Dick):

AFRICAN RIPPLES (Mike):

Thanks to the inspired gentlemen of the ensemble for such glowing pastoral music, and special thanks to Merrilee Trost for making Jazz at Filoli a happy, memorable gathering year after year.

May your happiness increase! 

JAMES DAPOGNY’S CHICAGO JAZZ BAND at the EVERGREEN JAZZ FESTIVAL (Part Three)

Rainbow Two

The opportunities to hear James Dapogny’s Chicago Jazz Band at the July 2014 Evergreen Jazz Festival were delightful — a high point of the year for me.

That band neatly balances thoughtful arrangements and solos, and the result is hot, sweet,  eloquent, satisfying.

They are James Dapogny, piano and arrangements; Jon-Erik Kellso, trumpet; Chris Smith, trombone, vocal; Kim Cusack, clarinet, alto saxophone, vocal; Russ Whitman, clarinet, tenor and baritone saxophone; Rod McDonald, guitar; Denver native Dean Ross, string bass; Pete Siers, drums.

For those who might have missed the earlier posts in this happily extended series, here is the first part and here is the second.

And here are five more delights.

A serenade to a beloved Irish lass (with a tempo change, in honor of the 1944 Commodore recording featuring Miff Mole), PEG O’MY HEART:

The very optimistic paean to the Golden State, CALIFORNIA, HERE I COME:

A 1936 romper, SWING MISTER CHARLIE (recorded by, among others, a youthful Judy Garland backed by the Bob Crosby band):

“Another show tune,” this one from a Dick Powell film — more memorable in Fats Waller’s recording — here warbled by Mr. Cusack, LULU’S BACK IN TOWN:

And a mournful revenge song, JUNK MAN (1934, with unheard lyrics by Frank Loesser):

More to come — all equally rewarding.

May your happiness increase!

FRESH-SQUEEZED (Version Two): DAN BLOCK, DUKE HEITGER, BRIA SKONBERG, ED POLCER, JOHN COCUZZI, PAUL KELLER, ED METZ (Atlanta Jazz Party, April 23, 2014)

Another delicious version of Mister Waller’s SQUEEZE ME — this time from the 2014 Atlanta Jazz Party, with a cast of characters: Dan Block, clarinet; Duke Heitger, Ed Polcer, Bria Skonberg, trumpets; John Cocuzzi, piano; Paul Keller, string bass; Ed Metz, drums:

Here was the first of the series — for those who haven’t had their daily ration of beautiful music.

May your happiness increase!

FRESH-SQUEEZED: VINCE BARTELS, ALLAN VACHÉ, DAN BARRETT, RUSS PHILLIPS, JOHNNY VARRO, DAVE STONE at the SACRAMENTO MUSIC FESTIVAL (May 23, 2014)

Mister Waller would be delighted.  And we were too.

Vince Bartels had assembled a truly all-star band in the Condon tradition for the 2014 Sacramento Music Festival, with himself on drums, Dave Stone, string bass; Johnny Varro, piano; Allan Vaché, clarinet, Russ Phillips, trombone; Dan Barrett, trumpet. And they performed SQUEEZE ME and got every drop of sweetly lascivious energy out of it — a memorable performance indeed:

I mean my fellow-listeners no disrespect, but that performance deserved much more applause than it got.  Perhaps everyone was stunned into silence.  You may applaud now, as loudly as possible.  If you are someplace where applause might not be appropriate, I will settle for loud grinning and sending this blogpost on to others who might like to have their spirits uplifted.  OK?

May your happiness increase!

THREE SOLO MASTERPIECES BY DICK HYMAN (PIEDMONT PIANO COMPANY, August 9, 2014)

Dick Hyman was born on March 8, 1927, which makes him just shy of 87 1/2 years of age on August 9, 2014 performances at Piedmont Piano Company in Oakland, California — part of Mike Lipskin’s Stride Summit, a generous tradition.  Mr. Hyman remains a marvel of consistently surprising creative joy.

A little cosmology, with HOW HIGH THE MOON:

Jerome Kern’s YESTERDAYS:

For Mister Waller, YACHT CLUB SWING:

May your happiness increase!

THE CHAMBER MUSIC SOCIETY OF LOWER STOCKTON STREET: PROFESSORS GROSZ, OAKLEY, and VENTRESCO (August 17, 2014: Part Two)

This music gives me such pleasure that I am reposting both halves of the performance, and my original prelude:
A long time ago, when I was a college student listening to string trios, quartets, and quintets, I was told that the great groups were Thibaud-Cortot-Casals, the Budapest Quartet and Friends, the Guarneri Quartet (whom I saw several times in concert). But while I was learning my Brahms, Schubert, Haydn, Mozart, Dvorak, and others, I was getting deeper into small-group jazz.  And it occurred to me often that the inspired interplay I heard in the “Trout” or the “American” was no different from a record of Sammy Price and Sidney Catlett boogieing their way through a blues, or the Edmond Hall Celeste Quartet, the Goodman Trio, Jimmie Noone’s Apex Club Orchestra, the Basie rhythm section.  And in person I saw Soprano Summit, Al and Zoot, Bobby and Vic, the Braff-Barnes Quartet, the EarRegulars, and many others.
All this is long prelude to say that inspiring chamber music takes many forms. In jazz, it is always incredibly uplifting to see a very small group of musicians do two or three things at once — create communal variations out of their shared knowledge and conventions AND go their own brave ways. Courage, joy, playfulness, and beauty.
Here is some very recent evidence that stirring chamber-jazz sessions are happening all around us, with some of the finest players.  This one brought together East and West — East being Professor Grosz (Chicago, New York, and Philadelphia) and West being Professors Oakley and Ventresco from the San Francisco Bay Area.  No music stands, just swing and on-the-spot frolicking. Acoustic splendor, with two very different approaches to the guitar — in solo and accompaniment — and with Leon’s very heartfelt cornet shining a light for us all to follow. (Highlights from the 2014 Marty Grosz West Coast Tour, for the historians in the audience.)
SONG OF THE WANDERER:
SHOE SHINE BOY:
I’M CONFESSIN':
JOE LOUIS STOMP:
CRAIG’s LOWDOWN BLUES:
And here are three more performances from the second half.  The sky had grown darker outside and thus the interior lighting needed help.  The visual image is less sharp but the music remains exquisite.
S’WONDERFUL:
A very mellow KEEPIN’ OUT OF MISCHIEF NOW:
FROM MONDAY ON, a sweet conversation all the way through, with Mister Grosz bursting in to song:
May your happiness increase!