Tag Archives: Bob Schulz and his Frisco Jazz Band

A FULL SET OF HOT AND SWEET MUSIC: BOB SCHULZ and his FRISCO JAZZ BAND (Part Three): BOB SCHULZ, KIM CUSACK, RAY SKJELBRED, DOUG FINKE, JIM MAIHACK, SCOTT ANTHONY, RAY TEMPLIN (Fresno “Sounds of Mardi Gras,” Feb. 8, 2019)

They continue to swing, which is very reassuring.  And here is a combination platter of lovely music from the Fresno “Sounds of Mardi Gras” jazz festival, recorded on February 8, 2019.  The generous creators are Bob Schulz, cornet, vocal; Kim Cusack, clarinet; Doug Finke, trombone; Ray Skjelbred, piano; Scott Anthony, banjo, vocal; Jim Maihack, tuba; Ray Templin, drums, vocal.

 

From that same rewarding weekend, here’s Part One and Two by the Frisco Jazz Band, whose secret is a lovely cohesive swing, no matter what the tempo.

But wait! There’s more!

NEW ORLEANS SHUFFLE:

Walter Donaldson’s pretty MY BUDDY, sung by Scott:

The Horace Gerlach standard, SWING THAT MUSIC:

A blue suit and wedding bells for EMALINE:

For Irving Berlin and Bunny Berigan, MARIE:

For George and Gracie, also James P. and Max, LOVE NEST, sung by Ray:

The Hot Five’s ONCE IN A WHILE:

(WHEN IT’S) DARKNESS ON THE DELTA, sung by Scott:

And a closing statement of willingness-to-please, sung by Bob, I WOULD DO ANYTHING FOR YOU:

And they do.

I don’t think the other gentlemen of the ensemble will mind my suggestion that once the intent listeners have savored these videos, that they go back and listen closely to the impish and passionate Ray Skjelbred, whose sly adept subversions in solo and accompaniment are beyond remarkable.  I seated myself where I did to video so that I could hear and see him with greater clarity, and his singular playing is singularly rewarding.

This set is in honor of my friend Judy Smith, who didn’t make it to the festival, but enjoys the musical bounces with great enthusiasm.

May your happiness increase!

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ROLLING ALONG: BOB SCHULZ and his FRISCO JAZZ BAND (Part Two): BOB SCHULZ, KIM CUSACK, RAY SKJELBRED, DOUG FINKE, JIM MAIHACK, SCOTT ANTHONY, RAY TEMPLIN (Fresno “Sounds of Mardi Gras,” Feb. 8, 2019)

Just pure pleasure.  An expert gentle band at a friendly festival.  If you need program notes, they are Bob Schulz, cornet and vocal; Kim Cusack, clarinet; Doug Finke, trombone; Ray Skjelbred, piano; Scott Anthony, banjo and vocal; Jim Maihack, tuba; Ray Templin, drums and vocal. This set took place on February 8, 2019, at the Fresno “Sounds of Mardi Gras.”

 

Here is the first part of this set — five easygoing swing performances.

And a thought.  Some audiences, and who am I to criticize them, need their jazz to be in broad strokes and bright colors.  They aren’t happy unless the band is Fast and Loud, as if they wanted their plate of fries with enough salt on them so that they resembled a winter scene.  Although Louis and Sidney Catlett and Bechet are deities to me, I prefer intriguing explorations in the middle register, in medium tempo, at a volume where listeners have to pay attention or they might miss something beautiful.  Traditional jazz doesn’t have to model itself on the 1812 Overture, or at least not all the time.

Bob and his colleagues understand this, and, better yet, they live it in every note.  So here are three more lovely performances from lovely Fresno.  Thanks to the players and the organizers and the friends of the music.

First, Bob plans a journey South and wonders about sleeping arrangements:

Ray bursts forth in romantic happiness, thanks to Alex Hill and Mr. Waller:

And a romping performance of the wearying classic to end the set:

There’s more to come.  I followed this band around devotedly, and you can understand why.

May your happiness increase!

EASYGOING SWING: BOB SCHULZ and his FRISCO JAZZ BAND: BOB SCHULZ, KIM CUSACK, RAY SKJELBRED, DOUG FINKE, JIM MAIHACK, SCOTT ANTHONY, RAY TEMPLIN (Fresno “Sounds of Mardi Gras,” Feb. 8, 2019)

I see by my YouTube archives that I first heard / saw / videoed this band in 2012, and they still sound wonderful, seven years later.  Unlike more aggressive combinations, Bob‘s group is distinguished by consistent lyricism, and even more a refusal to hurry.  This band, although never dull, hurts no one’s ears; no chandeliers are set a-swaying; the Weather Channel never notes their presence as a threat.  Rather, they beautifully pursue the Golden Mean: swinging medium tempos, nicely modulated volume, and a decided lack of Special Effects.  And what results is lovely wise jazz: see their recorded legacy to date here.  Although the personnel of the Frisco Jazz Band has varied over the years, this edition was and is special: Bob, cornet and vocal; Ray Skjelbred, piano; Kim Cusack, clarinet; Doug Finke, trombone; Scott Anthony, banjo and vocal; Ray Templin, drums and vocal; Jim Maihack, tuba.

Here are five performances from the first set I caught: please relax and admire this group’s special relaxed glide.  And, without meaning to slight the rest of the band, I picked a vantage point that would bring me closer to Messrs. Skjelbred and Cusack, two heroes with delightful idiosyncracies that always catch the ear, sometimes unaware, but always with pleasure.  But those in the know will find pleasures in every performance, from each musician.

MANDY, MAKE UP YOUR MIND (with the verse!):

Berlin’s ALL BY MYSELF, which always makes me recall Kenny Davern and friends, at a tempo I would call Stomping Lament:

Bob breaks out his tin-can mute to lend GEORGIA BO BO a certain needed grittiness, much appreciated:

Scott’s tender idiomatic treatment of I’M COMIN’ VIRGINIA — pay close attention to Skjelbred’s musing interlude, a spiritual meal in itself:

Henri Woode’s ROSETTA (the proper sources concur on this credit):

There are many more equally gratifying videos to come from this group’s stint at the “Sounds of Mardi Gras”: one of several excellent reasons to be there.  (Hint: make plans for 2020.)

May your happiness increase!

GRAB YOUR HIGHLIGHTERS: THE BAND SCHEDULE FOR FRESNO “SOUNDS OF MARDI GRAS” 2019 IS HERE (with some delightful MUSICAL EVIDENCE)

I’ve already posted this cheering bouquet of balloons, and I’m making my first trip to Fresno for “the sounds of Mardi Gras” early next month.  And not simply in hope of finding balloons.

Now, we can all get down to the delightful business of planning what to see and hear.  I’m sure there are people who simply amble through a festival, guided by the sounds they hear coming from one room or another.  But I’m a man with a mission: I know the bands I particularly want to hear and video . . . so I have to plan.  If I go to see X and her Jelly Whippers at 6, then I can’t (as Sir Isaac Newton reminds me) hear Y and her Joy Boys at the same time.  So either in the solace of my apartment or perhaps on the airplane, I bring out the highlighters so that I can plot and plan . . .
NEWS FLASH: as of January 25, some last-minute changes – – – –
On Friday, in Salon C/D, the morning – afternoon sequence is now Young Bucs / Yosemite / Climax / Tom Hook / High Sierra.  The evening sequence in C/D is now Bob Schulz, Dave Stuckey, and the rest unchanged.    As far as  my nearsighted eyes can tell, those are the only changes.  But the sole way to be sure you have the right schedule is to go to the Sounds of Mardi Gras and pick up the current paperwork.
I believe that an even larger version — spread it out on the floor so the whole family can play — can be found  here.  Since this is my maiden voyage to this festival, I haven’t any videos of my own to share.  But my colleagues have filled that need for years — one of them being the faithful Bill Schneider, who captured Bob Schulz’s band playing a lyrical YOU’RE DRIVING ME CRAZY at the 2018 festival — with lovely work from Bob, Kim Cusack, Ray Skjelbred, Doug Finke, Scott Anthony, Jim Maihack, and Ray Templin:

and a very hot MONA LISA from a 2010 performance by the New El Dorado Jazz Band co-led by Hal Smith and Clint Baker, with Marc Caparone, Howard Miyata, Mike Baird, Carl Sonny Leyland, Katie Cavera, and Georgia Korba.  Not everyone in this band will be at the 2019 festival, but their music is preserved for us thanks to RaeAnn Berry:

I look forward to the 2019 banquet of good sounds.  For details, visit the festival’s website and their Facebook page.  But don’t take so long looking for the right color highlighter that this hot weekend passes you by.

May your happiness increase!

ONCE AGAIN, IT HAPPENS IN MONTEREY — the 2012 JAZZ BASH BY THE BAY is COMING!

I’m a late-adopter but a deep convert to California jazz.  My first exposure to it in the flesh took place a year ago at the Jazz Bash by the Bay in Monterey, and — since tempus fugit at an alarming rate, the 2012 edition will be here in two months.  Here’s a link to the site:

Sue Kroninger, who not only runs the show but also sings and plays the washboard, tells me, “The theme of the year is variety, diversity, mix and match.  We’ve got a whole bunch of exciting and unexpected pairings from within the core bands and it is my fondest wish that guests will have a tough time deciding among all the choices.”

I know this is true from my one experience last year: I had a long session with the schedule and a highlighter, thinking, “I want to go here, but if I do that, I can’t go there.”  We should all have such problems.

Between 11:30 AM Friday, March 2, and late afternoon Sunday, March 4, you’ll have more than one hundred and sixty sets to choose from, from solo piano to the Royal Society Jazz Orchestra, and dance lessons from Dave & Linda Dance Company.

Some of the other players and bands are John Sheridan, Katie Cavera, Eddie Erickson, Bob Draga, Hal Smith, Bill Allred, Doug Finke, Bob Schulz and his Frisco Jazz Band, Take Two, Old Friends, Reynolds Brothers, High Sierra, Marc Caparone, Hal Smith, Carl Sonny Leyland, Josh Colazzo,  Mary Eggers, Virginia Tichenor, Titan Hot Seven, John Cocuzzi, Allan Vache, Ed Metz, Side Street Strutters, The Barehanded Wolfchokers, Yve Evans, Gonzalo Bergara, Jeff Barnhart, Anne Barnhart, Jerry Krahn, Tom Hook, Bill Dendle, Shelley Burns, Westy Westenhofer, Jason Wanner, Howard Miyata, Bryan Shaw, Mark Allen Jones, Frederick Hodges, Crown Syncopators Ragtime Trio, Chris Calabrese, Dave Gannett, the Rhythm Hounds, Grant Somerville, Reedley River Rats, Crazy Eights, Bob Phillips, George Young, Saxaphobia, Danny Coots (Musician of the Year at the festival, with good reason), sets of gospel music for Sunday, tributes to Bix, Nat Cole, Fats Waller, Harold Arlen, the washboard, Scobey and Clancy . . . duo-piano sets, lots of solo and group ragtime, and many surprises, as people sit in and have a good time, on and off the bandstand.  Most sets run an hour, giving us leisurely mini-concerts.

To purchase tickets, visit here.

Children under 12 are admitted free with an adult, as are high school students with an ID.  Discounted tickets are also available for college students, so if you have a music major in the house or just someone glued to his or her iPod oriPhone, the discounted tickets make a meaningful gift — perhaps the beginnings of a conversion experience.

Dear grandparents who lament that the young people “aren’t coming to hear our kind of music”: now’s the time to take steps to reverse the trend!  Jazz, like charity, begins at home.

Here’s some vivid evidence from 2011.  First, A KISS TO BUILD A DREAM ON, featuring Marc Caparone, Bryan Shaw, Howard Miyata with High Sierra:

And another kind of romantic serenade, SENTIMENTAL GENTLEMAN FROM GEORGIA by the Reynolds Brothers:

And 2012 promises even more!  So — to refer back to a song performed by Clarence Williams around 1933 — I hope you’ll come over and say “Hello”!  I’ll be juggling a video camera and a notebook. And I’ll be happy as the day is long.