Tag Archives: Ricky Malichi

MONOGAMY, IT’S WONDERFUL: DAN BARRETT, ROSSANO SPORTIELLO, JOEL FORBES, RICKY MALICHI (Cleveland Classic Jazz Party, September 16, 2017)

As Seger Ellis sang in 1929, “To be in love . . . it’s simply marvelous,” and I think most would concur.  Although there is a long tradition of songs describing heartbreak and sorrow, there are also the songs that praise monogamous devotion.

 

 

Here’s one, performed with an affectionate bounce (it was originally a waltz) by Dan Barrett, trombone; Rossano Sportiello, piano; Joel Forbes, dtring bass; Ricky Malichi, drums, at the 2017 Cleveland Classic Jazz Party, sadly the last of those wondrous gatherings.

And if you want to jocularly remark that the only boy and the only girl in the world a) hints at post-apocalyptic romance, or b) they would fall in love out of a lack of other amusements, I hope you’ll keep it to yourself and enjoy this swinging performance more than once.

May your happiness increase!

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UNEARTHED TREASURES: MARTY GROSZ, DUKE HEITGER, DAN BARRETT, DAN BLOCK, SCOTT ROBINSON, ROSSANO SPORTIELLO, JON BURR, RICKY MALICHI at JAZZ AT CHAUTAUQUA (September 22, 2012)

A few more previously unseen beauties from the September 2012 appearance of Marty Grosz and his Sentient Stompers at the much-missed Jazz at Chautauqua, held at the Hotel Athenaeum.

Faithful readers will know I and my team of Oxford University-trained archaeologists have been uncovering marvels this year, featuring (collectively) Marty, Andy Schumm, Scott Robinson, John Sheridan, Kerry Lewis, Pete Siers, Jon-Erik Kellso, and Bob Havens.  The findings are on view here, and here,  and here.  Don’t push; don’t crowd.  All of them, including this post, come with great gratitude to Nancy Hancock Griffith, and those of us who were there know why.

And now, three more marvels by the gentlemen listed in the post’s title.  For the uninitiated, Marty Grosz, guitar and occasional banter; Duke Heitger, trumpet; Dan Barrett, trombone; Scott Robinson, taragoto, tenor saxophone; Dan Block, clarinet, bass clarinet, and trumpet; Rossano Sportiello, piano; Jon Burr, string bass; Ricky Malichi, drums.  And you’ll notice that these splendid improvisers are also sight-reading Marty’s arrangements, another thing to admire them for.

First a very Ellingtonian approach to the theme of erotic expertise:

Then, a swinging arrangement of TOO MARVELOUS FOR WORDS, with an intro that sounds like BIG CHIEF DE SOTA (also circa 1937) and with room for a wonderful surprise: Dan Block on trumpet:

Musical savagery from the early Thirties, with Dan Block’s bass clarinet solo:

What treasures!  To me, worth more than unearthed Troy.  But that’s just me.

May your happiness increase!

THANK YOU, NANCY AND KATHY!

You might not think it from the picture, but two of these women have done the music we love an irreplaceable service, and not just once.

From the left, they are Kathleen Hancock, Abbey Griffith, and Nancy Hancock Griffith: grandmother, granddaughter, and mother.

What have they got to do with JAZZ LIVES, and with jazz?  Joe Boughton, hallowed and irascible, began a series of weekend jazz parties in the Eighties, which I encountered late in their existence, in 2004, as “Jazz at Chautauqua.” I’ve written elsewhere on this blog about these yearly ecstasies of music, friendship, coffee, Scotch, and music.  When Joe’s health began to fail, Nancy gently offered her assistance, both musical and practical — and she was quickly expert and invaluable in all things, from settling disputes about seating or who wouldn’t play with whom, and Chautuqua went on — even improved — after Joe died in 2010.

When the Allegheny Jazz Society moved itself to new quarters in Cleveland, Nancy and her mother, Kathy, took over the running of the Party.  Beautifully, without complaining about the year’s worth of labor such a weekend required.

I won’t go into the economics and logistics of running such a weekend, but even from my semi-outsider’s perspective, the work required had been massive.  And then there’s the financial balancing act.  Thus I was saddened but not entirely startled to read this letter from Nancy and Kathy on the 14th:

Cleveland Classic Jazz Party
All Good Things…

As they say,

— Go out on a high note.

So, after four years trying to make a go of the Cleveland Classic Jazz Party, we find we must take this advice. The 2017 Jazz Party was the best one yet, but unfortunately we find we cannot continue. We gave it our best shot.

This was a very hard decision for us, as we both dearly love this genre of music. We had hoped that we would be able to garner much more support in Cleveland for the Jazz Party, but we were never able to get to the break- even point — even with your generous donations. The costs involved in putting together the first-class productions we all appreciate are too high for us to absorb.

We are still trying to think of a way to continue to support traditional jazz in a small way, but for now, we find we need to disband the Cleveland Classic Jazz Party. We will always remember the wonderful friends we made, and the good times (and some of the challenges) we had along the way.

Many thanks to all of your for your support over the years. We hope to see you often at other jazz events and venues.

Warmest regards,

Nancy Griffith and Kathy Hancock

I could write many things here, but what needs to be said can best be said in music — in a performance from the 2015 Cleveland Classic Jazz Party, THANKS A MILLION, dedicated to Jon-Erik Kellso, by Duke Heitger, Rossano Sportiello, Scott Robinson, Nicki Parrott, and Ricky Malichi:

Nancy and Kathy gave time, energy, patience, good humor, and money — for years — to make these enterprises flourish.  Without them, my life would have been less gratifying.  Bless them! I send deep gratitude, and I know I am not alone.

May your happiness increase!

“HAVIN’ MYSELF A TIME”: PETRA VAN NUIS, ANDY SCHUMM, DAN BARRETT, ANDY BROWN, SCOTT ROBINSON, FRANK TATE, RICKY MALICHI (Cleveland Classic Jazz Party, Sept. 16, 2017)

Photograph by Bill Klewitz

My title comes from a wonderful, lesser-known song by Ralph Rainger and Leo Robin, from a minor Paramount Pictures comedy, TROPICAL HOLIDAY — with Ray Milland, Dorothy Lamour, Martha Raye (possibly playing a matador) and Bob Burns.

We know the song because it was recorded by Billie Holiday in 1938.

And it was performed anew by Petra van Nuis and Friends at the 2017 Cleveland Classic Jazz Party.

Petra had herself a time with some of the best players I know: Ricky Malichi, drums; Frank Tate, string bass; Andy Brown, guitar; Andy Schumm, cornet; Dan Barrett, trombone; Scott Robinson, reeds; Noah Won, piano.

Petra, if you are new to her or her work, can also be seen having a wonderful swinging time at Cleveland here on Sunday morning with an entirely different cast of luminaries: John Di Martino, Nicki Parrott, and Hal Smith.

Rather like our swing ideal Rebecca Kilgore, Petra doesn’t choose to drown herself in melancholy on the bandstand: even when she sings EVENIN’, the brisk tempo reminds us that the grim lyrics are only half the story.  Her outlook is optimistic, as you will see and hear in these four wonderful performances.

She began with an upbeat song, almost a century old, SAVE YOUR SORROW:

After that encouraging beginning, Petra moved to “an old Billie Holiday song,” but you’ll notice she doesn’t attempt to be the Lady — no meow, no rasp:

Another song identified with Billie and Basie (built on DIGA DIGA DOO, I now know by hearsay), SWING, BROTHER, SWING — also a policy statement from the van Nuis camp:

And finally, a real pleasure.  Petra is tall and svelte, but here she extends an affectionate embrace to those who, like me, ruefully are neither.  It’s Fats’ SQUEEZE ME, with the shade of Mildred Bailey in the wings, grinning:

It is so dreadfully unpopular these days to suggest that jazz of any kind is “happy music”; to some it conjures up nightmarish visions of striped jackets and straw boaters.  But Petra and a first-class band create joy.

And here is her website, where you can see other videos, learn all about her and the Recession Seven, and find out where she’ll be appearing next.

May your happiness increase!

AUTUMN SERENADE: CLEVELAND CLASSIC JAZZ PARTY (Sept. 14-17, 2017)

I attended my first version of this party (it was then held in upstate New York and called JAZZ AT CHAUTAUQUA) in September 2004, and I wandered around in a dream-state, astonished by the music and the musicians, many of whom I’d heard for years but hadn’t been able to speak to in person.  And as a journalistic aside, the very first blogpost I wrote here — in early 2008 — was called GOIN’ TO CHAUTAUQUA — so this party and this blog have had a long cozy relationship.

A few years ago the party moved itself to Cleveland, Ohio, and reinvented itself — thanks to Nancy Griffith and Kathy Hancock — as the CLEVELAND CLASSIC JAZZ PARTY. Here is the event’s Facebook page.

In a world where jazz festivals get bigger and bigger and then sink without a trace, the CCJP is going strong.  From Thursday, September 14, to Sunday, September 17, 2017, music will be joyous and triumphant in comfortable surroundings among friends.  And the music is solid Mainstream, with no gimmicks — which you could expect, given the roster of performers.  The flyer I am looking at has, in small type, “Roster and Schedule subject to change,” but I think the players are fairly certain, barring attack by androids or arachnids.

On cornet / trumpet, Duke Heitger, Randy Reinhart, Andy Schumm; on trombone, Dan Barrett; on reeds, Dan Block, Ken Peplowski, Scott Robinson; on guitar / banjo, Howard Alden, Andy Brown; on piano, Ehud Asherie, James Dapogny, John Di Martino, Rossano Sportiello; on string bass, Joel Forbes, Nicki Parrott, Frank Tate; on drums, Ricky Malichi, Pete Siers, Hal Smith; on vocal, Petra van Nuis; gypsy swing quartet, the Faux Frenchmen; historian (giving a presentation on Ella’s centennial) Phil Atteberry.

On Thursday night, there’s an informal session (for donors and weekend patrons only) that begins at 7:30.  Friday begins with Phil Atteberry’s presentation on Ella (10:30-11:30) and then there are piano solos from 2-4 and an evening set from 5:30-11 and an hour’s set — anything goes — in the “Jazz Club.”  Saturday, music from 10-2 and again from 5:30-11 and 11-12.  Sunday, 9-1:30.  My math won’t stand the strain, but that is a great deal of music.  And as someone who feels morally committed to seeing and often recording everything, I appreciate the breaks, which give me and others time to sit and talk in tranquility.

For details — the name of the hotel, prices for individual sessions or the whole weekend, student scholarships, meals, and more, check here.

Should you go?  I think you should, if you can:

If that swinging jazz (from left, Hal Smith, Frank Tate, Rossano Sportiello) doesn’t in some ways motivate you, I don’t know what to suggest.

May your happiness increase!

IN THE RIVER THAT IS TIME: DAN BLOCK’S TRANSFORMATIONALISTS (Cleveland Classic Jazz Party, September 17, 2016)

I think of Dan Block as the main character in a Ray Bradbury story.  Friendly but mysterious, he comes to a small town in the Midwest and puts up a banner advertising his TRANSFORMATIONALISTS: “Time Is But The Stream We Go Fishing In / Come With Us!”  A middle-school trombonist hesitantly approaches the Magical Transormationalist, falls under the spell of the music, and when the band leaves town, she goes with them, entranced, on to glories yet undiscovered.

finshing-thoreau

When Dan has led his “Harlem in the Thirties Updated” group at Fat Cat and other venues, I’ve not counted the audience members to see if anyone went missing.  But we were certainly entranced and remain so.

A version of Dan’s magic troupe performed a brief set at the Cleveland Classic Jazz Party in September 2016: Dan, alto saxophone / arrangements; Scott Robinson, tenor saxophone; Ehud Asherie, piano; Jon Burr, string bass; Ricky Malichi, drums.  The repertoire came from famous bands (Andy Kirk, Fletcher Henderson, Benny Carter) and was written by Mary Lou Williams, Carter, and others — but it sounded fresh, rather than being a distillation of famous records.

The opener, associated with Chick Webb, HARLEM CONGO:

Mary Lou Williams’ composition (I believe Puddin’ Head was trumpeter Edgar Battle):

another Mary Lou creation:

Something for and from Benny Carter:

And, finally, an early version of climate change from the 1934 Henderson band:

Inventive and wholly satisfying.  Another version of the Block Transformationalists will be playing at Smalls on West Tenth Street on February 3, 2017, with the group that performed this music at Dizzy’s Club Coca-Cola. Mark your perpetual calendars, please.

May your happiness increase!

“JUST FRIENDS”: EHUD ASHERIE, HOWARD ALDEN, FRANK TATE, PETE SIERS, BILL ALLRED, RANDY REINHART, DAN BLOCK (ALLEGHENY JAZZ PARTY, September 10, 2015)

JUST FRIENDS

JUST FRIENDS — when it was originally performed in 1931 — was a sad love ballad, appropriate to the beautifully mournful tones of Red McKenzie — and notice how hip and expansive his second chorus is.  He had known and heard the Chicagoans, Jimmie Noone, and of course Louis:

If you prefer the 1932 Russ Columbo version, it’s beautiful also.

At some point, JUST FRIENDS was treated less as a lament and more as a song to play on.  (One could point to the Charlie Parker with Strings recording in 1949, and subsequent performances, but Bird often treated it as a medium-tempo ballad.)  And that tradition — swing rather than sobbing — prevails today.

I present an extended swing meditation on this song, performed on Thursday, September 10, 2015.  The participants, the creators, are Ehud Asherie, piano; Frank Tate, string bass; Pete Siers, drums; Howard Alden, guitar; Bill Allred, trombone; Randy Reinhart, cornet; Dan Block, tenor saxophone.

That is the sort of wonderful music that happens every year at this party, whether it’s at the informal jam sessions of Thursday night or the sets on Friday, Saturday, and Sunday.  This year, the Party takes place from September 15 to the 18th.

A word about names.  When I started attending this party, it was held in Chautauqua, New York, and was called Jazz at Chautauqua; then it moved to Cleveland and temporarily was called the Allegheny Jazz Party; now it has become mature and changed its name to the Cleveland Classic Jazz Party.  You can find out more details here, on Facebook, or at the Party’s www.alleghenyjazz.org, or even by calling 216.956.0866.

The Party takes place at the InterContinental Hotel and Conference Center, 9801 Carnegie Avenue, Cleveland, OH 44106.  You can call 216.707.4100 or 855.765.8709 to make reservations, but be sure to use the Group Code YOO when you call or reserve online.

Musicians who will be there . . . are the Faux Frenchmen, Rebecca Kilgore, Wesla Whitfield, Andy Stein, Hal Smith, Pete Siers, Ricky Malichi, Frank tate, Kerry Lewis, Jon Burr, Rossano Sportiello, Mike Greensill, James Dapogny, Ehud Asherie, Marty Grosz, Howard Alden, Bill Allred, Dan Barrett. Scott Robinson, Dan Levinson, Dan Block, Harry Allen, Jon-Erik Kellso, Andy Schumm, Randy Reinhart, Duke Heitger.

Come by, hear some wonderful music, eat and drink, and make friends.

May your happiness increase!