Tag Archives: Ray Mosca

IT’S ALL SO NICE: BENNY CARTER, GEORGE BARNES, RUBY BRAFF, MICHAEL MOORE, VINNIE CORRAO, RAY MOSCA (July 25, 1975)

George Barnes, guitar wizard

Not much explanation needed for what follows: a half-hour of divine live jazz performance recorded at the 1975 Grande Parade du Jazz in Nice, France, featuring Benny Carter, alto saxophone; George Barnes, electric guitar; Ruby Braff, cornet; Michael Moore, string bass; Vinnie Corrao, rhythm guitar; Ray Mosca, drums — improvising on three jazz evergreens: JUST YOU, JUST ME; MEAN TO ME; TAKE THE “A” TRAIN:

And if you wonder why I didn’t preface this post with photographs of Benny Carter or Ruby Braff, both of whom I admire greatly, it’s because the world is full of guitar players, and I hope more of them wake up to George Barnes and start studying his works.  He deserves such reverent attention.  Also,  his characteristic pose reminds me of seeing him at close range in New York City, where he always surprised and delighted.  Always himself, always brilliantly recognizable in two notes.  All right, one note.

To learn more, visit George Barnes, Guitar Legend on Facebook and the George Barnes Legacy Collection in the larger cyber-world, splendid informative sites created and maintained by Alexandra Barnes Leh, the loving curator of all things Barnes and daughter of George and Evelyn.

There are a few more video performances by this sacred assemblage, and I might be able to unearth them for you. . . .if, of course, there’s interest.  Are you out there?

May your happiness increase!

EXTREMELY NICE: HOMAGE TO COUNT BASIE, with SWEETS EDISON, JOE NEWMAN, CLARK TERRY, VIC DICKENSON, EARLE WARREN, ZOOT SIMS, BUDDY TATE, LOCKJAW DAVIS, ILLINOIS JACQUET, JOHNNY GUARNIERI, MARTY GROSZ, GEORGE DUVIVIER, RAY MOSCA, HELEN HUMES (Grande Parade du Jazz, July 22, 1975)

Jake Hanna said it best, “You get too far from Basie, you’re just kidding yourself.”  So this post and the performance it contains are as close to Basie as anyone might get in 1975 — the loose jam-session spirit of the 1938-9 band at the Famous Door.  Some of the originals couldn’t make it for reasons you can investigate for yourself, but more than enough of the genuine Basieites were on this stage to impart the precious flavor of the real thing.

For the first song, JIVE AT FIVE, the composer, Harry “Sweets” Edison was on hand, among friends: Buddy Tate, Zoot Sims, tenor saxophone; Earle Warren, alto saxophone; Vic Dickenson, trombone; Johnny Guarnieri, piano; Marty Grosz, guitar; George Duvivier, string bass; Ray Mosca, drums.

Then, LESTER LEAPS IN, with the addition of Lockjaw Davis, Illinois Jacquet, tenor saxophone; Clark Terry, Joe Newman, trumpet.  And deliciously, Miss Helen Humes recalled those sweet songs from her Basie days, SONG OF THE WANDERER / BLUE AND SENTIMENTAL / DON’T WORRY ‘BOUT ME.

I’m certain Jake would have approved, and the Count also.

May your happiness increase!

 

I CALL ON MICHAEL HASHIM, PART TWO (July 19, 2017)

Because he is justifiably one of the most busy musicians I know, it was hard to find a time when saxophone master and master raconteur Michael Hashim and I could sit down and talk at leisure.  And because Michael is so busy gigging, it was hard to find a photograph of him without a horn attached to him, but I did.  (I love the dashing color palette here.)

Michael and I had a long afternoon’s conversation last July, the first two segments of which I posted here.

Now, throwing caution to the winds — or another apt cliche — I offer the four remaining segments of our talk.  And, as you’ll hear, Michael is one of those rare creatures who can speak beautifully, extemporaneously, without hesitation: lovely long sentences, full of information, feeling, and wit, come tumbling out.  A master of improvised prose as well as one of improvised music.

Three.  In which Michael speaks so well and affectionately of Jimmy Rowles — the pianist, the man, and the artist — with side-glances at Robert Mitchum, Henry Mancini, and The Fifth Dimension, Tommy Flanagan, Phyllis Diller, Benny Carter, Michael’s own recording with Rowles, Ray Brown, and some comments on race:

Four.  In which Michael tells anecdotes of encounters with heroes in New York, saxophonist Pony Poindexter, trombonist Benny Morton, as well as jazz clubs Eddie Condon’s and Jimmy Ryan’s, with memories of Red Balaban, Jo Jones, Bobby Pratt, Tony Bennett, Joe Muranyi, Artie Baker, Roy Eldridge, Scott Hamilton, Lou Donaldson, Freddie Freeloader, and others:

Five.  In which Michael remembers not only individual musicians but the feeling and understanding of their art that they embodied, including Cab Calloway, the Widespread Depression Orchestra, Eddie Barefield, Sammy Price, Jerry Potter, Earle Warren, Phil Schaap,Toots Mondello, Percy France, Doc Cheatham, Scott Robinson, Roy Eldridge, Ornette Coleman, Cecil Taylor, Lester Bowie, Haywood Henry:

Six. In which Michael lovingly speaks of the importance of the drums and remembers memorable percussionists and the players surrounding them, including Buddy Rich, Philly Joe Jones, Eddie Locke, Ray Mosca, Oliver Jackson, with a special pause for the master Jo Jones, for Sonny Greer, Johnny Blowers, Brooks Kerr, Russell Procope, Harold Ashby, Aaron Bell, Sidney Bechet, Charlie Irvis, Bubber Miley, Elmer Snowden, Freddie Moore, Eddy Davis, Kenny Washington, Billy Higgins, Wynton Marsalis, Branford Marsalis, George Butler, Jazz at Lincoln Center, Joe Henderson:

What an afternoon it was, and what a person Michael Hashim is.

May your happiness increase!

HE’S JUST OUR BILL: AN EVENING WITH BILL CROW and FLIP PETERS (January 28, 2016)

BILL CROW

Bill Crow is one of the finest jazz string bassists ever.  But don’t take my word for it — hear his recordings with Marian McPartland, Jo Jones, Zoot Sims, Stan Getz, Gerry Mulligan, Al Haig, Jimmy Raney, Hank Jones, Jimmy McPartland, Manny Albam, Art  Farmer, Annie Ross, Jimmy Cleveland, Mose Allison, Benny Goodman, Cliff Leeman, Pee Wee Russell, Joe Morello, Clark Terry, Ben Webster, Jackie and Roy, Bob Wilber, Ruby Braff, Eddie Bert, Joe Cohn, Mark Shane, Jay McShann, Al Grey, Barbara Lea, Claude Williamson, Spike Robinson, and two dozen others.

Here’s Bill, vocalizing and playing, with guitarist Flip Peters on SWEET LORRAINE:

And if you notice that many of the names on that list are no longer active, don’t make Bill out to be a museum piece.  I’ve heard him swing out lyrically with Marty Napoleon and Ray Mosca; I’ve heard him lift the room when he sat in with the EarRegulars, and he plays just as beautifully on JUST A CLOSER WALK WITH THEE as he does on a more intricate modern piece.

Bill Crow - From Birdland to Broadway

Bill is also a splendid raconteur — someone who not only has a million stories, but knows how to tell them and makes the experience enjoyable.  You should know of his book JAZZ ANECDOTES, which grew into a second volume, and his FROM BIRDLAND TO BROADWAY, a charmingly casual but never meandering autobiography.  (Like  his colleague and friend Milt Hinton, Bill is also a wonderful photographer.)

And did I mention that Bill recently turned 88?

I don’t know which of these three offerings of evidence should take precedence, but put them all together and they are excellent reasons to join in the musical pleasures offered this Thursday, January 28, 2016 — details below:

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To reiterate, thanks to www.project142.org

Thurs. – Jan. 28, 2016 – 8:00pm – 9:30 pm. – The DiMenna Center for Classical Music – NYC – Bill Crow Project 142 Concert with Flip Peters – 450 West 37th St. (between 9th & 10th Aves.) – Benzaquen Hall (elevator to 1st Floor) – Doors open @ 7:30p. – $15.00 Concert Charge @ door.

I asked the delightful guitarist / singer Flip Peters to speak about his relationship with Bill:

I first became aware of Bill Crow in the early 1960s when as a young jazz fan I heard him with Gerry Mulligan. I remember around that time reading a quip in Down Beat about bass players with bird names, Bill Crow, Gary Peacock, and Steve Swallow.

In the early 1980s, I began to read Bill’s column, “The Band Room,” in the Local 802 paper, Allegro. That column is a highlight and I turn to it first each month when I get that paper. I received a copy of his Jazz Anecdotes as a Christmas present a few years back and thoroughly enjoyed it.

I first played gigs with Bill in 2014. The first one we played on together was a Gatsby-themed party with Marti Sweet’s Sweet Music (www.sweetmusic.us). On that gig Bill doubled on bass and tuba and I was struck by his mastery of the tuba. After that we played private party gigs and some Dixieland gigs with trumpeter Tom Keegan. Then in 2015, I played on gigs with Bill in Rio Clemente’s band (www.rioclemente.com). On one of those gigs, Bill asked me to join him at Shanghai Jazz where he had been hired to speak and play for the Jersey Jazz Society. After that gig I decided that it would be a good idea to present this to a wider audience. Anyone who loves jazz would be fascinated to hear Bill recount some of his many stories, and of course to hear him play.

I am honored and thrilled to play music with Bill. He is a rare person and musician. Not only is he a virtuoso on his instruments but he is a true gentleman. When you are in his presence you can’t help but feel comfortable. When he relates his experiences, everyone present feels as though they are sharing those moments with him. And he continues to play at an extremely high level. He has truly stayed at the top of his game for many years. He maintains a busy playing schedule and plays with the energy of a young musician who possesses the experience of an elder statesman.

You can find out more about Bill at his website but I politely urge you to put the phone down, back away from the computer, and join us on Thursday night to hear Bill and Flip, in music and story.  Evenings like this are rare.

May your happiness increase!

MARTY NAPOLEON (1921-2015)

Pianist, singer, composer Marty Napoleon “made the transition” from this earthly world to another one on Monday night, April 27.  His dear friend Geri Goldman Reichgut told me that on his last night on the planet he ate some dessert and listened to music: the signs of what my Irish friends call “a beautiful death.”

I can’t find it in my heart to be too mournful about Marty’s moving out of this earthly realm.  It seems to me that the New Orleanians have the right idea: cry a little at the birth, because that spirit taking corporeal form might have some bumps in this life, and rejoice at the death, because the spirit is free — to ramble the cosmos in the company of other spirits.

I was in conversation with the wonderful pianist Mike Lipskin last night — we sat on a bench in Greenwich Village and lamented that fewer people are playing particular kinds of the music we both love . . . and we both envisioned a future where it might not even be performed.  But I said fervently, “The MUSIC will always be here,” and I believe that.

It is true in Marty’s case as well.  And as a tribute to the man and his spirit, I offer some tangible immortal evidence here and here.

And a closing story.  One of my heroes is the writer William Maxwell, also no longer around in his earthly shape.  Late in his life, he began taking piano lessons and working his way through some simple classical pieces.  I think this gave him great pleasure but was also frustrating — in the way making music is even more difficult for those who have spent their lives appreciating the superb performances of others.  In his final year, a dear friend said to him, “Bill, in the life to come you will be able to play the piano with ease, won’t you?”  And he replied, “In the next life I will not be making music.  I will be music.”

And he is.  As is Marty.

May your happiness increase.

A SECOND TASTE: BRIA SKONBERG, MARTY NAPOLEON, BILL CROW, RAY MOSCA (July 5, 2013)

Fabulous musicians at play in Glen Cove, New York, with a single purpose: “Remembering Pops.”  That’s Marty Napoleon, swinging out on the piano (88 keys, 92 years); the sweetly incendiary Bria Skonberg on trumpet; and reliable experts Bill Crow, string bass; Ray Mosca, drums.  Recorded by our pal Jim Balantic; concert turned from an idea into a reality by our comrade Geri Goldman Reichgut.  And rumor has it that more video from this concert is being posted, as I write this, by the ever-true-blue Neal Siegal.

I’d like to hear more of this band . . . any suggestions for future gigs?

May your happiness increase!

FOR THE LOVE OF LOUIS: MARTY NAPOLEON, BRIA SKONBERG, BILL CROW, RAY MOSCA (July 5, 2013)

What a wonderful band, and a wonderful evocation of the man Eddie Condon called “Mister Strong” — recorded live at a concert two days ago at Glen Cove, New York.  The players are Marty Napoleon, piano / vocal; Bria Skonberg, trumpet; Bill Crow, string bass; Ray Mosca, drums.  And they begin the concert in the best way: a gripping, lovely SLEEPY TIME DOWN SOUTH — that gave me chills — into INDIANA, which is the way Louis did it:

You don’t need me to explain just how good this music is.  It’s so evident that it leaps out of speakers or earbuds, and I don’t mean volume.  Bria lights up the sky; Marty continues to surprise us* (at 92, he is the very opposite of “old-time,” isn’t he?) and pals Bill and Ray remind me of Milt and Jo while sounding very much like themselves.

Beauty needs friends to get it out in the light, and while this concert wouldn’t exist without the four masterful players, it also comes to us through the loving diligence of Geri Goldman Reichgut and videographer Jim Balantic.  So let’s have thanks all ’round.  Now I’m going back to listen and watch again.  It’s a deep pleasure.

*Mister Napoleon is available for high-quality gigs, too.

May your happiness increase!

A DATE TO CELEBRATE LOUIS: MARTY NAPOLEON, BRIA SKONBERG, BILL CROW, RAY MOSCA (July 5, 2013)

I can’t make this July 5 party, being far to the West of this gig.  But you should! It’s free; it will be wonderful music; the absence of myself and my tripod will leave room for several music lovers.

So don’t forget OUR MARTY DATE.

Marty Flier

I am told there will be space for dancers.  And Marty, bless him, just turned 92.  He has all the spring and snap of a man and musician much younger — so don’t let this gig pass you by.  His friends, Bill and Ray, are esteemed veterans of this art form, and Bria shines — playing, singing, letting the music flow through her.

I know it is one day after the 4th, which Louis thought was his birthday, and one day before the 6th, the day on which he left this earthly realm, so it’s numerologically in perfect balance.  Musically, too!

May your happiness increase!

THANK YOU, MARTY NAPOLEON — CELEBRATING HIS BIRTHDAY

On Sunday, June 2, 2013, pianist /singer / composer / raconteur Marty Napoleon turns 92.  He is still creating music, still ebullient, with a sharp-edged wit and an eagerness for new experiences: Marty doesn’t simply reside in the past.

But oh! — what a past.  Here are some examples from YouTube — and they are only the smallest fraction of Marty’s wide-ranging musical experiences.

On a 1947 Savoy record date with Kai Winding, Allen Eager, Eddie Safranski, Shelly Manne:

In December 1957 for the Timex All-Star Jazz Show with Bobby Hackett, Jack Teagarden, Peanuts Hucko, Arvell Shaw, Cozy Cole:

With Louis Armstrong and the All-Stars on a 1968 Bell Telephone Hour:

June 2012 at Feinstein’s — introduced by the late Mat Domber — with Harry Allen, Joel Forbes, Chuck Riggs, Jon-Erik Kellso:

December 2012 with Bill Crow and Ray Mosca:

By my rudimentary math, Marty has been entertaining audiences with his lively music for seventy years . . . we are lucky to have him with us!  Thank you for being so resilient, Marty.

And . . . he keeps on going.  On July 5, 2013, Marty will be leading a quartet (including trumpeter / singer Bria Skonberg) in a tribute to Louis Armstrong, his former employer and great inspiration — in Glen Cove, New York: details can be found here.

May your happiness increase!

NAPOLEON’S TRIUMPHS, or ROCKIN’ THE REGENCY: MARTY NAPOLEON, BILL CROW, RAY MOSCA at the REGENCY JAZZ CLUB (December 7, 2012)

I heard on NPR just yesterday that life expectancy for people living in New York City has now risen to slightly over eighty.  That would make Marty Napoleon, who is 91, remarkable simply in actuarial terms.  But Marty is splendidly remarkable for his music.  He is one of the few people I could use the term “unique” about and not feel that I was doing the language an injustice.  He was a splendidly swinging pianist when he made his first recordings in 1945, when he played with Gene Krupa and Red Allen; he swung the band when I heard him with Louis Armstrong in 1967 and when he astonished Harry Allen in the summer of 2012 at Feinstein’s.

Now there’s a trivia blossom in itself: how many musicians can you name who have delighted both Henry and Harry Allen?

Marty has made his home at the Regency in Glen Cove, New York — an “adult care facility,” and the Regency — with the help of some jazz angels — offered him a showcase on Friday, December 7, 2012.

He brought some swinging friends with him — Bill Crow, poet of string bass and pen, and the very warm-hearted drummer Ray Mosca.  Here are a few of the highlights of that evening’s concert.

If this is 91, I want to be a rug-cutter in just this Napoleonic manner.  Marty, Bill, and Ray rocked the room — as you will see and hear.

PLEASE DON’T TALK ABOUT ME WHEN I’M GONE (with the sweetly informal chat at the beginning — evidence of playfulness, not forgetfulness):

THE PREACHER (bringing churchy funk to Glen Cove!):

LOUIS ARMSTRONG MEDLEY, sweetly danceable:

A swinging CARAVAN:

Deep thanks to Beth, Stella, and Erika, who helped make this glorious evening of music happen; thanks to Neal, who knows where One is — and to Geri, one of the bright lights of our collective swinging soul.

Here’s  a link to the Regency at Glen Cove — an embracing, comfortable place indeed.

May your happiness increase.

NAPOLEON’S TRIUMPH: COMING TO THE REGENCY JAZZ CLUB (December 7, 2012)

You can’t afford to miss this dream, to quote Louis.

Ray Mosca, Marty Napoleon, Bill Crow

Ray Mosca, Marty Napoleon, Bill Crow

Pianist Marty Napoleon is now 91.  Yes, 91.  And he is still exuberantly playing, singing, composing, telling stories.  He’s played with everyone of note including Louis, Gene Krupa, Billie Holiday, Cozy Cole, Buck Clayton, Henry Red Allen, Coleman Hawkins, Charlie Barnet, Harry Carney, Serge Chaloff, Kai Winding, Allen Eager, Shelley Manne, Charlie Ventura, Buddy Rich, Chubby Jackson, Charlie Shavers, Ruby Braff, Milt Hinton, Jo Jones, Bobby Hackett, Jack Teagarden, Rex Stewart, Jimmy Rushing, Bud Freeman, Earle Warren, Emmett Berry, Vic Dickenson, Buster Bailey, George Wettling, Max Kaminsky, Urbie Green, Clark Terry, Randy Sandke, Jon-Erik Kellso, Harry Allen, Billy Butterfield, Doc Cheatham, Peanuts Hucko, and more.

That history should count for something — recording and playing from the middle Forties until today.  Lest you think of Marty purely as an ancient figure, here is some very lively evidence, recorded less than six months ago: Marty, Joel Forbes, Chuck Riggs, Jon-Erik Kellso, Harry Allen, Joe Temperley — exploring SATIN DOLL:

If you’re like me, you might say at this point, “Where is this musical dynamo playing?  He sounds very fine for a man twenty years younger.”

The news is good, especially for Long Island, New York residents who despair the lack of swinging jazz here.  The gig is at a reasonably early hour.  And it’s free.

Details below.  I hope to see you there, and hope you give Marty, bassist Bill Crow, and drummer Ray Mosca the enthusiastic welcome they deserve.

May your happiness increase.

Napoleon.Trio.Trim

DICK SUDHALTER, CELEBRATED

Marianne Mangan sent in her heartfelt note about last week’s memorial concert in honor of Richard M. Sudhalter, a man so missed that one evening couldn’t hope to do him, his music, and his memory justice:

In the two hours that we were able to be at the Richard Sudhalter Memorial (lovingly arranged by Dan Levinson this past Monday) there were riches enough for many evenings–spoken and sung, played on the piano (Marian McPartland, impossibly frail, still incomparably gifted; Steve Kuhn, teenage band brother and lifelong friend), and jammed by various configurations of musicians in numbers from two to many–the best talent in town. All in the name of one outstanding horn player, scholar, jazz historian, and, quite apparently, friend.

It seemed especially fitting that the passing of this man of prodigious talents, so good at showcasing others’ talents (who could forget the Paul Whiteman recreations and the 1979 Hoagy Carmichael concert?) should be the occasion for several notable partnerships to shine once more. Peter Ecklund rejoined co-Orphan Newsboy Marty Grosz for “Jubilee”, and it was a swinging affair, propelled from the first by Marty’s rhythmic guitar to Peter’s final rousing high notes. With Dan Levinson and Scott Robinson on bass saxophone jubilating along… Sam Parkins was “revered in the Sudhalter household” sister Carol said and in a sort of ghost reunion, the wily reedman and musical sibling put their heads together for an utterly charming “My Baby Just Cares For Me”. As is his wont (“Someone!”), Sam literally passed the baton to Howard Alden, Dick Katz, Bill Kirchner and Ray Mosca… And then there were two: Marty Grosz and Joe Muranyi, sans Dick(s) Wellstood and Sudhalter, playing lustily on “Louisiana” (with verse) and “Way Down Yonder In New Orleans,” making us miss the The Classic Jazz Quartet, making us glad they’re still here…

Dick Sudhalter recognized what good jazz was and how to make it live again, and it seems he’s still at it.