Few jazz musicians stir up as much longing and yearning as Bix Beiderbecke. This isn’t an aesthetic judgment on his achievement as measured against anyone else’s, but I sense that he is so powerfully missed by so many people. Although his recorded legacy is not by any means the most brief, those who love his music both revel in its beauties and wish with all their hearts that there would be more. Nearly seventy-five years after his final appearance in a recording studio, it seems unlikely that more will surface — although more unusual events have happened.
So those who revere him and his music have turned to Alternate Universes — tributes that do more than offer beautifully recorded or more leisurely versions of Okeh, Victor, Gennett, Harmony, Columbia sessions — but attempts to recreate something unheard. (The parallel experiment, and a beautiful one, has always been Bent Persson’s ongoing Studies in Louis, spread over many records and CDs, and always rewarding.)
Nearly fifteen years ago, the very imaginative trumpeter Randy Sandke and friends recorded a CD for the Nagel-Heyer label of music associated with Louis and Bix: here is Doug Ramsey’s 2000 review of that disc. A few years later, Dick Hyman took a small group in to the studio for Arbors Records (with Tom Pletcher inventing new beauties) to consider what would have happened if Bix played Gershwin. (A wonderful Stomp Off session paired Bent and Tom for, among other imaginative fancies, a Bix-meets-Louis romp on MAD.)
Now, a decade later, Paul Adams of Lake Records, with the assistance and encouragement of Julio Schwarz Andrade, has another fascinating project in the works. It’s a continuation of his work over a number of years called Vintage Recording Projects — where he assembles wonderful idiomatic musicians, records them with a minimum of fuss (no baffles or headphones, just people playing in a suitable room) with delightful results. Here is what the most recent session looked and sounded like — heroically gratifying!
I’ll let Julio explain:
The premise is, of course, that there are many tunes that we know Bix played and was fond of, but never had the chance to record. So this is our humble attempt to right that historical / circumstantial wrong, and to recreate what could have been. The musicians are: Andy Schumm, cornet; Mauro Porro, reeds; Kristoffer Kompen, trombone; Frans Sjostrom, bass saxophone; David Boeddinghaus, piano; Josh Duffee, percussion. The list of tunes hasn’t been finalized yet, but the following are being considered (in no particular order): STARDUST / SKYLARK / WOLVERINE BLUES / WASHBOARD BLUES / SWANEE / I’D CLIMB THE HIGHEST MOUNTAIN / LAZY RIVER / IT MUST BE TRUE / PANAMA / ANGRY / HIAWATHA’S LULLABY / NO-ONE KNOWS WHAT IT’S ALL ABOUT among others.
Now, projects like this don’t take shape without support, so we are asking people to help out. Here is the link to contribute some . . . money. A £30 donation gets your name in the booklet. Anything more than that gets you a place in heaven and eternal salvation as well. And all contributions will win gratitude from the organizers, the band, and future listeners.
The session will take place right after this year’s Whitley Bay Classic Jazz Party, and I look forward to the results.
May your happiness increase!